As shockingly beautiful as it is horrifyingly brutal, actor Armando Babaioff’s deeply Brazilian adaptation of thriller Tom at the Farm leaves a rancid taste in the mouth and harrowing images seared on the retina. It’s a show to shock and provoke, but also to deeply disorientate, blurring the boundaries between pain and pleasure, desire and repulsion in a way that stays with you, whether you want it to or not.And it’s quickly become something of a classic text, beginning life in 2011 as a play by Canadian Michel Marc Bouchard, before being filmed by Xavier Dolan in 2013. Babaioff returned it Read more ...

Dominic “Mocky” Salole has had a long career in which the tension between authenticity and pastiche has been a constant. Toronto-born, of English and Yemeni heritage, he came of musical age in the Bohemian hotbed of 1990s Berlin with a close-knit bunch of other Canadian ex-pats, including Peaches, Chilly Gonzales and Feist.In the early days, this mini-scene was about a delirious collision of huge musical ambition and the urge to goof off at every turn. Puppet shows, silly rap personae, punk provocation and cabaret razzle-dazzle meshed with musical virtuosity, electronic experimentation, with Read more ...

“There are sex maniacs out there, sodomites, murderers, suicidal people, and communists on the loose! I vote for a curfew!” This fabulous explosion of anxiety, from a teenage girl who we’ve seen beat other young women to a pulp for no good reason, both begs to be quoted, and is indicative of the deep well of ignorant loathing and hypocrisy that informs this very funny, but also deeply serious satirical horror from the gifted Brazilian writer-director Anita Rocha da Silveira. While da Silveira happily wears her influences on her sleeve – Stanley Kubrick, Dario Argento, John Carpenter Read more ...

There’s been a good deal of discussion on “the socials” about how much Janelle Monáe’s sexy image is a new thing or a big deal.Casual viewers, still stuck on the suit-wearing image with which she crashed into public consciousness in 2010, have acted shocked at her going almost or completely unclad in recent videos and shoots. In turn fans have pointed out the obvious – that her outré sense of fashion and costumery has manifested in many ways over the years, including in plenty of flesh-baring. However, while her looks may have pre-empted it, artistically Monáe really has made a Read more ...

Perfect timing for the release of Lucas Santtana’s new album release. The return of Lula to the presidency of Brazil has been received with a surge of optimism and joy. We have witnessed the end of Bolsonaro’s corrupt, opportunistic and authoritarian years, in which the Amazon forest was opened up further to those who would destroy it, along with the indigenous people who struggle to survive against the depredations of greed.With a soft tenor voice, and accompanied by his delicate guitar playing, and skilfully integrated synthesised wind instruments, Santanna sings dreamily in praise of Read more ...

Although Raf Vilar grew up in Rio De Janeiro he has been based in London for over a decade, where his second album Clichê was recorded. It appears on a label operating from Malmö, Sweden. In keeping with this internationalism, what’s emerged isn’t wholly identifiable as a Brazilian album. His 2011 first was unequivocally titled Studies In Bossa. Now, the designation is more inscrutable.Clichê ends with its title track. Jazzy, with a Bossa Nova lilt, it is intimate, quiet and restrained. The lyrics are in Portuguese, so immediate understanding is difficult – but clichê does translate as cliché Read more ...

Sebastião Salgado has carved out his career by documenting the unimaginable. He takes areas of life all too often ignored by wealthy westerners and reveals them in mesmerising, teeming detail.To look at one of his photographs is to experience the world not just through the eyes but through the mind of a man for whom everything is interconnected. Whether it’s a Mumbai commuter or a Brazilian gold-digger, a giant tortoise in the Galapagos or a worker covered in oil in Kuwait, each subject is revealed as a vital part of a planet that’s as turbulent as it is miraculous.He was in his twenties Read more ...

In the course of this short (65 minute) film, 15-year-old Sócrates wanders around Santos, in the state of Brazil’s São Paolo, and the nearby coast after the death of his mother, rejected at one point or another by everyone with whom he comes in contact, just as he rejects the worst options. There’s no happiness to be found here – the boy smiles, winningly, maybe twice in the entire film – but some redemption in the passing beauty of the skilful filmmaking and the charisma of the leading actor, Christian Malheiros.The harsh lessons here are no doubt true to life: the film was made by Alexandre Read more ...

The title, translated from the Portuguese, is “now” – an immediacy that, on first listen, seems apt for Bebel Gilberto’s lush and loose Agora. Originally scheduled for a May release, the Brazilian singer’s first album in six years sings with a creative freedom one imagines slowly returning to Rio as it emerges, tentatively, from coronavirus lockdown: in interviews, Gilberto has spoken of quarantining in the city through the worst of the pandemic.If the release isn’t quite what Gilberto was imagining, neither was the album itself. Much of it was recorded in 2017 and 2018 with indie producer Read more ...

Stylish, eerie and unexpectedly moving by the time of its apocalyptic finish, the strangely titled Good Manners makes for a genuine celluloid surprise. Written and directed by Juliana Rojas and Marco Dutra, this genre-defying Brazilian film suggests a peculiar amalgam of Angela Carter and Jean Genet, with dollops here and there of The Exorcist and even a brief nod towards Alien.The pregnant Ana (a sad-eyed Marjorie Estiano) finds herself falling for her baby’s serene-seeming nanny, Clara (a transfixing Isabél Zuaa). That the newborn turns out to be a werewolf sends Read more ...

The Dead and the Others won the Un Certain Regard Jury Prize at Cannes in 2018, perhaps due to the supreme devotion to subject and place that this macabre work exhibits. It is a film of startling visual power and mood, with a drifting storyline that becomes bizarrely captivating. Directors João Salaviza and Renée Nader Messora spent nine months living with the Krahô people of northeastern Brazil, and their dedication has brought an anthropological touch to the drama.Part of the documentary effect comes from the directors’ patient observation of landscape. Shot in 16mm in a rural region of Read more ...

The latest edition of Peter Culshaw’s global music radio update was recorded on the road in São Paulo, Brazil, featuring some of the most interesting local musicians a couple of weeks ago – before the virus tsunami hit (Brazil was behind the curve, its first case only reported on 25 February).  One of the main subjects of part of this show was protests against President Bolsanaro, who in an attempt to out-Trump Trump, has been encouraging censoring school textbooks, plays and musicians, spying on teachers, and bringing repressive initiatives against minorities from indigenous groups to Read more ...