French horn
Alec Frank-Gemmill
One former teacher of mine said of their recording of the Mozart horn concertos “I’m not really sure why I bothered”. Said recording is excellent, so they were probably just being excessively modest. Nevertheless, every new version of these pieces does beg the question, why do we need another one? I was lucky enough to be offered a contract with the record label BIS 10 years ago on the understanding that I would definitely record Mozart’s horn concertos, among other things. It has taken me this long to get around to it. My experiences making discs on period instruments, of transcriptions Read more ...
Bernard Hughes
London’s non-professional orchestra sector is an undervalued asset to the city, and deserves more attention. And so last night I went to hear the Royal Orchestral Society, accompanying horn superstar Ben Goldscheider, and it proved a better way to spend an evening than sitting through another tortuous England football tournament game.The programme was typical of the ROS’s imaginative approach to repertoire under conductor Rebecca Miller. It focused on Ukrainian music – and had an invited audience from London’s Ukrainian community in attendance. (Concerts later this year promise Judith Weir Read more ...
David Nice
Milton Court, like its parent Barbican Hall, disconcertingly inflates the sound of larger ensembles and voices. Had there been a conductor for all four pieces in the Britten Sinfonia’s programme - Michael Papadopoulos was there for the two most recent works – the approach might have been more nimble and nuanced. Though Mozart in masterpiece form could have been a gambit to entice warier punters, a fourth British work would have rounded out the overall picture better.That all sounds grudging, especially as the senselessly ACE-defunded Britten Sinfonia needs all the help it can get right now, Read more ...
stephen.walsh
There were a lot of horns on display in the BBC NOW’s latest concert in Cardiff’s Hoddinott Hall. Brahms’s Second Symphony has four of them, and so does the Elegy for Brahms that Parry wrote on hearing of Brahms’s death in 1897. Gavin Higgins’s Horn Concerto, whose world premiere formed the programme’s centrepiece, has no less than five.It was a horny concert, in the nicest sense, but even in that other sense that nice people don’t mention, such is Brahms at his most – shall we say – virile.Higgins is himself a horn-player, so his concerto is not just a passing commission but clearly Read more ...
graham.rickson
Berlin Philharmonic Horn player Sarah Willis’s Mozart y Mambo caused a stir in 2020, its mixture of Mozart and traditional Cuban music making it a bestselling crossover disc.Two years on and the second volume has just been released, the sessions held in Havana in January and April this year. As with the first album, a percentage of the proceeds will go towards raising money for new instruments for the Havana Lyceum Orchestra. We discussed the project over Zoom in August.What prompted you to record a second CD?Second albums are notoriously difficult! The mixture of Mozart and mambo proved Read more ...
Ian Julier
Although the large auditorium of Lighthouse, Poole may not offer the most favourable scale and intimacy for a chamber recital, the high quality of communicative chemistry and performance readily reached out to engage and hold the audience spellbound for the whole evening. For those still unaware, Felix Klieser has been making much news in recent times. Appointed last year as the BSO’s new Artist-in-Residence, he has already impressed in a performance of Mozart’s Horn Concerto No.4 with the orchestra conducted by Kirill Karabits. As well as concerto performances and chamber recitals, his two- Read more ...
graham.rickson
Dennis Brain: Homage (Warner Classics)Eleven CDs, assembled to mark the centenary of the legendary hornist’s birth. Whoop whoop. Start at the beginning, with a 1938 recording of Mozart’s K334 Divertimento. The horn writing isn’t spectacular but the two players are perfectly blended, phrasing as one. This was the 16-year-old Dennis Brain’s recording debut, sat alongside his father Aubrey in Abbey Road Studios. Dennis’s clean, pure tone was a constant throughout his short but spectacular career, the move from a narrow-bore piston instrument to a modern Alexander horn managed without any Read more ...
graham.rickson
Brahms: Chamber Music Alec Frank-Gemmill (horn), Daniel Grimwood (piano), Benjamin Marquise Gilmore (violin) (BIS)An hour’s worth of Brahms’s chamber music for horn? Almost; we get the familiar Opus 40 Trio here, plus arrangements of the Op 38 Cello Sonata and the Scherzo in C minor. Horn player Alec Frank-Gemmill makes the point that substituting different instruments in chamber music was common practice in the mid-19th century. Simon Smith’s transcription of the C Minor Scherzo is a giddy romp, taking its cue from the music’s 6/8 hunting rhythms, the horn part’s huge leaps made more Read more ...
graham.rickson
Horn player Sarah Willis joined the Berlin Philharmonic in 2001. She juggles her position with spells of teaching, interviewing soloists and conductors for the Berlin Philharmonic's Digital Concert Hall and hosting an online series of Horn Hangouts, interviews with musicians streamed live on her website and archived on YouTube. Willis's new album, Mozart y Mambo, is an exuberant blend of solo horn pieces by Mozart with traditional Cuban music. Recorded in Havana in January 2020, a percentage of the album’s proceeds will go towards buying instruments for the musicians of the Havana Lyceum Read more ...
graham.rickson
Franck: Psyché, Le Chasseur maudit, Les Éolides RCS Voices, Royal Scottish National Orchestra/Jean-Luc Tingaud (Naxos)Franck by Franck: Symphony in D Minor, Ce qu’on entend sur la montagne Orchestre Philharmonique de Radio France/Mikko Franck (Alpha Classics)You bemoan the lack of decent modern recordings of César Franck’s orchestral music, and then these two discs appear in succession. Rather than choose between them, I’ll to cover both. A few seconds’ exposure to Franck’s Le Chasseur maudit should have you wondering why this punchy short work isn’t a repertoire standard. Jean-Luc Read more ...
David Nice
Horns fanfared, coasted and chorused through yet another Philharmonia winner of a concert to match the impressive planning of its Weimar season last year and no doubt a plan close to the heart of principal conductor Esa-Pekka Salonen, who started his musical life as a horn-player. Between the dark-woods harmonies of Weber's Overture to Der Freischütz and the scampery of Strauss's Till Eulenspiegel, the orchestra's former first horn Richard Watkins perfected his way – or, to paraphrase the simile of horn-playing by another top exponent, Barry Tuckwell, drove his car sleekly on black ice – Read more ...
Bernard Hughes
Most classical concert reviews focus on prominent orchestras and opera companies at major venues. But beyond the likes of the Barbican and the Royal Opera House, there are whole strata of musical life where smaller scale ensembles and amateur choirs provide a vital live music experience in less exalted venues.The Conway Hall in London is one such venue, whose offering goes beyond music – it embraces art, lectures, community events and even monthly atheist "services" – but whose main hall has a pleasant acoustic for its regular Sunday concerts.Last Sunday’s was given by the Fibonacci Sequence Read more ...