circus
james.woodall
It's hard to overestimate the importance of Goethe's Faust to the German soul, though I did once have a German friend who valued George Eliot's Middlemarch more highly. If there's a real English competitor to Goethe in the literary stakes, it is of course Shakespeare, but that doesn't really work either, because, when not thinking of Goethe, many Germans consider Shakespeare neither better nor worse; simply theirs.Goethe of course wanted to infuse his then fragmented culture - the late 18th century - with something as apparently unifying as Shakespeare, though the German writer's country, as Read more ...
Peter Culshaw
Archaos were the mad, bad and dangerous troupe who revolutionised circus back in the Eighties and early Nineties – their antics with juggling chainsaws, raunchy Galllic attitude and mayhem with motorbikes is celebrated with a pop-up exhibition at the Bargehouse in the Oxo Tower Wharf on the South Bank for just three days ending on Sunday. It’s also a tribute to the genial genius behind the troupe, Pierre Bidon, who died earlier this year, at the age of 56.The exhibition features all sorts of memorabilia (and press cuts, including some by me from the not-very-lamented Blitz magazine - I went Read more ...
Ismene Brown
Charm is as invisible as the circus but as undeniably present in Le Cirque Invisible, an adorable little presentation for which parents should go miles with children to see this month. Charlie Chaplin’s fourth daughter and her husband are not young things any more, and their two-person show is at least 40 years old in its various guises - but they simply keep adding and subtracting gags, costumes, dressing-up box illusions, magic tricks, rabbits, soap-bubbles, locking down a hall of children and parents for two and a half hours in raptures.Victoria Chaplin is a bendy little acrobat with Read more ...
Ismene Brown
As we look on the strictly dieting future that undoubtedly waits for the more esoteric arts after Thursday’s election, it’s evident that the dance landscape has already been blighted - and self-blighted, at that. Somewhere in the past few years a loss of confidence in dancing itself has allowed expressive and aesthetic exploration to become increasingly replaced by undemanding scenic gimmicks and numb circus derivations, subtle matters by dim clichés. My depressed thoughts after watching two of the middle scale shows that used to be common all over Britain and now are scarce as hens’ teeth. Read more ...
james.woodall
One of the daily tragedies of being human is that notions in our heads of unaided flight, levitation - any thought of lift-off from our material horizon - lie in drastic disproportion to what flesh and muscle permit. As children, we dream of flying, or living, say, on ocean floors without gas-tanks. As adolescents, we dream of many things, most of them impossible. As adults, sportspeople and dancers strain to defy nature, but never do. Most of us go on to live resignedly alongside, or inside, nature, glum in the knowledge that our "machine", as Hamlet terms his mortal frame, will of course Read more ...
Ismene Brown
Call me old-fashioned, but when a bunch of people have trained in circus and French mime theatre, I’m expecting to be astonished, thoroughly surprised, and occasionally to feel the sweat breaking out on my palms. Can one enjoy circus skills without fear and awe being supplied? The aerialist theatre troupe Ockham’s Razor provide a sensational hamster-wheel set for their new show, The Mill, powered by human hamsters, but don’t serve up physical jinks of matching sensationalism. I grew up before the health and safety age killed off danger, and I like my acrobatics razor-sharp and daredevil.The Read more ...