country
Katie Colombus
My ears are doing the time warp. If I close my eyes, I'm in high-heeled jelly shoes, wearing silver lipstick, and with my hair in Bjork buns – back when a satin slip dress over a T-shirt was cool as opposed to vintage. The first track of Sheryl Crow's new album Be Myself has propelled me backwards into the Nineties, when Tuesday Night Music Club battled with Alanis Morrisette's Jagged Little Pill to etch permanent marks on my young heart.There's a sensible reason for my nostalgia. For the first time in a long while, Crow has re-connected with her original 1990s productiom team of Jeff Read more ...
Liz Thomson
As Imelda May releases her fifth CD, it can’t but help that Bob Dylan has come out as a fan – it was, she wrote, "like being kissed by Apollo himself". No doubt his buddy T Bone Burnett passed him a copy of the album, for he produced it in Los Angeles, where it was recorded over seven days, with guest appearances from guitarist Jeff Beck and pianist and band leader Jools Holland, on whose TV shows May has guested several times.Life. Love. Flesh. Blood is the fifth studio outing for the girl from Dublin’s Liberties, and it's full of emotion, polished and stylised. May has performed with Read more ...
Kieron Tyler
In May 1956, the Texan label Starday issued a wild rockabilly single by Thumper Jones. Its top side, the kinetic “Rock It”, was primal, uncontrolled and wild. The flip, “How Come It”, was less frenzied but still driving and infectious. Original pressings of the two-sided pounder in either its 45 or 78 form now fetch at least £200. This is not your usual rockabilly rarity though. The record’s label credited the songs to a Geo. Jones. Thumper Jones was a pseudonymous George Jones (1931–2013), who was cashing in a hip style: the only time he did so with rockabilly.At this point – the Thumper Read more ...
Liz Thomson
An album to please old fans and make new ones, Windy City is a peach – even at first playing it feels like slipping in to a worn-in pair of jeans or boots, a comfy ol’ fit. And that’s because the songs are country classics and in our musical DNA.Alison Krauss might have grown up in Decatur, Illinois but she surely has Tennessee blood in her veins. Windy City finds her paired up with Buddy Cannon, a state native who’s produced albums by the likes of Willie Nelson, Merle Haggard and Billy Ray Cyrus. Her debut for Capitol, it’s her first solo outing in almost 18 years and she’s backed by some of Read more ...
Matthew Wright
The heartbreak of poor, rural America has an urgent topicality for the first time in decades. Wisely, country singer Courtney Marie Andrews has left her views on the Mexican wall unspoken, but on the other staples of folkloric woe she proves to be unexpectedly eloquent. Still only in her mid-twenties, this is technically Andrews’ sixth album, though her first in the limelight. It’s a gem.Musically, the sound is conventional, perhaps self-consciously so, with giddy portions of pedal steel, glistening close-harmony backing vocals, and Andrews' own bubblegum drawl. The album’s Read more ...
Katie Colombus
If there's one thing I've learned from Nashville the TV show it's that the best musical collaborations can birth the most beautiful love stories.Johnnyswim is the real life version of boy (Abner Ramirez) meets girl (Amanda Sudano) in Nashville Tennessee, who got together to collaborate back in 2005. They made beautiful music together, and ended up in love.Their heady mix of American folk-pop, with soul and blues influences, comes together to make a sound that Callie Khouri would be proud of. They sing of summertime romances, being each other's lighthouse, getting it right on the first try, Read more ...
Kieron Tyler
In 1942, Roy Acuff set up Acuff-Rose Music in partnership with Nashville-based songwriter and talent scout Fred Rose. The new publishing company was dedicated to treating songwriters decently. They would not be cheated out of their copyrights. There would be clear and honest accounting. The contracts offered would have better percentages than rival publishers. There would be no shady deals. Acuff-Rose cocked a snook at the country music establishment and, in time, had writers as important as The Everly Brothers, Lefty Frizzell, Don Gibson and Roy Orbison on its books. Acuff and Rose had Read more ...
Bernadette McNulty
Much like the year itself, 2016's strongest albums tapped into a spirit of restlessness, defiance and disorientation. But unlike the punk explosion of 1977, there was no real sound or even genre that this mood of rebellion cohered around.Grime came closest to embodying a scene, fuelled by blistering albums from two stalwarts – Kano and Skepta. The latter's Mercury prize win gave a focus to the re-emergence of the sound, stripped-down to basics again, shorn of the shinier pop stylings that had diluted it during its brief absorption into the charts a decade ago. This time around, the beats Read more ...
Liz Thomson
The unsinkable Dolly Parton turned 70 in 2016 and the new year marks the 50th anniversary of her debut album, Hello, I’m Dolly. Pure & Simple is her 43rd studio album, its genesis a brace of stripped-down concerts given at Nashville’s Ryman Auditorium which were reprised at Dollywood. Such a back-to-basics approach is much favoured by country musicians – Johnny Cash, Emmylou Harris and Loretta Lynn have trodden a similar path. Everything is relative, however: the backing quartet multiplied in the studio yet still Dolly describes it as “almost like a garage band”.As ever, Parton’s Read more ...
Kieron Tyler
Another day, another country Christmas album. Yesterday, on theartsdesk, Kacey Musgraves’s A Very Kacey Christmas was given the once-over. Today, it’s the more storied, more venerable Loretta Lynn and White Christmas Blue, her second-ever Christmas album and the belated sequel to 1966’s Country Christmas. Fifty years ago, that album opened with its self-penned title track. In 2016, a remake becomes the second song on the new White Christmas Blue.“Away in a Manger” was on Country Christmas and it crops up again on White Christmas Blue. The same with “Blue Christmas", “Frosty the Snowman", “ Read more ...
Kieron Tyler
Another day, another country Christmas album. Yesterday, on theartsdesk, Kacey Musgraves’s A Very Kacey Christmas was given the once over. Today, it’s the more storied, more venerable Loretta Lynn’s White Christmas Blue, her second-ever Christmas album and the belated sequel to 1966’s Country Christmas. Fifty years ago, that album opened with its self-penned title track. In 2016, a remake becomes the second song on the new White Christmas Blue.“Away in a Manger” was on Country Christmas and it crops again on White Christmas Blue. The same with “Blue Christmas, “Frosty the Snowman", “White Read more ...
Lisa-Marie Ferla
Slade. McCartney. Jona Lewie. There’s a reason that every festive compilation album released since the mid-90s has featured exactly the same songs: the human race has lost the ability to write a Christmas-themed track that is just the right combination of schmaltz and saccharine to become an instant Mariah Carey-level classic.It’s not for lack of trying: almost every Christmas cash-in that arrives with us at theartsdesk includes at least one, usually more, self-penned number amongst the usual selection of classic covers. Sometimes, they come close to working (although I confess to having not Read more ...