The Ode Islands, Pleasance at EICC ★★★★ I might be going out on a limb here, but you’re unlikely to encounter anything quite like The Ode Islands elsewhere on the Fringe – perhaps anywhere, to be honest. That’s both in terms of form and content. Let’s get the first of those out of the way: Irish-born, Hastings-based solo performer Ornagh (yes, she’s single-named) dances, acts and lip-synchs sandwiched between two screens, interacting with intricate CGI both as a backdrop of psychedelic landscapes and in the foreground as monsters, demons and more. The effect isn’t always 100% faultless, Read more ...

Cat Cohen, Pleasance Courtyard ★★★★★In Broad Strokes Cat Cohen paints a fascinating picture of events leading up to the stroke that could have killed her. Thankfully three years on she is now fully recovered – and from near tragedy comes this superb show.The hour is her trademark mix of standup and music (with Frazer Hadfield on piano) and Cohen delivers it in her usual deadpan, knowing style. You might forgive her should some sentimentality creep in, but no, her cuttingly ironic comedy shines through –  “I had a stroke at 30: isn’t that so creative?”Describing the health Read more ...

Ordinary Decent Criminal, Summerhall ★★★★★ Frankie learnt a thing or two about the police and how they work from his years as an activist. Fighting for crucial political causes, however, never seemed at odds with a sideline in drug-dealing – which, when the authorities got wind that the chocolate bars he was importing from Spain weren’t exactly Cadbury’s, earned him a few years inside. Once banged up, however, Frankie finds himself immersed in prison feuds, struggles for power, conflicts and unexpected connections.Ed Edwards’s vivid, vibrant solo play fits its performer – comedy legend, Read more ...

Emmanuel Sonubi, Pleasance Courtyard ★★★★This show – Life After Near Death – is not about dying, it is about living, Emmanuel Sonubi tells us. Well, actually it’s about both, as in his case he nearly died of heart failure but, thankfully here he is.A physically imposing figure, the comic – an ex-nightclub bouncer – certainly looks good, but then he has always been fit. But not fit and healthy, as we learn he had a taste for big nights out that would include “party sugar”. There’s only so long you can cane it before the Grim Reaper starts taking an interest.Sonubi Read more ...

Kinder, Underbelly, Cowgate ★★★ Drag artist Goody Prostate (yes, I know) receives a call from a local library. Garbed in lederhosen and sporting a preposterous German accent, she was expecting a brutal, no-prisoners-taking drag roast battle. Instead, she finds that she’s actually been booked to read to a bunch of kids.Okay, the starting point for Melbourne-based actor/writer Ryan Stewart’s solo show might not be the Fringe’s most convincing, but it nonetheless offers up plenty of opportunities for a dissection of current moral panics, and of the rights and wrongs of introducing children Read more ...

Eric Rushton, Monkey Barrel ★★★★ Everything about Eric Rushton is lo-fi. His delivery, his movement about the stage, his interactions with the audience. Even the subject matter of this show – mental health, lost love – is low-key. Yet with his deadpan delivery and finely wrought gags, he commands the audience and delivers a lot of laughs.He tells a personal story, although one or two set-ups may have some comedic licence. But the core of Innkeeper – about how Rushton has come to handle his sometimes fragile mental health – has the imprimatur of lived experience.He takes us back to Read more ...

The Horse of Jenin, Pleasance Dome ★★★★★ Alaa Shehada bounds onto the stage, all muscular energy and swaggering self-confidence, for what’s effectively a cross between stand-up and solo theatre. Is it wrong to joke about Palestine? Definitely not, the larger-than-life, matey Shehada clearly thinks, finding plenty that’s funny, or certainly much that’s bleakly ironic, in his native city of Jenin in the West Bank, its cast of flawed, colourful characters, and its strange and awkward ways of life. With the threatening spectre of Israeli occupation constantly in the background.In many ways, Read more ...

The Fit Prince (who gets switched on the square in the frosty castle the night before (insert public holiday here)), Pleasance Courtyard ★★★★They’ve created an affectionate but merciless send-up of Princess Di; they’ve lampooned Gwyneth Paltrow, her lifestyle brand Goop and her (ahem) unfortunate skiing collision; and they’ve even got their claws into the horror show that was the movie version of Cats. Awkward Productions – aka real-life couple Linus Karp and Joseph Martin – have a well-rehearsed arsenal of tried-and-tested techniques for skewering those who deserve it (or, in many cases, don Read more ...

Lily Blumkin, Gilded Balloon @ Patter House ★★★ Lily Blumkin has always planned to be a big-time comic, she tells us. So when her parents downsized and asked her to clear out her childhood bedroom, she went through her stuff – photographs, toys and other oddities – to curate the future museum dedicated to her life and work.That bit of chutzpah is the neat construct of Nice Try, in which the Brooklyn-based Daily Show writer and performer tells us the story of her childhood. She plays all the characters who appear here – among them her first boyfriend, her first girlfriend, her Read more ...

Desiree Burch, Monkey Barrel ★★★★Desiree Burch is a bundle of energy as she comes on stage and gives us a warning about the subterranean venue she’s in. It’ll get hot, the Taskmaster favourite tells us – but maybe that’s just her as she going through the perimenopause, and in The Golden Wrath she’s going to tell us all about it.She starts by running through the differences between the various generational groups in the room. At 46 she just falls into the Gen X group, who went through AIDS, drugs culture and serial killers – the very things that Millennials now do podcasts about, she says Read more ...

Lily Phillips, Monkey Barrel ★★★★Lily Phillips is keen to tell us at the top of her show that she’s not that Lily Phillips. There’s no OnlyFans content in Crying but, dealing as it does with her experience of having a baby, it’s graphic in a different way. So strap in.She tells the story from conception to childbirth and also talks about IVF and being part of a National Childbirth Trust group – or a “diverse group of white, middle-class women”, as the comic drily describes it.It takes real skill to tell a personal story like this and keep everyone, male and female, parents and non- Read more ...

The Beautiful Future is Coming, Traverse Theatre ★★★★★Flora Wilson Brown’s epoch-straddling, climate change-themed six-hander had a run at the Bristol Old Vic before transferring to the Traverse Theatre for its Fringe residency. It shows: this is a rich, assured production, deeply bedded in, and as fluid in its performances as it is clear-headed (sometimes harrowingly so) in its themes.And those themes are pretty weighty ones. In 1850s New York, hobbyist scientist (as she’s patronisingly called) Eunice Foote has made a shocking discovery about carbon dioxide, air and heat, but expresses her Read more ...