African music
Thomas H. Green
FRIDAYRennes Airport Parc Expo is about three miles west of the city. It’s vast, consisting of 110,000 metres of cavernous warehouse-like hangars, and has hosted everything from Holiday on Ice to France’s hugest annual agricultural conference. Every December it welcomes Trans Musicales, the 44-year-old French music festival, with performances from around 9.00 PM until dawn.The first act I catch, Twende Pamoja (pictured left), typifies the festival’s laudable attitude to curation. They are a little-known electro-hop hop act whose members are of French, Nigerian, Ugandan and Tanzanian origin, Read more ...
Thomas H. Green
The first of two December theartsdesk on Vinyls which will appear in quick succession. This one's mostly new artists. The next one will be our Christmas Special, filled with seasonal fare and present-suitable reissues and boxsets. For the best musical finds, dive in!VINYL OF THE MONTHViken Arman Alone Together (Denature)Minimalism is easy to do but very, very hard to do well. French producer Viken Arman starts his debut album by thrilling in this area. The word which springs to mind listening to that opener, “You With Me”, is “techno” but, while that’s in there, Arman also sprinkles an almost Read more ...
mark.kidel
Bony Biyake, whose vocals grace this delicious soup of ancient and modern sounds, from Europe and the Congo, once sang in a soukous band, and then made his name in collaborations with the French musical magician, the late Hector Zazou. Their most famous collaboration was a 1983 album, Noir et Blanc, which still sounds ahead of its time today.Biyake and his collaborators Guillaume Lozillon and Guillaume Gilles, masters of digital keyboards and programming, and percussionist Gaëlle Salomon weave a rich texture of sounds that speak to each other in musical tongues. This is a kind of sorcery, in Read more ...
joe.muggs
There’s been a lot of flak flying around this album already. It’s mainly been triggered by Burna Boy’s public activities which have included disparaging the wider Afrobeats music scene of West Africa, and some somewhat overcooked expressions of his pan-Africanist philosophy.And this has then been mapped onto his seventh album itself, with various suggestions that he’s hit creative stagnation reflecting embitterment or backstage political shenanigans. If you listened to it blind, though, it would be hard to square it with this scenario. Yes, the artwork and presentation is more swaggering and Read more ...
caspar.gomez
“This wasn’t the day to wear white suede boots,” says Django Django’s singer Vincent Neff, midway through the band’s Friday evening set.He’s not kidding.Mud can be worse (Glastonbury ’97, ’98, ‘07 & ’16). Wet weather can wreck the vibe (Nova ’12, Bestival ’08). Or even close festivals down (Camp Bestival ’18). But, in 33 years of partying in fields, Bluedot ’23 takes first prize for Most Rain-Sodden.Never mind. We held the line. And consistently saw some of the most characterful and accomplished live performances of the summer.THURSDAY 20th JULYAfter a six-hour journey from the south Read more ...
Thomas H. Green
VINYL OF THE MONTHPere Ubu Trouble on Big Beat Street (Cherry Red)Respect to Pere Ubu. Most bands of this tenure (they’ve been around since 1975) with a leader, David Thomas, who’s 70-years-old, might fancy a triumphal tour playing their greatest (non-)hits or celebrating their seminal 1978 album The Modern Dance. Far from it, Trouble on Big Beat Street, is as forward-pushing and faintly unhinged as anything they’ve ever done. Or anyone else this month. Like the late, lamented Fall, age only prods Thomas to revel in possibility. The PR sheet quotes him, stating that the album is based on the Read more ...
caspar.gomez
TUESDAY 27TH JUNE 2023I wake up around 11.00, get outta bed around 12.00.My carcass has been ridden over by Immortan Joe’s entire fleet of vehicles from Mad Max: Fury Road. My inner head has been scooped out like a cantaloupe. Where my brain once resided a blistered, reddened, atavist lizard id sits curled in upon itself, pulling levers. I need to write. I can barely recall how to use a spoon. Maybe I have Long Glastonbury? No time for mewling. Back in…THURSDAY 22ND JUNE 2023Shepton Mallet’s behind us. So’s the A361. We’re into the leafy lanes, bustin’ the pastoral with GN’R. Don Carlton and Read more ...
India Lewis
Small Worlds, the second novel from Caleb Azumah Nelson, is a delight: a book with a real feeling for sound and dance, and a sense of place from London to Ghana and back again. It’s a story of a first romance, the intricacies of family life, the importance of music, and the difficulties still faced by people of colour in the UK today. While it may not seem like it will set the world on fire, it’s a beautifully observed picture of the twists and turns of life and of love.Our protagonist, Stephen, is a young black trumpet player, destined for great things until he flunks his exams, forcing a Read more ...
Thomas H. Green
VINYL OF THE MONTHRahill Flowers at Your Feet (Big Dada)Rahill Jamalifard’s debut solo album somehow transmutes autobiography into gorgeous slow-pop. Of Iranian-American origin and best-known as singer of the band Habibi, she and FKA Twigs producer Alex Epton use home recordings and pensive, sometimes nostalgic lyrics to create something unique, lolling and amiable. Beck appears on one song, “Fables”, and the magpie spirit of his best work is a good reference point. It’s a lovely album that seems at once familiar, yet strange and new, a collation that includes elements of jazz, trip hop, hip Read more ...
Thomas H. Green
Brighton is writhing with music biz sorts. The Great Escape is here, the multi-venue festival that’s taken place here for over a decade-and-a-half, presenting bands from all over the world, most of them little known, at least in the UK. It takes place over four days, Wednesday to Saturday, although not much happens on Wednesday, so the real Day One is Thursday, and here we are. We’ll be back Saturday for a full day-long mash-up but, to start off, here's a quick dive into the first evening, starting at the Latest Music Bar, on a central street perpendicular to the seafront. Upstairs is an airy Read more ...
mark.kidel
Four trombones, four trumpets and five saxophones, six percussionists – this Afro-Cuban inspired band packs an irresistible punch and it’s loud! This is a big band sound that revives the glory days of Tito Puente and Dizzy Gillespie, a 1940s fusion of Latin and jazz, as incendiary as it comes. A true wonder that London should produce music of this power and vibrancy, but the New Regency Orchestra (NRO) do just that, keeping the energy going for the full length of a 90-minute set.Deep in the heart of lively Hackney Wick, throbbing with the party excitement of a Saturday night, the NRO Read more ...
Helen Hawkins
There’s a moment in the opening stretch of Giles Terera’s The Meaning of Zong where you think the former Hamilton star has written a piece about slavery that’s in much the same idiom as the hit musical. Music will indeed be a strong presence in this piece, but it is crafted around the songs of West Africa, lovingly supported by the playing of a djeli n'goni (a traditional Griot stringed instrument) by Sidiki Dembele. He is playing a drum when the audience enters and soon involves us in mirroring his rhythms with our clapping. This is the tenor of what follows: it’s theatre as an Read more ...