For the most adventurous programme in its autumn Saturday series at the Bridgewater Hall, the BBC Philharmonic’s John Storgårds brought two works from his native Finland’s repertoire, and a concerto some distance from the beaten track.Like the Hallé’s concert of mainly new music with Thomas Adès two days before, it did not pull the crowds in, despite a sweetener in the mix, but those who were there were enthusiastic.

There’s an old-fashioned feel to the story at its outset: Young woman, guitar in hand, Northern accent announcing as much as it always did, who makes a new life in London, all the money going on a room in Camden. One recalls Georgy Girl or Darling, films that were very much of their time.

Thomas Adès had a job to do in his first concert with the Hallé since being appointed Artist-in-Residence for the next two years: to win over the audience that came to witness it.

It wasn’t a sell-out (anything that smacks of new music is unlikely to draw a huge number to the Bridgewater Hall, no matter what sweeteners are provided), but for those who were there he definitely succeeded, and by the end they were shouting their approval.

Lynn Nottage’s second London opening this year, the Donmar premiere of Clyde’s, is a comedy about a sandwich, the perfect sandwich. With just a little more punch to the plotting it would be another masterwork from this award-winning American playwright whose book for the musical MJ arrives on the West End next spring.

Seldom can a title have given so much away about the play to follow, not just in terms of the subject matter but also in terms of the sledgehammer approach to driving home its points. Kimber Lee, who won the inaugural Bruntwood Prize for Playwriting 2019, International Award, certainly does not say anything once if she can say it twice or thrice nor leaves any ambiguity about every element of her stance regarding Orientalism.

Lasting just over an hour, The Nettle Dress is like a fairy story. It builds very slowly, each beautifully framed shot contributing toward a perfect little gem that tells a moral tale.

A man spends seven years coming to terms with the loss of both his father and his wife from cancer by spinning nettle fibres into threads, then weaving them into a length of cloth. He recalls sitting beside a hospital bed, spinning while listening to his father’s breathing dwindle to a last gentle sigh, then during his wife’s final illness, spinning his way through sorrow.

The work of the double Pulitzer-winning Black American dramatist Lynn Nottage has thankfully become a fixture in the UK. After its award-winning production of Sweat, the Donmar will stage the UK premiere of her Clyde’s next month, and MJ the Musical, for which she wrote the book, arrives in the West End in March 2024.

An impressive performance by Samuel West as one of two warring hams stuck on-set in a trailer over a not-so-dormant volcano in Iceland, endlessly waiting to shoot their scene and go home, tended by a young runner whose woke values soon clash with their antediluvian ones...

A cameo by Jeremy Allen White wouldn’t usually excite interest, but the star of Disney+’s The Bear is big box-office now, so his presence in Fremont, however brief, will probably guarantee it an audience. There the curious will also find a gem from the Iranian-born director Babak Jalali and a serenely powerful debut performance by Anaita Wali Zada, who gives this simple-seeming project an inner glow.

The English title of Olivier Peyon’s new movie is a rather hackneyed pun that not only doesn’t work in the original language but also manages to convey exactly the wrong meaning. Arrête avec tes Mensonges is a faintly Almodóvarian love story about the importance (and sometimes difficulty) of facing up to the truth about yourself. However, instead of Stop With Your Lies, we get Lie With Me.