Afghanistan
Adam Sweeting
Egyptian journalist Ibrahim Nash’at is either very brave or slightly unhinged. His debut full-length documentary is an account of a year he spent in Afghanistan with the Taliban, after they’d taken control of the country at the end of August 2021, following the catastrophically inept evacuation of US and NATO forces.Nash’at described his pitch to the Taliban like this: “I went in and I said, ‘I would like to show the world your image without putting my own point of view on it. Whatever I will see, I will try to show’.” It’s a fascinating premise, but the film is ultimately frustrating because Read more ...
Rachel Halliburton
It’s particularly poignant to watch this story in the knowledge that a little over a year after US-led troops withdrew from Afghanistan, women and girls are enduring a renewed repression of their rights under the Taliban. The real-life story of The Boy with Two Hearts took place in 2000 – the year before the western invasion began; to see it today is a depressing reminder of how little was achieved through that ill-thought-out venture.Though the focus of the story is on Hussein – the older brother of narrator Hamed – the dramatic backdrop is the entire family’s forced flight from Afghanistan Read more ...
Veronica Lee
Afghanistan Is Not Funny, Gilded Balloon ★★★★ Henry Naylor’s Arabian Nightmares trilogy - about the West’s misadventures in Syria and Iraq and how we have learned nothing - were hits at previous festivals; now he presents this new show, which looks back at where his interest in the troubled part of the world began 20 years ago, when he visited Afghanistan with photographer Sam Maynard to research what become the 2003 Fringe show Finding Bin Laden. Naylor is great storyteller, and he recounts how he and Maynard got into all sorts of scrapes, including when they were Read more ...
Saskia Baron
It’s good timing for the release of Flee in UK cinemas. The Danish movie has just made Oscar history by being nominated in three categories – Animated Feature, Documentary, and International Feature and is bound to win in at least one of them. Flee's director Jonas Pohar Rasmussen tells the story of an old school friend, who was smuggled into Denmark in his teens when he was a desperate Afghani refugee. In order to protect his friend, who had a long, traumatic journey and is now a high-achieving academic, Rasmussen has changed his name to Amin, but we’re assured that this is a true story Read more ...
Adam Sweeting
Conceived on a global scale to depict the enormity of an alien menace from outer space, Apple's new series Invasion has grand ambitions, but crash-lands like a pile of space junk. After a few hours of this, waiting for something to happen, you’ll be yearning for a trawl through Netflix or Walter Presents.Created by Simon Kinberg and Davis Weil, with a reported budget of $200m, Invasion seeks to depict the consequences of its unearthly incursion by showing the varying fates of a contrasting group of characters. In Afghanistan, we hook up with a squad of US soldiers led by bullish, rifle-waving Read more ...
Shumaila Hemani
In early 2020, the year that soon saw COVID-19 lockdown, I served on the music faculty for Semester at Sea, Spring 2020 voyage, where I taught self-designed courses on global music cultures as well as a course called Soundscapes. This course discussed how western art music influenced the musical cultures of the non-European world, particularly the ports that we visited as part of the SAS voyage.The study of ethnomusicology focuses on music in its cultural context. Typically, an ethnomusicological approach departs from and resists scholarly approaches in studying western art music Read more ...
Jill Chuah Masters
It’s hard to take The Old Guard seriously — it’s an action film about thousand-year-old immortal warriors. Pulpy flashbacks and fake blood abounds. But The Old Guard doesn’t need to be serious or even memorable: it’s a fun, feel-good film, a rare commodity these days.Andy (Charlize Theron) leads a band of renegades who use their immortality to thwart crime. Their secret power makes them outcasts, so their existence is increasingly threatened by surveillance and modern technology. A new immortal, Nile (KiKi Layne), joins their ranks at the exact moment that their freedom is most threatened. Read more ...
Adam Sweeting
Some things never change in Our Girl. At the beginning of 2018’s Series 4, military heroine Georgie Lane (Michelle Keegan) had been traumatised by the death of her fiance Elvis Harte, killed in Afghanistan at the end of Series 3. At the start of this new fifth series (BBC One), Georgie is still haunted by flashbacks to the deceased SAS hero, even though she has settled into a medical instructor’s job, conducting noisy training exercises on Salisbury Plain amid fake bodies and billowing explosions.However, despite the chaotic diversion provided by the Manchester wedding of her sister Marie ( Read more ...
aleks.sierz
Nadia Fall is a good thing. Her appointment as the artistic director of this venue, with her first season having begun in September last year, has been widely seen as part of a new wave of cultural leaders who are expected to shake up the country's theatre. Already, her building has enjoyed a hipster-inspired cool facelift. And this visiting show, produced by Frantic Assembly and Theatre Royal Plymouth, takes up one of her favourite themes: youth. The play takes a broad view of war, men and home. But does it have anything new to say about the rather familiar theme of agonised masculinity?The Read more ...
graham.rickson
Animation fans have rarely had it so good, though it’s nothing short of criminal that the mean-spirited, infantile Peter Rabbit took more money than the sublime Paddington 2, and that Nora Twomey’s The Breadwinner wasn’t a popular success when released earlier this year. Redress the balance, and buy this disc today. Based on the first novel in Deborah Ellis’s Afghanistan-set series, it’s a remarkable film, at times so real, so acutely observed, that you forget it’s animated at all – as with My Life as a Courgette, you’re left incredulous that this riveting assemblage of pixels and pencil Read more ...
Katherine Waters
"I am dead," declares Okot before recounting the horrors he survived to reach Calais. Each time, he says, "I died." How many times can you die before you are truly dead? What is it that finally kills you? These are the questions at the heart of Good Chance’s dramatisation of the lives of the inhabitants of Calais’s Jungle which has transferred to the Playhouse Theatre following its critically acclaimed sell-out run at the Young Vic over the winter.It’s a feat of a transfer which has transformed West End plush and gilt into chipboard and oilcloth. Proscenium and stage have been swallowed Read more ...
Peter Culshaw
Many of us recognise that rather striking modernist building in Cromwell Gardens near South Kensington tube, having seen it on the way to the V&A or perhaps a Prom at the Albert Hall but not been sure what it is exactly. I hadn't actually been inside until last week when I was given a guided tour. The space was discussed at one point as a potential site for the National Theatre. It’s actually the Ismaili Centre, the first of six throughout the world (pictured below, the latest in Toronto) and was built by the Casson Cander Partnership and opened (by Margaret Thatcher and the spiritual Read more ...