crime
David Nice
Asking whether there could be an end to melody given only 12 notes to work with, Sergey Prokofiev compared the possibilities to a chess game: “for the fourth move of the White there will be about 60 million variants.”So it is with the basic formula of The Traitors, subject to the infinite variety of human foibles, ambiguities and treachery, plus superficial twists introduced by the master planners, with the wry and stylishly, sometimes outrageously, clad Claudia Winkleman as their conduit.This is one game show that shows little signs of getting tired. The contestants are knowing when they Read more ...
Gary Naylor
It is no surprise that the phrase “Witch Hunt” is Donald Trump’s favoured term to describe his legal travails. Leaving aside its connotations of a malevolent state going after an innocent victim whilst in the throes of a self-serving moral panic, it plays into a founding psychodrama of the USA - the Salem Witch Trials of 1692. Arthur Miller’s play based on those events, The Crucible, is now embedded in the high school curriculum keeping the flame alive, so it makes sense for Talene Monahon to write a prequel from a feminist perspective and, after a run in New York, it has reached the Read more ...
Adam Sweeting
It was barely a month ago that screenwriters Jack and Harry Williams astounded viewers with Boat Story. Now they’re back with a sequel (or maybe just a continuation) of The Tourist, which debuted a year ago with its mind-bending story of the amnesiac Elliot Stanley (Jamie Dornan), who found himself all at sea in the Australian outback.Now, Elliot is travelling the world with girlfriend Helen (Danielle Macdonald), but they’re diverted from a railway journey to Cambodia by a mysterious letter, which prompts them to travel to Elliot’s native Ireland in search of his real identity. Of which, so Read more ...
Adam Sweeting
Well at least they haven’t changed the identity of the killer this time around, but the BBC’s new version of Agatha Christie’s 1939 novel has been modified in other ways. Screenwriter Siân Ejiwunmi-Le Berre and director Meenu Gaur have opted to move the story into the mid-1950s, introducing themes of racism, class prejudice and capitalist exploitation. And you thought it was just a tidy little whodunnit.Labouring under this narrative burden is the protagonist Luke Fitzwilliam, who Christie wrote as a retired colonial policeman. Here, he’s reborn as a regional attache from Nigeria who’s Read more ...
Adam Sweeting
The original title of this French crime drama was Pax Massilia, a reference to the classical roots of its setting in what is now known as Marseille. Dating back to the 6th Century BC, it’s supposedly the oldest city in France. An atmospheric mix of architectural styles, dramatic views, a Mediterranean climate and multiple ethnicities, it makes the perfect stage for this fast-paced and sometimes horrifically violent thriller.It’s directed by Olivier Marchal, an ex-cop whose CV includes Braquo and 36 Quai des Orfèvres. And while the eternal struggle between police and thieves is hardly the most Read more ...
Adam Sweeting
Folklore tends to depict Dublin as a convivial and picturesque city, with a bar on every corner full of revellers on wild stag weekends, but that’s not what we find in Kin. This is a chilly, menacing Dublin, full of modern but charmless architecture and gripped by organised crime.Written by Peter McKenna and co-created by Ciaran Donnelly, Kin is the story of the Kinsella family and their fractious partnership with ominous crime lord Eamon Cunningham (Ciaran Hinds). The Kinsellas make their living by selling drugs supplied by Cunningham, so they’re at his beck and call. It’s a master-and- Read more ...
Adam Sweeting
It was as long ago as January last year that the prolific Williams brothers, Jack and Harry, delivered their absorbing Australian Outback thriller The Tourist. Hitherto, product seemed to have been pouring out of them almost hourly, whether it was Liar, The Missing and Baptiste or The Widow, Rellik and Angela Black.Anyway, after this little sabbatical, here they are again with this six-part mystery, a whimsical fable about luck (or the absence of it), fate, memory and delusion. It also contains a little more than its fair share of violence, and the cold-blooded massacre of a whole police Read more ...
Adam Sweeting
The question they’re all asking is, can Shetland survive the loss of Douglas Henshall as DI Jimmy Perez? After all, it was Henshall’s shrewd and quietly anguished performance which gave the show much of its allure. And now there’s no Mark Bonnar either, who could always be relied on to add a soupçon of angst.Instead, it’s Ashley Jensen (Agatha Raisin, After Life etc) who’s front and centre in the new, revamped Shetland. She plays DI Ruth Calder of the Metropolitan Police, investigating the murder of a London gangster, Philip Remis. She’s looking for a runaway witness to the crime, Ellen Read more ...
Gary Naylor
The day after I saw the show, as went about the mundanities of domestic life, I wondered how long it would take to come across a reference to 1984. My best bet was listening to an LBC phone-in concerning next week’s conference at Bletchley Park on Artificial Intelligence, but the advertising break intervened, so I switched to Times Radio. Sure enough, at 12.11pm in a report on an apology issued by the Cabinet Office to journalist, Julia Hartley-Brewer, Big Brother Watch was mentioned as the organisation that animated the complaint. It was not felt necessary to explain much about its purpose Read more ...
Gary Naylor
A dystopian present. Sirens ring out across the city. Firefighters rush to the wrong locations. A man insists on entry to a big house. He’s not selling anything, so he can’t be an arsonist can he? His friend turns up and she’s pretty upfront about her intentions – and the barrels of petrol in the attic rather give the game away. But the wealthy homeowner, so ruthless at work, is so polite at home, the coming conflagration all but accepted as a matter of… manners, social convention, apathy?Max Frisch’s 1950s play started as a radio production that has moved to theatres around the world, Read more ...
CP Hunter
Celia Dale published 13 novels between 1944 and her death in 2011. A majority of her these are often categorised – albeit loosely – as crime fiction, or else labeled as a kind of suburban horror.Her astonishing skill, however, lay in the balance between genres: she wrote persistently along that tightrope of mundane normalcy and unsettling surreality, and deftly wove stories that leave the reader feeling uncomfortably disturbed – and yet unable to articulate precisely why. In her novels, people are rarely who they present themselves to be; intentions are obscured or hard-to-read; the narrative Read more ...
Helen Hawkins
Jenna Coleman has had a mostly upbeat acting CV to date, notably playing Clara in Doctor Who and the young Queen in ITV’s Victoria. The mood darkened with her excellent turn as the French-Canadian girlfriend of the mass murderer in The Serpent; now it turns to pitch with Wilderness.This time Coleman is Liv and attemptedly Welsh (the accent comes and goes), recently married to aspirational Englishman Will (Oliver Jackson Cohen), who is promoted to a plum job in New York by the luxury hotel company he works for. There, in her sumptuous apartment, where she is ostensibly writing an untitled Read more ...