fairytales
David Nice
A plea to anyone who was seeing Rimsky-Korsakov’s last opera for the first time at the Hackney Empire: please don’t give up on ever seeing or listening to it again, as some I spoke to afterwards said they just had. I promise you, the fault lies in this production, though not for the most part in the singing.Pushkin’s original, very succinct, satirical verse fairy tale was a clever kick against the tyranny of Tsar Nicholas I; Rimsky-Korsakov and his librettist Belsky saw the twilight of empire in 1907, though the composer didn’t live to see his opera, so long censored and banned, on the stage Read more ...
Izzy Smith
For most of us, fluttering our eyelids to convince a loved one to cook dinner is harmless meddling. Complimenting our boss on their new coat before asking for a promotion is necessary cunning. For the characters in Lucie Elven’s debut novel The Weak Spot, however, small moments of manipulation amount to something rather more sinister.Insecurities, penchants and fears become means of exploitation in a novel that uncovers what it is to have our "weak spot" used against us. Delightfully equivocal and quietly unnerving, the book offers a striking allegory of the power of information in the modern Read more ...
Laura de Lisle
This show has been a long time coming. Neil Gaiman had the first inklings of The Ocean at the End of the Lane when he was seven years old and living near a farm recorded in the Domesday Book. Several decades later, he wrote a short story for his wife, Amanda Palmer, “to tell her where I lived and who I was as a boy”, as he puts it in his programme notes.That short story was developed into an award-winning novel; Joel Horwood’s adaptation opened at the Dorfman Theatre in late 2019, and was meant to transfer to the West End in early 2020. Now it’s back, and the spellbinding beauty of Katy Rudd’ Read more ...
Gary Naylor
Trigger warnings have become commonplace in theatres these days, but few chill the blood like the description "a new musical" on a playbill. There are so many things to go wrong, so few ways to get things right and, never far away, the dissenters who caught ten minutes of the Sound of Music during its annual Christmas TV airing and won’t stop telling you exactly how they feel about musicals.So, while the National Theatre gears up for its new musical, Hex, the RSC is commendably returning to its lockdown-postponed The Magician’s Elephant, both productions given the stages and Read more ...
Marianka Swain
Let it snow! The Broadway musical adaptation of the Disney film behemoth Frozen premiered back in 2018 and now, following Covid delays, a rejigged version finally makes its home in the West End – to the delight of the army of miniature Elsas in attendance. The good news is that there’s plenty here to keep grown-ups entertained as well.The show faithfully adheres to the film plot – as, indeed, it must to avoid a riot – but Jennifer Lee’s book adds more psychological depth to Elsa and Anna (Samantha Barks and Stephanie McKeon), and addresses, if doesn’t quite solve, the dramaturgical issue of Read more ...
alexandra.coghlan
It’s hard to know where to start with this chaotic Hansel and Gretel, and not just because Humperdinck’s opera has been cut, spliced and re-stitched with a brand-new libretto, new characters and multi-track, multi-option audio. The restless, competing ideas, the gaudy design, the ill-judged tone, the fussy technology all conspire against the performers, who produce some fine singing despite everything.What makes it all the more enraging is the fact that, as British Youth Opera’s CEO Nicola Candlish reminded us before the performance, these near-professionals have, in many cases, lost months Read more ...
Rachel Halliburton
Which of Shakespeare’s plays is most plagued by misperception? For my money, I would argue A Midsummer Night’s Dream. Most people encounter it at school age because of the ease with which it can be dressed up as a light comedy involving fairies. Yet at heart this is a deeply primal work which draws upon the raw power of the elements to look at the arbitrary nature of desire and how radically it can rewrite any individual’s life.This aspect of the play has informed the RSC’s latest interpretation, though it is rightly the high-tech nature of its Dream that has dominated all the preview Read more ...
David Nice
Christmas isn’t just for Christmas, Daisy Evans’s bargain-basement fir-trees-and-tinsel production of Humperdinck’s evergreen masterpiece seems to be telling us. Filmed in Glasgow’s Theatre Royal last December, the February online premiere doesn’t exactly, as she claims in her intro, tell us “why live theatre is valuable” - hint: it isn't, wasn't streamed live - though sure enough, we’re all “desperate to get back to it” (who’s applauding at the end, incidentally? There can’t have been an audience). I’d skip the first three minutes of sales pitch and go straight to the Overture.Which, with a Read more ...
Owen Richards
With Netflix releasing Rebecca on Wednesday, who’d have thought that a kid’s film would be this week’s best adaptation about an estate haunted by the memory of the deceased lady of the manor? Written and directed by the team behind Channel 4’s National Treasure (a very different production), The Secret Garden manages to recapture the warmth and familiarity of a classic weekend family film, with just a pinch of darkness.Based on the classic children’s novel by Frances Hodgson Burnett, we find recently orphaned Mary (newcomer Dixie Egerickx) on the way from her parent’s Indian house to her Read more ...
David Nice
Think you’ve seen enough of monologues and duets over the past few months? Watch this and reel. Four British directors, four conductors with close ties to the Royal Opera and five singers based here, from South African and Spanish-born sopranos on the house's Jette Parker Young Artists Programme and a baritone with youth also very much on his side to a top tenor and mezzo, between them serve up stagings of cantatas and song cycles which work brilliantly as a whole. The curator (three cheers!) is Director of Opera Oliver Mears, while the flawless and evocative designs common to four are by Read more ...
theartsdesk
There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.Enola Holmes ★★★★ Millie Bobby Brown gives the patriarchy what-for in a new Sherlock-related franchiseEternal Beauty ★★★★ Craig Roberts's fantasy conjurs surreal images and magnetic performancesI'm Thinking of Ending Things ★★★★ Charlie Kaufman's eerie road trip through love and lossLes Misérables ★★★★★ An immersive, morally complex thriller set in the troubled suburbs of present day ParisMax Richter's Sleep ★★★★ Read more ...
Nick Hasted
This seems a perfect project for Matteo Garrone, a director who has found new ways to conjure old Italian dreams, and invests even his most grimly realistic films with fairy tale logic and wonder. Carlo Collodi’s 1883 story is here returned to its local time and place, as Pinocchio’s picaresque journey of experience unfolds in a deliberately traditional, lovingly crafted children’s film.Roberto Benigni’s Geppetto, pictured below, adds Spielbergian sentiment and expert comic business to early scenes, and touching frailty later. Garrone’s two best-known features, the sociological gangster Read more ...