Cardiff
stephen.walsh
So why not rewrite The Magic Flute with a new text and a heavily reconstructed plot? After all, the original was just a pantomime, albeit one that embodied one or two big issues of the day (1791), but essentially popular theatre with a text by a well-known comic actor, Emanuel Schikaneder, who sang and acted in the first production.Remodel the plot, by all means. Make Sarastro and the Queen of the Night into an estranged couple who have fallen out over the education of their daughter Pamina. Make Tamino and Pamina into childhood playmates who have lost touch and Papageno into the former bird- Read more ...
aleks.sierz
With the fast-approaching anniversary of the latest war in Europe, our culture’s continued fascination with World War Two gets a contemporary boost from Trouble in Butetown at the Donmar Warehouse.Written by Diana Nneka Atuona, this follow-up to Liberian Girl, her 2015 debut, won the 2019 George Devine Award for most promising playwright. Although it revisits familiar territory, and adopts a deliberately traditional theatre form, it includes an interesting slant on race, multiculturalism and the Special Relationship between the UK and the USA.Set in Butetown, or Tiger Bay, a port area in Read more ...
graham.rickson
Dvořák: Symphonies 1-9, Legends, Slavonic Dances Bournemouth Symphony Orchestra/José Serebrier (Warner Classics)The advantage of having all the Dvořák symphonies in one handy box is that you can explore the works that rarely get an airing; apart from playing through the scherzo of Symphony No. 4 in a youth orchestra many years ago, I’ve never heard a note of Nos. 1-6 performed live. More’s the pity. There’s some fabulous music in the early symphonies and it’s interesting to hear pre-echoes of Dvořák’s late style. The luminous string writing in No. 4 looks ahead to the radiant G major Read more ...
stephen.walsh
What a fascinating work Mahler's Ninth Symphony is! Marvellous and astonishing as well, of course. But these qualities are, so to speak, written into the score (did Mahler ever compose anything not designed to astonish?).Yet the fascination comes from outside, from the music’s time and place. And for various reasons Markus Stenz's performance, in front of a surprising number of unoccupied seats in Cardiff’s St.David’s Hall, hinted strongly at this aspect while by no means downplaying the others.Powerful and profoundly engaged though it was, this was not a performance that bled visibly, as so Read more ...
stephen.walsh
If like me you regard the ending of Janáček’s Jenůfa as one of the most moving scenes in all opera, you might care to consider how it would be possible to deflate it in spite of the best singing imaginable. You might, for instance, bring up a back curtain revealing a beautiful garden three or four years on with a sweet little boy gambolling through it, the future product, presumably, of Laca and Jenůfa’s love as opposed to the frozen product of hers and Laca’s half brother Števa’s, recently discovered under the river ice.No surely: too kitsch by half! But that is precisely what happens in the Read more ...
stephen.walsh
If Don Giovanni is not the greatest opera ever written, it’s at least one of the very, very few that even in erratic performances have the capacity to seem it. There was so much wrong, in detail, with WNO’s revival of John Caird’s now eleven year-old production in the Wales Millennium Centre on Friday that one might well have expected the whole marvellous edifice to fragment into nothing much more than a series of Mozartian gems. Yet somehow it stayed intact, and ended by generating a degree of real theatrical and even musical power.Both the problems and the solution were with the music. Read more ...
David Nice
A massive musical hope for the future is what we all need right now, after 14 stop/semi-start months and a threatened decimation of the concert and opera scene, the danger of which isn't over yet. This year’s BBC Cardiff Singer of the World delivered that hope in frissons and plenty of tear-inducing moments, even though the live audience in St David’s Hall consisted of only three empathetic judges. Mezzo Jamie Barton was a clear winner in 2013; the next two singers to take the ultimate prize were more controversial (neither was my first choice); this year, any one among a stunning trio out of Read more ...
Sebastian Scotney
I’ve been missing the sound of applause. That realisation dawned on me on the couple of occasions when it broke out spontaneously in last night’s Prom. There was no audience at Hoddinott Hall in Cardiff Bay, so these particular bouts of hand-clapping were coming from the orchestral musicians of the BBC National Orchestra of Wales. And it definitely wasn’t that slightly precious, tapping-on-the-music-stands thing (where did that ever come from?) It was sincere, real, loud and strong – and truly touching. One occasion that it happened was when the musicians showed their appreciation for Read more ...
graham.rickson
Ives: Symphonies 3&4 San Francisco Symphony Orchestra/Michael Tilson Thomas (SFS Media)Charles Ives’s Symphony No. 3, subtitled ‘The Camp Meeting’, was completed in 1911 but waited until 1946 for its premiere, long after Ives had given up composing. It won him a Pulitzer Prize, and there's a tantalising, unconfirmed rumour that Mahler was planning to conduct it with the New York Philharmonic. Which isn't so surprising on reflection, both composers masters at mingling the vernacular with the symphonic. It's a fascinating transitional work, pitched between Symphony No. 2’s raucous cap Read more ...
Owen Richards
When a band claims a crowd is the loudest of the tour, you can usually guarantee they've said it on every other date too. But for one sweaty night in Cardiff, you had to believe them. Bombay Bicycle Club returned after a six-year absence and were greeted in the Welsh capital like long-awaited saviours. No chorus was left unsung, no build-up left unclapped, and no breakdown unshimmied.The band have perfected their show of power pop performed with pinpoint precision. They create an impressive wall of sound, built on counter rhythms and jangled guitars, supported by a striking lightshow that Read more ...
Owen Richards
With the fabled fields of Glastonbury on the horizon, The Killers chose the equally mythic Cardiff Castle as their practice run. While Stormzy was making history on the Pyramid Stage, the Welsh capital played witness to a precision-engineered pop-rock spectacular, complete with pyros and an extravagant light show. Well, if you can’t make history, make memories.They began big with a one-two punch of first-album bangers. “Jenny Was a Friend of Mine” led straight into “Mr Brightside”, a power play to drop their generational lads anthem so early, but it mainlined adrenaline straight through the Read more ...
David Nice
If ever there was an instance of the great being the enemy of the good, it happened after all the live singing on Saturday night. This year we all remember, with sadness for his early death and amazement at his burning, burnished talent, the Siberian baritone Dmitry Hvorostovsky (1962-2017), winner in 1989. He was up against Bryn Terfel, no less, and those clips of a few seconds' singing from each competitor, witnessed not just on television but also by the audience in Cardiff's St David's Hall, were electrifying. Nothing may have been quite on that level this year - the last time anything Read more ...