1970s
Tim Cumming
In the age of big data where nothing escapes retrieval and the afterlife is a matter of cloud storage, the whole idea of "lost BBC tapes" seems about as inconceivable as a hunter-gatherer climbing out of an Iceland freezer cabinet. Dead of Night was broadcast in 1972 and has since become the object of a considerable cult. Thankfully, with this BFI release, it proves to be as odd, as arresting and as eerie as the best weird programming of the decade.Scripted, directed and produced by old-school, left-field, left-leaning BBC staffers – the kind of extinct animal whose return would have Paul Read more ...
Kieron Tyler
The Kinks: Muswell HillbilliesRock’s rich tapestry currently has it that 1968’s The Kinks are the Village Green Preservation Society is their best album. This deluxe edition, 2CD reissue of 1971’s Muswell Hillbillies isn’t going to alter that, but it does force the emphasis away from the notion that their most lasting legacy will be a fascination with and celebration of Britishness.The album found Ray Davies and co looking to American archetypes, musical and cultural, and bringing them into songs drawing figurative links between the former colony and those still wedded to the old country. Read more ...
graeme.thomson
Following the completion of the White Album, and the conclusion of recording sessions in Los Angeles with new Apple signing Jackie Lomax, in late November 1968 George Harrison and his wife Pattie Boyd departed for Woodstock in upstate New York. They were heading for Bob Dylan country.Harrison had first fallen for Dylan early in 1964. The Beatles had played his second album, The Freewheelin’ Bob Dylan, over and over again in their rooms in the George V hotel in Paris, and were quickly seduced. On their second trip to America in August of that year they had met him for the first time, smoking Read more ...
mark.kidel
Tubular Bells stands alone in the history of late 20th-century music: a rock album without vocals. But it turns out as well to have been a kind of one-hit wonder for multi-instrumentalist and composer Mike Oldfield. The piece apparently came out of the blue – at least that is how it felt in 1973, when Virgin Records adventurously made it their first-ever LP release. As we discover in an outstanding music documentary to be shown on BBC Four, Oldfield never again touched the same source of original creativity, in a working lifetime dominated by acute emotional and mental distress and the very Read more ...
Kieron Tyler
Although it’s impossible to make a case for The Breaking of Bumbo as a great film, it is a bizarre, compelling, hyper-real slice of Swinging Sixties nonsense as essential to the era as Privilege, What’s Good For the Goose and The Beatles’ Magical Mystery Tour. It gave Joanna Lumley her first proper role and pretends to be radical, but is in fact about as envelope-pushing as a Whitehall farce. The makers were so out of touch with the mood of times that it was primed for release in September 1970, by which time the Sixties bloom had all-but withered and died.After 15 minutes of dull scene- Read more ...
Karen Krizanovich
Created in a time when we could be shocked, The Wicker Man shows its power by being shocking still. Conceived by its director Robin Hardy, writer Anthony Shaffer and star Christopher Lee as a reaction to New Age-ism, The Wicker Man delights, thrills and horrifies in this latest version, restored to the American theatrical cut.Bad luck struck The Wicker Man back in 1973, when director Hardy’s debut was caught up, like many films continue to be, in a corporate wrangle. Its release temporarily delayed, the original cut of 102 minutes was edited down to 88, along with a reduction of its marketing Read more ...
Serena Kutchinsky
We all know the backstory of the Mighty Mac, the breakups, the betrayals, the addictions and now, finally, the reunion. These days they're more like the Mellow Mac with the emotional hatchets buried, lingering hugs on stage, and tender tales of their time as struggling Seventies hippies. Few other bands, not even Abba, have mined their private lives for inspiration to the same extent. Unlike today's manufactured pop-ettes who invent relationship strife to grab column inches and make themselves more interesting (Harry Styles and Taylor Swift, I'm looking at you), heartache has always been at Read more ...
Sarah Kent
Gazing out of my window pondering how to start my review of Ana Mendieta, I noticed a creeper engulfing the house at the end of my garden. Having covered the wall, one window and a chimney, the tentacles are spreading along the gutter and over the roof. Meanwhile, my neighbour’s roses have encroached six feet into my territory and, next door the other way, a vine is assiduously working its way along the hedge and into the branches of a tree. Nature, it seems, is quietly overwhelming north London.What struck Mendieta when she visited the archaeological site of Yagul in Mexico, in 1973, was the Read more ...
Kieron Tyler
From no visible source, the instantly recognisable voice of Joy Division’s Ian Curtis croons the words of “Love Will Tear Us Apart”. But the lyrics aren’t in their familiar setting. Alone, he’s stripped from the band, naked and vulnerable. He’s been dead for 33 years, but this was as close as he could possibly be. Moments earlier, a string section had begun a cascading pattern that was more Bernard Herrmann than Joy Division, giving a new slant to this most familiar of post-punk musical landmarks.Live_Transmission was a bold, multi-media reconfiguration of Joy Division’s music by electronic Read more ...
Kieron Tyler
Various Artists: Classroom ProjectsIt starts with a plummy voice: “The poems, the words and the music on this record all come from children at primary schools, boys and girls of eight, nine, 10 and 11 years old.” Although the introduction to Classroom Projects sounds like a BBC continuity announcement from a lost era, what follows is more than entertainment. This collection of tracks from albums made by and for British schools is enlightening. Compiled here are music concrête, folk, chamber experiments and songs written about road safety. All of it is amazing.An important release, Read more ...
Adam Sweeting
In the remarkably meagre annals of Formula One movies, there are only two scores to beat, to wit: John Frankenheimer's Grand Prix (from 1966), a fictional story which used oodles of real racing footage, and Asif Kapadia's spellbinding documentary Senna (2010). Ron Howard's Rush slots in somewhere between them, being derived from the true-life Seventies rivalry of Niki Lauda and James Hunt but consciously shot and written like a drama.Hunt v Lauda is one of motorsport's great fables, and many fans felt a queasy premonition of disaster on hearing about Howard's project, but it's pleasing to Read more ...
Kieron Tyler
Roky Erickson & the Aliens: The Evil One Roky Erickson: Don’t Slander Me, Gremlins Have PicturesRoky Erickson is usually depicted as America’s Syd Barrett: the leader of a pioneering psychedelic-era band who took too many drugs, had mental health issues and then dropped off the face of the earth. But unlike Barrett, or even his American contemporary Skip Spence, Erickson returned from the abyss.In 1980 he pulled off the remarkable coup of releasing an album on the British major label CBS. That first solo album – untitled in the UK (but usually referred to as Five Symbols due to Read more ...