Germany
Adam Sweeting
Out of the blue, in the middle of the midsummer slump, came this unusual and original one-off play (I say "play" because it would convert naturally to the stage). Finding a new angle from which to explore Hitler and the Nazis might seem impossible, since few subjects have had their bones picked clean more obsessively. A keg of schnapps, then, to writer Mark Hayhurst, who successfully pulled this one out of his hat.Ed Stoppard played Hans Litten, a young left-leaning Jewish barrister in Berlin at the start of the Thirties. Not a great time for Germany, obviously (described as "a failing Read more ...
Kieron Tyler
Although FW Murnau’s pre-America years will always be defined by 1922’s Nosferatu, he’d already racked up nine films in the preceding three years. He made his mark on Hollywood with the 1927 landmark Sunrise but, although being overshadowed by Nosferatu, his earlier German films reveal how he reached these points. Schloss Vogelöd (also known as The Haunted Castle) is a Murnau obscurity, a stately, atmospheric meditation from 1921 that’s capable of giving the willies.But they take a while manifesting themselves. The straightforward plot is drawn out. Every scene is a carefully staged set piece Read more ...
stephen.walsh
Richard Wagner has probably only himself to blame if his operas have become a laboratory for the testing-to-destruction of the intellectual preoccupations of that Opera Führer of our time, the stage director. Wagner it was, after all, who transferred the mythic concept of concealed meaning to the opera house: Wagner who recreated legend as psycho-social allegory, and made musical narrative the handmaiden of philosophy and political ideology. What he would have thought of the latest manifestation of these processes in the staging of his works in the opera house he built at Bayreuth is a good Read more ...
Marina Vaizey
In Düsseldorf in the 1970s there was an astonishing art academy, the Kunstakademie, with amazing teachers – and amazing students. Düsseldorf was a proud art city, and published at the time a book of photographs called Düsseldorf City of Artists. The presence of that great messianic leader Joseph Beuys loomed large. Gerhard Richter (and Gotthard Graubner among others) taught painting, and an outstanding couple, Bernd and Hilla Becher, taught photography and photographed anonymous industrial architecture in black and white. Germany rejoined and even led the avant-garde that it had destroyed in Read more ...
joe.muggs
The Seventies “Kosmische” music of Germany – the more spaced-out and synthesister-led counterpart to Krautrock that had its commercial apogee in Tangerine Dream – seems to be a gift that keeps on giving. Perhaps because the releases were for so many years mainly obscure and had to be hunted down by passionate and/or deranged followers, it has built a global network of followers who extend its principles into new music. From Gorillaz' Damon Albarn to techno legends like Carl Craig, its rippling synth patterns and sidereal twinkles can be heard woven into the fabric of popular culture. And Read more ...
stephen.walsh
In 1981, when I last came to Bayreuth, the festival still seemed to be a battleground between the German Left and Right, between the blame faction and the guilt faction, between the commie East and the fat-cat West. Plus ça change. Without quite openly taking sides, Sebastian Baumgarten’s new staging of Tannhäuser rings some cracked old political bells while, apparently with Bayreuth’s connivance, candidly parodying most of the thinking that underpins this admittedly somewhat raw, yet for Wagner absolutely crucial early work.Baumgarten is the latest scion of the Felsenstein school, a pupil of Read more ...
Ismene Brown
This is the one DVD of all the recent issues of dance on film that will show you simply and honestly the rigour and the beguilement of how people are drawn to dance, and what dance draws out of them. A straight documentary about the dance-theatre of Pina Bausch, it's really about teenagers and their extraordinary ability to soak up opportunities, innocently perform complex things and wipe them clean of old associations - and make all us feel more human and restored.The kids are one of the two amateur casts in the staging of Bausch’s dancework, Kontakthof - a portrait of goings-on in a Read more ...
Ismene Brown
Sylvie Guillem is back, chicken-skinny, middle-aged, dressed like a dowd. Did I just write that? And let’s add: as swift as mercury, as exact as a feather, as light as the sun, and as eternal in intelligent beauty as Nefertiti. In contemporary dance, as I was saying at the weekend, it should be permissible to sit in the dark wondering at the inexplicable and the unbelievable. This great ballerina of our era is both inexplicable and unbelievable, in physique and in temperament. Not least incredible is that a Parisienne of 46 would allow herself to appear in two outfits that compete Read more ...
David Nice
What does it take to get the masses into the concert hall? Here's an ingenious marketing campaign which is both mad and clever (though hardly an enticement if you're lactose intolerant). All I can say is, lucky cows, being force-fed Philippe Jaroussky. I wouldn't moo in a bad way at Mitsuko Uchida either. Pity the Eurojingle background music at the end lets it down a bit, but this is one slick ad. 10/10 for enterprise.
Ismene Brown
Time lurches when you see a historical play. But is it a case of autre temps, autres moeurs, or of plus ça change, plus c’est la même chose? Either way, the history needs to slap your face hard with recognition. Schiller’s Luise Miller is a 1784 play that clearly fires at its own vicious contemporary world, a catastrophically corrupt and unruly coalition of German states, and is its world just too far from our own to believe in the tragic young lovers at its core? By no means, in Michael Grandage’s stirring, lucid production at the Donmar, his penultimate before he steps down as artistic Read more ...
David Nice
Georg Friedrich Händel of Halle probably never came here. Other great men certainly did: long after the official foundation of Göttingen's Georg August University in 1734 - the year in which the composer wrote a masterpiece, Ariodante, in another spa town, Tunbridge Wells - would-be or successful students included Goethe, Heine, the Brothers Grimm, Schopenhauer and Bismarck. It's hardly a Baroque town, either, though its beauties are manifold. What matters is that the revival of Handel operas began here in the 1920s and that for the last 20 years the annual festival has been bouncing under Read more ...