drama
theartsdesk
It all started so promisingly. Parasite's triumph at the Oscars was a resounding response to 2019's saccharine and problematic Green Book. Art house was in and here to stay. And in some ways, this came to pass - with cinemas caught in a cycle of opening and closing, the blockbusters were nowhere to be seen. Instead, it's been the indies and the streamers keeping us entertained through these days of isolation.This year's Best Of selection reflects the strange and diverse release calendar of 2020. Film has proved to be resilient, and a sparser schedule allowed for some hidden gems to shine Read more ...
Joseph Walsh
There was always bound to be a hint of melancholy watching George Wolfe’s Ma Rainey’s Black Bottom. Try as you might to focus on the film, you can never quite shake the fact that you’re watching the final performance of Chadwick Boseman, whose life was cut tragically short this year from bowel cancer. This adaptation of Wilson’s play is the second in a ten-part cycle that chronicles the Black experience throughout the course of the 20th century. It’s produced by Denzel Washington, who himself starred in Fences, another Wilson play, back in 2016. This chapter focuses on the life of Ma Read more ...
Rachel Halliburton
How do you create a secular version of the Nine Lessons and Carols? The original can feel like a formulaic trot through tunes and stories as stale as fossilised mince-pies. Yet it helps to remember that in essence it reflects on the story of a world suddenly turned upside down; a story of refugees, single motherhood, the kindness and cruelty of strangers, and the eternal curveballs that life can throw.It's completely fitting then that Rebecca Frecknall’s swiftly constructed response to the year of Covid derives its spiky power from the fact that it too portrays a world suddenly turned upside Read more ...
Demetrios Matheou
The last time George Clooney was in a space movie, Gravity, he and Sandra Bullock were marooned above Earth and desperate to get home. The Midnight Sky has the opposite dynamic: here Clooney is Earthbound, urgently trying to warn incomers to stay the hell away. As science-fiction premises go, it feels rather apt. With Clooney both sides of the camera, the film itself alternates between the Arctic and deep space, human drama and special effects spectacle, a certain novelty but with doses of sci-fi cliché. It’s quietly proficient rather than awe-inspiring, yet Read more ...
Demetrios Matheou
For so much of the year, Tenet was cited as the film that was going to save cinema – the tentpole extravaganza that would draw virus-conscious punters back to the big screen. The assertion was always fanciful, the pandemic being too long a haul; with no disrespect to Christopher Nolan, the fanfare around his latest spoke more of industry desperation than reality.Meanwhile, along comes Mank, David Fincher’s account of the controversial genesis of Orson Welles’ landmark Citizen Kane, oft-cited as the greatest film ever made. It stars Gary Oldman as Herman Mankiewicz, the Read more ...
Joseph Walsh
You can practically smell the fumes coming off Thomas Vinterberg’s latest drama Another Round, known in Denmark simply as "Druk". Co-written with Tobias Lindholm, the story is anchored in a theory proposed by Finn Skårderud that humans have a blood alcohol level that is 0.05 percent too low. Therefore, to function at our best, we need to top it up. Four friends, all teachers at the same school, gather for a 40th birthday. Despite protests, Martin (Mads Mikkelsen) opts for soda and lemon over booze. However, the onslaught of jeers and teasing from his friends finally make Martin cave in Read more ...
Joseph Walsh
Zeina Durra’s sophomore feature arrives on our screens a decade on from her debut, The Imperialists Are Still Alive! It was worth the wait. Luxor is a subtle, low-key drama that possesses an atmosphere of meditative calm, exploring a life that has seen too much pain and is desperate to find a way to heal. “Do you ever worry about opening up places that have been laid to rest?” asks Hana (Andrea Riseborough) to her one-time lover and archaeologist, Sultan (Karim Saleh). It goes without saying that it’s a loaded question. Until recently, Hana has been working as a doctor on the Jordanian- Read more ...
Joseph Walsh
There's something deeply uncanny about Adrian Shergold's Cordelia. When the film's poster was released on social media, many mistook it for a kinky period drama with the power dynamics reversed. It definitely isn't a costume drama, but there's some kink. It's unlikely the filmmakers intend this as a stunt, but it serves well enough to forewarn audiences that not all is as it seems with this film.  Cordelia is a strange psychological chamber piece that's reminiscent of Adrian Lyne's masterful, and genuinely terrifying Jacob's Ladder, with elements of Roman Polanski's Repulsion. Read more ...
Joseph Walsh
Chloé Zhao’s The Rider was a film of rare honesty and beauty. Who would have thought she’d be able to top the power of that majestic docudrama? But with Nomadland she has.To call it a loose adaptation of Jessica Bruder’s Nomadland: Surviving America in the 21st Century, isn’t quite right. That book profiled many eccentric characters who have rejected capitalist America and hit the road to live a freer and perhaps more noble way of life. Free from the constraints of modern living they’ve adopted something that echoes the spirit of the first pioneers. In the film, Zhao mixes fact with Read more ...
Demetrios Matheou
In 2012, two great Danes, director Thomas Vinterberg and actor Mads Mikkelsen, teamed up for the powerhouse drama The Hunt, about a teacher victimised by his community when wrongly accused of abusing a pupil. For their reprise, Mikkelsen again plays a teacher and is again phenomenal; though this time the film fails to deliver on its premise. Four male, middle-aged school teachers and friends are stuck in a rut: Martin (Mikkelsen) is the worst, so overcome by ennui that he barely speaks to his wife and kids, and has completely lost the trust of his history students; sports master Read more ...
Joseph Walsh
Unsurprisingly, there’s a lot of pleasure to be had watching Stanley Tucci and Colin Firth as a mature couple pootling around the UK in their humble camper van. They bicker about the satnav voice, argue the merits of the shipping forecast, and both give such convincing performances that you’d think they’d been together for decades. While this might all sound as comfy as an old sweater, director/writer Harry Macqueen’s (Hinterland) sophomore feature is anything but, being a tender, heartfelt drama concerning love and loss, and tackling the tough subject of dementia. Tucci is Tusker, a Read more ...
theartsdesk
There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.Enola Holmes ★★★★ Millie Bobby Brown gives the patriarchy what-for in a new Sherlock-related franchiseEternal Beauty ★★★★ Craig Roberts's fantasy conjurs surreal images and magnetic performancesI'm Thinking of Ending Things ★★★★ Charlie Kaufman's eerie road trip through love and lossLes Misérables ★★★★★ An immersive, morally complex thriller set in the troubled suburbs of present day ParisMax Richter's Sleep ★★★★ Read more ...