1970s
graham.rickson
Adapted by Raymond Briggs from his best-selling graphic novel, When the Wind Blows was released in 1986 and stands up so well that you’re inclined to forgive its flaws: namely David Bowie’s leaden theme song and an abundance of fairly flat black humour. Though, in hindsight, Jimmy T Murakami’s deadpan, quasi-realist look at nuclear Armageddon as it befalls an elderly working class British couple shouldn’t be amusing.As with all the best animated features, the storytelling grips to the extent that you forget that you’re not watching a flesh-and-blood cast. Not that there’s much story, other Read more ...
Kieron Tyler
Now that the 40th anniversaries of 1976 and 1977 as the years which birthed punk rock have themselves become history, surveyors of rock’s rich tapestry will inevitably turn to what came next. The year 1978 and what followed punk are easy targets and, in terms of labels, post-punk is accepted as a next wave out of the traps. Stylistically, of course, it’s a meaningless designation: all post-punk really signifies is that something came after punk and here’s a handy handle for it.Proof of the five-CD set To the Outside of Everything's issues grappling with this amorphousness is acknowledged by Read more ...
David Nice
You haven't lived until you've witnessed Viennese maverick H(einz) K(arl) Gruber – 75 today (3 January, publication day) – speech-singing, conducting and kazooing his way through his self-styled "pandemonium" Frankenstein!!. Composed for chansonnier and chamber ensemble or large orchestra, it's a contemporary classic nearly 40 years young. To witness his performance with players from the Royal Swedish Opera in the beautiful, neo-Renaissance Grünewald Halll of the art deco Stockholm Konserthuset last November was, I imagine, a stroke of luck akin to seeing Mahler or Richard Strauss conduct Read more ...
Kieron Tyler
In 1972, just 2000 copies of Bright Phoebus were pressed. Half were off-centre and unplayable. This year, the first conscientious reissue of the album hit 31 in the British album chart. Although it has been a cult favourite for the last couple of decades, the success was nonetheless surprising. Sales and an imponderable future were unlikely to have been on the minds of anyone involved in the recording of this folk-rooted singer-songwriter masterpiece.Bright Phoebus was credited as an album showcasing the songs of siblings Lal & Mike Waterson – it was not strictly by Lal & Mike Read more ...
Owen Richards
As we reach December, the year of Stephen King comes to a close with this 4K Blu-ray restoration of his very first film adaptation: Carrie. It was the first major success for Brian De Palma, Sissy Spacek and John Travolta, but how does the original high school horror hold up in the 21st century?Carrie is a strange beast – half satiric high school comedy, half intense psycho-horror. It shouldn’t work; how can film jump from domestic abuse to Benny Hill-style tuxedo shopping? But under the visionary eye of De Palma, both halves form a coherent and fulfilling whole.What dates the film most is Read more ...
Kieron Tyler
The title Northern Soul's Classiest Rarities Volume 6 suggests this 24-track compilation might be a rag-bag; a collection of random musical floor-sweepings which couldn’t be collected under any other heading. Not a bit of it. Instead, every contribution is a gem. Anyone into soul – Northern, or any of its forms – will get a buzz from this collection.“High-quality dance records from across the Northern Soul spectrum – floor-fillers, chin-strokers, the esoteric and the sometimes obvious” are the words summing up the contents on the back of the package. This nails it though it’s hard to see how Read more ...
Kieron Tyler
A nineteen-minute adaptation of “Jack Orion” took up the whole of Side Two of Cruel Sister, Pentangle’s fourth album. It's the highlight of the smart but blandly titled 115-track box set The Albums 1968–1972. Up to this point in 1970, British folk rock had not spawned anything comparable to the epic “Jack Orion”. Extending a traditional song to this length in such spellbinding fashion was ambitious and while some of John Renbourne’s electric guitar suggested the fluidity of Quicksilver Messenger Service’s John Cipollina, the overall effect was of a band magnificently pushing what they did to Read more ...
graham.rickson
Jabberwocky is all the more enjoyable once you get past what it isn’t; Terry Gilliam’s 1977 directorial debut is a medieval romp starring Michael Palin and a short-lived Terry Jones, but audiences shouldn’t expect a Monty Python film. Gilliam and Palin’s bonus commentary is a joy, Gilliam describing his relief at “not having to be funny all the time,” free to let this baggy, rambling tale unfold at a more stately pace. There are many mirthsome moments, but Gilliam admits that Jabberwocky “is more quirky than funny.”The inspiration for Gilliam and screenwriter Charles Aveson was the nonsense Read more ...
Kieron Tyler
In 1976, Polydor Records was actively considering signing the Sex Pistols. The label’s Chris Parry checked them out live in Birmingham during August. In September, he had a prime spot behind the mixing desk at the 100 Club’s punk festival from which to consider British punk rock’s figureheads. However, the band’s manager Malcolm McLaren signed them to EMI. Moving on, Parry began pursuing The Clash and recorded demos with them that November. They went on to sign with CBS.Despite being led up the rock ‘n’ roll garden path by the Pistols and The Clash, Parry didn’t give up on punk and, following Read more ...
Jasper Rees
This is a heartbreaking week for women’s tennis. The death from cancer of Jana Novotna at only 49 evokes memories of one of Wimbledon’s more charming fairytales. Novotna was a lissome athlete who flunked what looked like her best shot at greatness, tossing away a third-set lead in the 1993 women’s final and then crumpling on the shoulder of the Duchess of Kent. Five years later she eventually became the oldest first-time champion. It would make a lovely Hollywood movie.Instead this year’s second tennis film is Battle of the Sexes. Like Borg/McEnroe, it spirits us back to the 1970s, that Read more ...
Thomas H. Green
These days Peter Perrett doesn’t rely on the songs of his late Seventies/early Eighties band, The Only Ones, to hold his audience’s attention. At 65, looking and sounding healthier than he has done in years, he’s on a vital late-career creative roll. At the start of his first encore he even plays a new, unreleased song, “War Plan Red”, giving vent to fiery infuriation with global politicking, his band shadowed in ominous scarlet lighting. He may be renowned, primarily, for songs of romance and dissolution, but with lyrics such as “The so-called free world stands for evil incarnate” he clearly Read more ...
Jasper Rees
Forty years ago Whispering Bob Harris made a documentary about Queen. He eavesdropped on them as they recorded the album News of the World and then followed them around America on tour. The film was never broadcast but the footage was exhumed for this anniversary and stapled together in Queen: Rock the World (BBC Four), the latest in the BBC's prancing cavalcade of recent documentaries about the band (see sidebar).The reason for the film's non-appearance in 1977 was not made explicit. The charitable explanation is that this was the year of punk and the BBC were alive to a shift in popular Read more ...