family relationships
alexandra.coghlan
Step aside Prince Charming – there’s a new fairy tale in town, and your only substantive contribution fits into a small plastic sample pot. At some point in the last few years the Shangri-La, the unattainable dream of romantic comedies, shifted from man to baby. Hollywood started asking itself what happened after Happily Ever After, and the answer – they started trying for a baby, went through several painful, unsuccessful courses of IVF before he cheated with a work colleague – wasn’t pretty. With Jennifer Lopez’s The Back-up Plan and lesbian artificial insemination drama The Kids are Read more ...
theartsdesk
Daniel Kitson only occasionally performs at comedy venues at the Fringe these days - perhaps a late-night spot here and there, though not a full set - but it has become almost a tradition that he writes a new piece for the Traverse each year. On the cusp of comedy and theatre is, surely, storytelling and Kitson, winner of the Perrier comedy award 2002, has become a storyteller of excellence.It’s Always Right Now, Until It’s Later, Traverse *****And so it proves again with this enigmatically titled piece about the glory of being alive. He tells the stories of William Rivington and Caroline Read more ...
aleks.sierz
What sound does a screaming foetus make? It’s not the kind of question that most theatre plays provoke you to ask, but Mike Bartlett’s new piece about climate change is not a normal play. At the end of the first half of this rollercoasting epic, dazzlingly directed by Enron maestro Rupert Goold and which opened last night, the image of a foetus crying out in the womb seems perfectly reasonable. It’s that kind of show; fuelled by a wildly imaginative vision, when it ignites it burns like phosphorous. And, believe me, that changes your perceptions.The main theme is climate change, and Bartlett Read more ...
Kieron Tyler
Patagonia’s Welshness was a nagging issue for Gruff Rhys, mainman of Welsh psych-nauts Super Furry Animals. His distant cousin, the folk singer René Griffiths, was born in the desert-filled southern reaches of Argentina, but visited Wales and appeared there on TV in the mid-Seventies. Remembering those appearances, Rhys decided to visit Patagonia to search for Griffiths amongst the region’s Welsh-speaking community. Given a Rhys-hosted outing at the BFI, the resulting film Separado! was billed as being followed by a live set with Brazilian Furry Freak Brother-lookalike Tony da Gatorra.Da Read more ...
fisun.guner
Rupert Everett knows who he is: he is English, he’s a toff and he’s a poof, thank you very much. And that’s just about all you need to know to tell you that, as a breed, they’re pretty damned sure of themselves, these English toffs, poofs or not. But he’s also a pretty memorable actor. Yes, really. Let me try to convince you. I once saw him – and this must have been just before Another Country hit the big screen, for his name didn’t mean much to me then – on stage in Webster’s The White Devil. He looked cute enough in his period costume, but his energy was a thunderbolt. Not only did he Read more ...
carole.woddis
The Martin McDonagh phenomenon is a curious one. He burst upon the world in 1996, aged 26, born in Camberwell, the son of Irish parents. The quirk of fate that placed him in south east London may or may not have been the making of him. But by pure accident, and whether he actually knew the people involved or not, it aligned him with what was to become the abiding zeitgeist of the mid-Nineties: BritArt and Damien Hirst and Tracey Emin. This may seem a red herring as an introduction to a review of the Young Vic’s revival of McDonagh’s The Beauty Queen of Leenane, the play that set him on the Read more ...
fisun.guner
No-nonsense Hayley Taylor is to the terminally unemployed what Jo Frost, aka Supernanny, is to the attention-seeking, tantrum-prone pre-schooler – but without the naughty step. In this reality three-parter she attempts to do what whole governments have so far failed to: to get members of the long-term, unskilled unemployed (what some might unkindly term the "Jeremy Kyle generation" – aka the underclass) back into the labour market. This she attempts to do, not by sprinkling magic Fairy Jobmother dust over the British economy, but by addressing the “negativity” of those she’s come to rescue Read more ...
alexandra.coghlan
"Oh! My Daddy, my Daddy!" It’s a cry that has echoed through the childhood of generations of English children, reducing all but the very staunchest to tears. Whether encountered through Edith Nesbit’s book or the classic 1970 film, The Railway Children is a national touchstone, sitting alongside Peter Pan and Alice in Wonderland at the core of a proper English upbringing. With the film celebrating its 40th anniversary this year, what better time to don your knitted tam o’ shanter and climb aboard the latest theatrical adaptation, currently hissing and chugging its way into the disused Read more ...
Matt Wolf
Kristin Scott Thomas possesses an altogether singular beauty: classical yet faintly wistful, intimidating at times but equally capable of enormous warmth. And because this English rose has professionally blossomed not just in the Anglo-American cinema (and theatre) but also in France, there's something faintly "other" about her. That, in turn, has been useful to this actress's stage turns in Chekhov and Pirandello and accounts for her infinite variety on screen. After all, not everyone could move with ease from John Lennon's Liverpudlian aunt to her latest film role as a French doctor's Read more ...
Ismene Brown
Get your tent and ice-box and plan your summer's entertainment with theartsdesk's definitive clickable festival guide - listings and links for all the UK festivals this summer, from heavy rock by Scottish lochs to Morris-dancing in the south west, and taking on opera, classical and major international arts festivals for good measure. If you know of a festival we've missed, please email info@theartsdesk.com with brief details of venue, booked artists and the website and we'll put it in for the world to see. ScotlandRock Ness, 11-13 JuneDores, Inverness-shire, ScotlandFatboy Slim, Read more ...
howard.male
Joe, Sam and Bruce may be three callow teenagers from southern Utah but they’re still smart enough to realise that the only world they have ever known is wrong, deeply wrong. So wrong, in fact, that they make the hardest decision of their lives by leaving their family, friends and community behind forever, as this is the only way to escape the madness. Directors Tyler Measom and Jennilyn Merton deserve credit for being such invisible presences in a film which simply bears witness to the lives of the boys once they have escaped the sinister-sounding “crick”, a Fundamentalist Latter-Day Saints Read more ...
Veronica Lee
The fourth and last instalment of the ogre animation is a belter. It’s in 3D for one thing and, while the pop culture and film references have been toned down in Josh Klausner and Darren Lemke’s screenplay (directed by Mike Mitchell), in order to tell a gentle morality tale, it takes as its inspiration Frank Capra’s It’s a Wonderful Life. And that’s a very good starting point for any movie.Shrek (voiced by Mike Myers), now living in connubial bliss with his beloved Princess Fiona (Cameron Diaz) and their three babies - a trio of burping, farting little green ogres - is in a rut. He may be a Read more ...