1990s
Kieron Tyler
In July 2007, an article in The Guardian expressed surprise that shoegazing was influencing a series of current musicians, Blonde Redhead, Deerhunter, Maps and Ulrich Schnauss amongst them.“You could hear the heady, woozy influence of a style of music that had been a byword for naffness and overindulgence for the past 15 years,” said the article’s opening paragraph. “A type of music that Richey Edwards of the Manic Street Preachers had said he ‘hated more than Hitler’".Five years on, in the same newspaper, a May 2012 live review of America’s Beach House said much the same thing: “The early Read more ...
caspar.gomez
Jah Jah Jah blah blah blah. We’ll get to that.I meet Everest at Worthing station at 3.20pm. He’s clad in a light brown corduroy jacket and a cap. He looks dapper. Like a Len Deighton spy. We board the train to Brighton. I hand him a chilled bottle of Henney’s Herefordshire cider (6%) and tuck into my own bottle of St Austell Proper Job Cornish IPA (4.5%). We open a small box of Morrisons All Butter Mature Cheddar Cheese Crumbles, and talk about the harshness that life can deal out to the old.It's a sunny Sunday. In Brighton, we walk down to The Gladstone pub on Lewes Road. It’s bright yellow Read more ...
Sarah Kent
Maher (Maher el Khair, an actual brick-maker) works in a brickyard sloshing sticky mud into rectangular moulds with his bare hands. Next the mud bricks are tipped out to dry in the sun, before being fired in a large, wood fired kiln. The same process has been used for centuries, yet this brickyard is within spitting distance of the Merowe Dam, a state-of-the-art hydroelectric dam built across the Nile in Sudan. Ancient and modern technologies collide.After a day spent in the mud, the men all go for a swim, except Maher who borrows a motorbike and rides off into the desert. Driving along a Read more ...
Robert Beale
Getting on for 27 years ago, Thomas Adès’ These Premises Are Alarmed was one of the pieces commissioned by the Hallé for a premiere in the opening series of concerts at the new Bridgewater Hall, conducted by Kent Nagano.Now that Adès, then their composer-in-association, is about to be artist-in-residence (as composer, conductor and performer) over the coming two years, it was a neat idea to return to it. The three-minute piece struck me that first time by the fact that its vast list of percussion resources seemed to take literally the nickname of “kitchen” for that department, for it Read more ...
Thomas H. Green
Some rock bands base their career around being musically fluid, an ever-changing what-will-they-do-next? conundrum. Others, such as, famously, Motörhead and The Ramones, simply go on doing their thing, honing it, repeating ad infinitum, with an almost zen devotion. The results, at their best, are vigorously on-point.It’s not only rock bands, though. Some of those swept up in the 1990s rave-olution also knuckled down, stuck to the cause, purposefully focused. One such is Steve Mac and his new album combines aspects of old and contemporary production to salute the history and ongoing potency of Read more ...
Izzy Smith
Max Porter continues his fascination with the struggles of youth in his newest release, Shy: his most beautifully-wrought writing to date, an ode to boyhood and a sensitive deconstruction of rage, its confused beginnings, its volatile results, and all the messy thoughts in between.We follow the eponymous Shy, a teen of the 90s, whose Walkman-played drum-and-bass is his only solace from the relentless pressures of everyday life. The lyrics of DJ Randall, Congo Natty and the likes are scattered amongst foggy memories of his childhood, troubled dreams of the girl “who mutters in the walls Read more ...
Thomas H. Green
My associate for the evening has recently returned from Breaking Convention, a conference on psychedelics, celebrating their renaissance in recent years. He’s been microdosing regularly. Around us the crowd sways, many with eyes closed, bobbing, silhouetted by two screens and a stage backdrop on which a dancing silver-grey blob-humanoid grooves itself to liquid, splatters flowing off it.Equally shadowy onstage, two dark-haired men are clapping. The one on the left is singing too. “Can't say it’s what you bargained for/It’s forever at the push of a button/Up to the edge of the edge of the edge Read more ...
Thomas H. Green
Record Store Day is nearly here. At theartsdesk on Vinyl we have a selection of goodies which are appearing exclusively in record shops. See anything you fancy?THEARTSDESK ON VINYL’S VINYL OF RECORD STORE DAY APRIL 2023Suicide A Way of Life Rareties (BMG)With Suicide’s underrated 1988 album A Way of Life heading for reissue, this Record Store Day release amps the anticipation with a four-track 12” of associated odds’n’ends. It opens with a live version of, supposedly, Bruce Springsteen’s “Born in the USA”, but it is, in fact, frontman Alan Vega vamping around songs including Fats Domino’s “ Read more ...
Thomas H. Green
Just before the encore, the crowd is finally warmed up and dancing. It took a while, but hands are now in the air, middle-aged bodies are shifting about, muscle memory of MDMA nights in the last century.The Hartnoll brothers are also jigging onstage silhouettes. The song, “Impact (The Earth is Burning)”, is from their second album, The Brown Album, as it’s known (because their first couple are just called Orbital). It’s come into its own in our age of environmental concern. Their backdrop film shows footage of our planet’s detritus floating in space… a triceratops… a shopping trolley. Greta Read more ...
Thomas H. Green
As Inspiral Carpets play “She Comes in the Fall”, a great song and one of their signature tunes, its martial drumming drags me into my own past. Seeing them play it at a 600-capacity venue makes me recall seeing them, over three decades ago, headlining the Reading Festival and, indeed, their own festival-style event at Alexandra Palace, when a female marching band would come onstage during this song. They were huge news then.There’s no marching band in 2023 but the song is still delivered with raucous punch that has the sold-out Concorde 2 loudly matching singer Stephen Holt on the choruses. Read more ...
Gary Naylor
Buildings can hold memories, the three dimensions of space supplemented by the fourth of time. Ten years ago, I started every working week with a meeting in a room that, for decades, had been used to conduct autopsies – I felt a little chill occasionally, as we dissected figures rather than bodies, ghosts lingering, as they do. Of course, Brutalism would shun such foolishly romantic notions, one of its key practitioners, Le Corbusier, famously remarking, “Architecture or revolution”. And with the white heat of technology still burning bright, he provided the template for the Park Hill Read more ...
Thomas H. Green
Orbital, one of the great electronic dance acts, had a run of albums during the 1990s that encapsulate that decade in the UK (at least, for those willing to ignore the historical revisionism around tired, retro-tastic Britpop by the same media "arbiters of taste" who invented it).Those five albums remain gorgeous. The run came to an end with the flabby The Altogether album in 2001, featuring a vocal by David Gray among other unlovable things. Their latest album, though, is their first to feature a welter of guest vocalists. It could have been a disaster, but it’s not.The 21st century has seen Read more ...