1970s
Kieron Tyler
The Kinks: The Kinks at the BBCKieron Tyler“Meet a group that recently came from nowhere to the top of the hit parade. A rhythm and blues outfit with long, shoulder-length hair and the strange name of The Kinks.” With that, Brian Matthew introduced The Kinks to BBC listeners on 19 September 1964. Two months later, Matthew declares the band “members of the shaggy set”. On being asked why they grow their hair so long, Ray Davies says that “girls go for it”. His brother Dave offers that girls are going kinky.Almost 50 years on, these off-the-cuff remarks are amongst the wealth of fabulous Read more ...
howard.male
What function does a critic even serve at an event like this? Some of the best Colombian musicians across several generations are playing some of the best music Colombia has ever produced to an audience that largely consists of blissfully happy Colombians on Colombian Independence Day. But before the party got into its stride there’s a non-Colombian support band to consider. And consider them we must, because Ghanaian Afro-funk band Konkoma were as coolly polished and insidiously funky as the headline act.Like Ondatrópica they take much of their inspiration from the dance music of Read more ...
Kieron Tyler
After his über-memorable performance at Her Majesty’s jubilee concert, the next step on Sir Elton John’s journey through 2012 is just as arresting, but less likely to be dusted off at such conventional occasions. In fact, it’s hard to see how he could even perform his new album outside a club setting. Good Morning to the Night could have been a colossal misfire. It’s not. It’s spiffy.The story of its genesis doesn’t need repeating in detail. Sir Elton heard and liked Australian electro-dance duo Pnau, scooped them up for his management portfolio and offered access to the masters of his early Read more ...
theartsdesk
Jimmy Page: Lucifer Rising and Other SoundtracksKieron TylerWith Led Zeppelin established as world-beaters in 1971, Jimmy Page was probably entitled to take some time off. Instead, in the wake of the release of their fourth album, they criss-crossed the world in 1972. When at home, Page somehow found time to work on the soundtrack for the Kenneth Anger film Lucifer Rising. It’s been bootlegged and the first official appearance of this mysterious chapter in Page’s musical life plugs a gap. Page himself has released it on his own label and contributes brief liner notes.Strictly speaking, this Read more ...
Kieron Tyler
It was the right venue. Frankie Valli is New Jersey royalty. He might not have been crowned, but appearing in The Sopranos is as good as any coronation. As he leaned into the audience, shaking hands, he spread his magic. Even Jimmy Page had come along for this rare London show by one of pop’s greatest, most distinctive voices.The real shock was that live, Valli sounds exactly like Frankie Valli. Exactly. To hear for real the sharp falsetto was a thrill. Opening with a forceful “Grease” couldn't disguise the fact that, despite the billing, it was instantly obvious this was not Frankie Valli Read more ...
Kieron Tyler
Various Artists: Make it Your Sound, Make it Your Scene – Vanguard Records & the 1960s Musical RevolutionKieron TylerSeymour and Maynard Solomon’s Vanguard Records hasn’t been given the same amount of recognition as Jac Holzman’s Elektra, despite both labels being equally important and having trodden – at least up to the late Sixties – very similar paths. This neat four-CD box set should ensure that Vanguard gets more recognition.Like Elektra, Vanguard cast its net into New York. Also like Elektra, its earliest releases didn’t suggest a coherent strategy. Viennese waltzs, Elizabethan Read more ...
howard.male
Given that Ziggy Stardust was a figment of David Bowie’s imagination it seems fitting that, for all intents and purposes, Bowie himself now appears to be a figment of our imagination. What’s he up to these days? Is he still living in New York with his beautiful Earthling wife and daughter? Or did he finally manage to accumulate enough wealth from his record sales to finance a return to his own home planet? These questions and many more are not even touched upon in this hour-long documentary.However, fanciful whimsy aside, with no Thin White Duke available for comment, the programme-makers Read more ...
sheila.johnston
You might not think that a drama about German parliamentary politics in the 1970s would be of great urgency today. But when Democracy, Michael Frayn's play about Willy Brandt and the Günter Guillaume spy scandal, first opened in 2003, Brits swiftly discerned links with another charismatic politician, the first left-wing leader in decades, while across the Atlantic the womanising German Chancellor looked very much like Bill Clinton. Today a new spin appears and Democracy is described as "exploring the Machiavellian nature of coalition government."Brandt ended his first speech after being Read more ...
theartsdesk
Can: The Lost TapesKieron TylerDespite being compiled from previously unreleased material, the extraordinary The Lost Tapes is as wonderful as last year's 40th Anniversary edition of Tago Mago. This archive trawl outpaces previous exhumations like Limited Edition, Unlimited Edition, Delay ‘68 and Prehistoric Future by a very long distance. Not because it’s a three-CD set, but due to the sheer quality of what’s heard. Can still had material on the shelf equalling what they issued. Little is from the post-Damo Suzuki configuration of the band (it’s roughly half-and-half between the Suzuki and Read more ...
Kieron Tyler
The Sex Pistols played their final live show on 14 January 1978 in San Francisco. According to the third and final programme in the Punk Britannia series, “for many, it would be the end of punk”. It certainly was for ex-Pistol John Lydon, who'd form Public Image Ltd. Taking on the task of tracing what happened next was a challenge. Nothing was neat. Loose ends, new strands and evolution of the existing meant it couldn’t be. If this programme succeeded, it was in portraying the turmoil that came in punk’s wake.Bringing order where there is chaos is always difficult. As an overview of the Read more ...
bruce.dessau
It is always easy to remember the first time: 11 November, 1974, Hammersmith Odeon. Sparks. I cannot recall the exact seat where I was sitting when I lost my rock 'n' roll virginity, but it was the second stalls block on the left and the seasoned gig-goer on my right tipped me off that you can tell when a band is going to do an encore because the roadies leave the amps turned on. Look out for the red light. Sure enough, Ron and Russell Mael returned to do their biggest hit to date, "This Town Ain't Big Enough for Both of Us".Nearly four decades on they were back in West London last night with Read more ...
Kieron Tyler
“You're a wasted face, you're a sad-eyed lie, you're a holocaust.” The devastation of Big Star’s “Holocaust” manifested the mood of the album it was recorded for, which was supposed to be the Memphis band’s third. Last night celebrated this classic musical evocation of fragmentation. Capturing that on stage was a tall order. Playing the songs along with a string section reading from sheet music could never be as spontaneous as the chaotic, booze-fuelled sessions that birthed what became Third.Even so, this extraordinary album was brought to life, a life it never had back in 1974 when it was Read more ...