Barbican
Kieron Tyler
It’s not quite Iggy Pop strutting across the hands of the crowd, but Efterklang’s singer Casper Clausen's departure from the stage reinforces the bond the Danish mood musicians have with their fans. Trying to keep upright while wobbling on the backs of seats, he is held in position by those close by. This isn’t about attracting attention, but a bridging of the gap between artist and audience. Earlier, Clausen and bassist Rasmus Stolberg had retired to the side of the stage to take in the Northern Sinfonia’s performance of their music. At times, Efterklang are as much spectator as musicians. Read more ...
Peter Culshaw
Chilly Gonzales is a self-mythologising huckster, a throwback to a vaudevillian tradition of entertainer. He’s had enormous success producing the likes of Feist, is in the Guinness Book of Records for the longest solo piano concert (over 27 hours), and starred in the "existential sports movie" Ivory Tower as the inventor of “jazz chess”. His early albums were a crashed-up mélange of funk, electronic, rap and lounge, but his biggest success was a curveball of an album, Solo Piano (2004), a set of introverted Satie-influenced pieces. In a pop world where even playing keyboards Read more ...
David Nice
The prospect of adventuring from one unpredictable day to the next in the course of Michael Tippett’s Triple Concerto, and from dawn to twilight in just over an hour’s orchestral music from Wagner’s Ring, seemed very much weighted in the English composer’s favour. Frankly, had Mark Wigglesworth only conducted Siegfried’s Funeral March in this concert’s second half, he would have consolidated an already glowing reputation as a top-notch Wagnerian. That he and the BBC Symphony Orchestra burned their symphonic way through Dutch percussionist Henk de Vlieger’s audacious, unbroken “orchestral Read more ...
Ismene Brown
Waves of modern dance history beat upon the shore this week with Rambert at Sadler’s Wells offering four works going back nearly 40 years, and Michael Clark’s newest Britdance creation at the Barbican. The hip people will be at the Barbican, of course, of which more further down. But if you think Clark is a shock jock, you must be as middle-aged as he is - just turned 50 he has, the man with the child in his eyes and nappy pin in his ear. Shocks, by their nature, don't last. Other things matter, like freshness, the capacity always to be new.At Rambert’s four-bill it’s the American veterans Read more ...
Jasper Rees
This year it’s been all about 50th anniversaries. If 1962 was a cultural foundation stone, it’s unlikely that 1987 will inspire quite so much in the way of plaques and bunting. It is, however, 25 years since Suzanne Vega released her definitive second album, the platinum-selling Solitude Standing, and last night at the Barbican she completed a short series of concerts – the others were in Boston and two in her native New York – to mark its birthday. This being Vega, it was a wry, modest, sideways type of celebration.The main business of the night was a complete performance of Solitude Read more ...
garth.cartwright
The Barbican Centre’s Transcender Festival celebrated its fourth anniversary in 2012 and deserves to be recognised as one of the UK’s most culturally radical and engaging music events. Transcender grew out of the Barbican’s previous festival Ramadan Nights and aims to explore a similarly rich vein of music that is rooted both in Islamic trance music of Asia and the Middle East and Western improvised music that shares a similar sense of free exploration and wonder. Transcender 2012 – and, yes, the word "transcender" was invented by the Barbican to explain this bringing together of very Read more ...
igor.toronyilalic
Janine Jansen had every right to be nervous. The last time most of us saw the London Symphony Orchestra the audience spent the whole time laughing at their star soloist. But then Mr Bean has a very different skill set to Jansen. She's able to journey with silken smoothness across the musical stratosphere for what seems like eternity. He's able to blow his nose while playing the piano with the end of an umbrella. That said, one could have imagined Jansen's performance of Szymanowski's First Violin Concerto provoking laughter, but only from a sense of awe and astonishment.The concerto was the Read more ...
fisun.guner
Let one visual artist and one fashion designer loose on a theatre production and you may find both set and costumes upstaging the actors. Laurent P. Berger has designed a Miers Van der Rohe-type modernist glass box, with luxurious white surfaces and Dan Flavin-esque tube lighting, while Lanvin designer Alber Elbaz has dressed the star, Juliette Binoche, in a show-stopping full-length gold-sequinned number slashed to the thigh. Binoche certainly shines as a rather physically languorous Mademoiselle Julie, but not in the way one might have hoped for the Oscar-winning actress. Part of the Read more ...
Marina Vaizey
Take the day, and a stiff drink afterwards, as you’ll need it for this thoughtful and deeply disturbing exhibition. A picture, goes the cliché, is worth a thousand words, and nowhere more so than in this heartbreaking, beautiful and affecting anthology, which manages to speak with unparalleled directness, yet with nuanced subtlety.Here are over 400 photographs by 12 artists, spanning the world, and shown with outstanding clarity, helpful pacing and variety. It is a self initiated record of perhaps the greatest turning points of the last century as the world moved on from centuries of Read more ...
Ismene Brown
The autumn 2012 season at the Barbican Centre offers an international history of photography, Juliette Binoche in Strindberg, a train packed with African music, a festival of ecstatic, devotional and psychedelic music, and a film made by London schoolgirls about Bosnia, as well as classical music from the LSO and two new associate ensembles.
Last chance to see summer exhibitions, Bauhaus: Art as Life (until 12 August) and Designing 007 - Fifty years of Bond Style (until 5 September). Rodgers & Hammerstein's musical Carousel comes to the Barbican in August 2012, for just 37 Read more ...
peter.quinn
The UK premiere of Wynton Marsalis's Swing Symphony (Symphony No 3) last night was extraordinary on several counts. We heard, first and foremost, a real dialogue between jazz band and orchestra. Not one of those fist-bitingly cornball jazz arrangements where the jazz players get to stretch out and the orchestral players sit back and contribute the sustained, saccharine harmonies. This was a genuine coming together where all hands contributed equally to the rhythmic, harmonic and melodic detail of the work. And talking of melody, the one that Marsalis penned for the orchestral bass section – Read more ...