Germany
fisun.guner
Albert Speer was Hitler’s most high-ranking war minister, but just how much was he complicit in Nazi atrocities? Thirty years after his death, and 16 after Gitta Sereny’s controversial biography, Albert Speer: His Battle with Truth, Speer remains a most enigmatic figure. Made in 2005 and now released on DVD, Speer and Hitler: The Devil’s Architect (dir: Heinrich Breloer; English subtitles) is an award-winning three-part docudrama that attempts to unravel that enigma.Sebastian Koch, who starred in the outstanding Lives of Others (dir: Florian Henckel von Donnersmarck; 2006), plays Speer as the Read more ...
David Nice
So the world didn't end yesterday as predicted, and Wagner's divine comedy about the meaning of art has weathered the ironic apocalypse following Hitler’s misappropriation. Bayreuth reels, but we Brits are lucky to have two stagings in under a year which take the humanism at face value. Scaling it down for Glyndebourne's intimate summer paradise, given director David McVicar’s knack of finding a plausible historical setting, should have offered a viable alternative to Richard Jones's hallucinogenically wonderful Welsh National Opera production. Often it did. The problem was that several Read more ...
Adam Sweeting
America has been very good to Hugh Laurie. His starring role as Dr Gregory House has shot him to the top of the earnings tree in US television, while comprehensively demolishing existing preconceptions of him as the blissfully idiotic Bertie Wooster, or the half-witted Prince Regent in Blackadder the Third. You might even say that with House, Laurie finally got the chance to play Blackadder.It's a mutual transatlantic love affair, and Laurie's triumph as the manipulative medic has given him a platform from which to record an album of his adored blues and New Orleans music, Let Them Talk. In Read more ...
David Nice
Anything goes in the wacky world of Berlioz’s Faust story. It’s a heaven and hell of a lot better than Gounod’s, but it isn’t an opera, it isn’t an oratorio and it certainly isn’t the gospel according to Goethe. So Terry Gilliam, ENO’s latest wild-card debut director, was right not to play by all of the composer’s already rather warped rules. At first you sigh: not the Nazis and the Holocaust again. But only an oddball visionary like Gilliam is going to come anywhere near the often disorienting musical pictures painted by the most original of Romantics.And the Romantic movement in which Read more ...
igor.toronyilalic
We all knew about the throat problems and the vocal-cord-threatening surgery. But Rolando Villazón's post-operation return to the Royal Opera House last night appeared to reveal heart issues too. At least that was the only way I could explain the endless arm-swinging and chest-clutching. Twenty, perhaps 30, times he clutched and swung. Surely this wasn't Villazón's attempt to characterise Werther's heartache, was it?For the first two acts, it seemed so. It initially blew a hole in the work. Jules Massenet's Werther is an economical drama. The libretto (an adaptation of Goethe's Read more ...
james.woodall
Wim Wenders (b 1945) is one of the great travellers of contemporary cinema. Multi-disciplinary and theme-driven, his work often asks questions about memory and identity, and pulsates with the strong spirit of very particular places. The worldwide success of Paris, Texas (1984), winner of the Palme d’Or at Cannes, made him a bankable director in the transatlantic movie business, but he’s always remained very European, if not necessarily in topic and location, then certainly in sensibility: sombre, quite slow, metaphysical on occasion – the latter displayed no better than in his famous portrait Read more ...
Ismene Brown
Pina Bausch decided: “Words can’t do more than just evoke things - that’s where dance comes in.” Well, up to a point, Lord Copper. Only if they’re bad words and good dance - bad writhing instead of, say, Shakespeare’s words isn’t much of a swap. But with Bausch, people tended to hang on every word, probably because so much of her dance was indeed pretty damn good, and it’s so difficult to put into words just why that was.Part of it was that it was a theatrical expression of adult instincts that we all share, rather than a school of dance that you had to know standards to access. Wim Wenders Read more ...
graham.rickson
Unpleasant feelings of confinement and claustrophobia hit you when the curtain rises after Beethoven’s disconcertingly jolly overture; one small room is visible on stage, framed by black curtains. The sun shines oppressively through the barred windows, and the characters look constrained, physically awkward. After the occasionally over-the-top visuals of several recent Opera North productions it’s good to watch something so clean and uncluttered. The beauty of Tim Albery’s production, originally staged by Scottish Opera in 1994, is its unfussiness and clarity – nothing happens on stage that Read more ...
mark.hudson
You hardly expect to turn out for an exhibition of cutting-edge photography because of what the images are of. You go for the style, for the technique, for what’s being said about the medium and the, er, beauty. Yet at least one of the nominees for this year’s Deutsche Börse Photography Prize – an event that seems to be emerging as a kind of Turner Prize for photography – belongs to the old, subject-oriented approach to the lens. A member of the legendary Magnum agency, American Jim Goldberg is a photojournalist, who travels the world looking for bad stuff – torture, refugees, human Read more ...
aleks.sierz
The political background is vital to the play, so pay attention: during the Second World War, the small Baltic state of Latvia was threatened by its two big neighbours, Nazi Germany and Soviet Russia. In fact, when these countries signed the Molotov-Ribbentrop Pact in 1939, this document included a secret clause which put Latvia in Russia’s “sphere of influence”. Soon after, Soviet troops occupied the country, only to be chucked out when the Nazis invaded in 1941. Then the Soviets returned at the end of the war, and some Latvians joined the Germans in fighting to keep them out. After the war Read more ...
fisun.guner
The sea: the depths from which all life emerged, and a force of destruction. Anselm Kiefer contemplates its sublime beauty and terror in a new exhibition of 24 panoramic photographs, ranged three-deep on two facing walls. Each grey and grainy seascape has been smeared and splattered with white paint and transformed by “electrolysis”, a process which isn’t further explained in the press release but which sounds suitably and impressively dramatic.Characteristically, Kiefer takes as his starting point a work of literature, references to which have been elegantly scribed in a looping hand on Read more ...
josh.spero
Is there a televisual instruction manual for Nazi-era dramas? Cabaret singers with heavily kohled eyes, champagne from unmatched glasses in a shabby-chic apartment, smoke-filled gay bars in cellars with muscled trade, Stormtroopers marching in lockstep and Nazi banners unfurling from windows would all be on it. If there is, Christopher and His Kind last night was following it - but then it also wrote it.Christopher Isherwood is responsible as much as anyone for our perceptions of the period, but after decades of cinematic and theatrical adornments and encounters in this mode, a production of Read more ...