1960s
Kieron Tyler
Though Soft Machine were the first band to suggest Canterbury could be musically noteworthy, the appearance of Caravan’s debut album in late 1968, Kevin Ayers' post-Soft Machine solo outing two years later, and the subsequent arrivals of Gong, Matching Mole, Hatfield & the North and the solo Robert Wyatt confirmed the city had a fertile scene. It was a fluid environment where musicians from one band played with others. The mutability was captured in one of the most entangled of Pete Frame’s celebrated Rock Family Trees.And at its top: The Wilde Flowers. The band formed in 1963 and Read more ...
Kieron Tyler
January 1966 is a half a century back but some of the music released 50 years ago this month remains fresh, vital and timeless. With its biting invective and energy, Bob Dylan’s “Can You Please Crawl out of Your Window” will never lose its visceral edge. Dusty Springfield’s joyful, kinetic “Little by Little” is eternally alive. Author Jon Savage goes further and pinpoints the whole of 1966 as “the year that shaped the rest of the century”. His proposition uses the year’s pop music as evidence for 1966 as a year like no other: one which was pivotal and irrevocably changed the world.Savage Read more ...
Tom Birchenough
Distributor Second Run’s second collection of the Czech New Wave (strictly speaking, Czechoslovak, although the three films included here are from the Czech side of the movement) reminds us what an astonishing five years or so preceded the Prague Spring of 1968. What a varied range of film-makers and filmic styles it encompassed, making any attempt to impose any external category – whether political or artistic – redundant.The fate of the directors involved was as varied as the works they produced during that short-lived period of political thaw and formal experimentation. Many of those who Read more ...
Kieron Tyler
Revealing a new story which completely rewrites an existing one is not easy in the world of reissues. With so much already known, and with pop and rock history constantly being revisited, it’s always surprising when a fresh tale is told. And it’s even more so when it’s actually worth knowing. Although issued in June, Saved by the Bell: The Collected Works of Robin Gibb 1968-1970 has been saved for the end of the year as it was instantly apparent that it did, indeed, rewrite history. It also included a wealth of extraordinary music, most of which had never been previously released – or even Read more ...
Marianka Swain
Just what constitutes reasonable behaviour in an enlightened society? Not long ago, the death penalty fell under that umbrella in Britain, and state-sanctioned killing as punishment for the crime of, well, killing is just the kind of twisted irony that cries out for the Martin McDonagh treatment. Here it is, ending the playwright’s 10-year absence from the London stage, and his Royal Court hit fully earns its West End transfer.We begin in 1963 with a comically botched hanging. James Hennessy (evoking the controversially executed James Hanratty) protests his innocence and has the gall to Read more ...
Kieron Tyler
How many live versions of “Heroin” are necessary? The new four CD set The Complete Matrix Tapes includes, yes, four. One per disc. If that seems excessive, consider this: one version previously appeared, in the same mix, on last year’s reissue of the third Velvet Underground album; a second and third were included, in different mixes, on differing configurations of the 1969: The Velvet Underground Live album; an audience recording of a fourth was issued on 2001's The Velvet Underground Bootleg Series Volume 1: The Quine Tapes. All four versions are previously released.Overall, of The Read more ...
Matthew Wright
Their songs are some of the most joyous of the Sixties, their glistening doo-wop close harmony and pealing early rock 'n roll guitar sound heady with innocent romance and youthful energy. At the Barbican last night, Ronnie Spector, whose band The Ronettes haven’t been regularly releasing new work for nearly fifty years, effortlessly wound the clock back to the well-groomed early years of rock 'n roll when singing about mother kissing Santa was enough to earn her the title “original bad girl of rock”. She got everyone on their feet, and even though the audience was mostly about her age, there Read more ...
mark.kidel
There was a magic moment in West Africa when, shortly after independence, in countries like Mali, Guinea and Senegal, the new leaders financed and encouraged new dance bands – telling them to dig deep into their own traditions and no longer feel obliged to imitate the music of their recently departed colonial masters. That exuberant joie de vivre shines through in the extraordinary music of that time, and this new compilation of rare and unreleased material from Senegal, subtitled "Sonic Gems and Previously Unreleased Recordings from the 70s", provides a delightful range of music that evokes Read more ...
Hanna Weibye
With real live birds fluttering across the stage, and a sweetly happy ending – hurrah for young love! – Frederick Ashton's 1961 The Two Pigeons can look like mere frothy fantasy, precisely the kind of trivial, uncomplicated ballet plot that the young Kenneth MacMillan was reacting against in his own work in the early 60s. Is its return to the repertoire after an absence of 30 years just the Royal Ballet pandering to the escapist fantasies of its audiences – who, director Kevin O'Hare reveals, have been clamouring for this revival?O'Hare's announcement before curtain- Read more ...
Jasper Rees
Nearly 20 years ago the West End was in a lather of excitement about a show called Voyeurz. A "musical revue" set in a nightclub on Manhattan, it was all about a young girl venturing into the uncharted caverns of her own sexuality, and it was opportunistically crammed with hot sapphic action. It tanked. Its producer and co-director was Michael White, known to his legion of chums as Chalky.Voyeurz was a last throw of the dice for White. An impresario always on the lookout for the unexpected artistic gamble, he coughed up the money for Oh! Calcutta! and The Rocky Horror Show, for Dame Edna Read more ...
Kieron Tyler
After Judy Dyble left Fairport Convention in May 1968, it was her replacement Sandy Denny who picked up critical kudos as the ensuing years unfolded. Dyble, though, did not drop off the face of the earth and, if credits were looked at closely enough and margins examined, it was evident she had a career in music as fascinating and often as admirable as that of Denny. Widespread consideration of her role in British folk and folk rock began after the issue of her album Enchanted Garden in 2004. Before that, Dyble’s last commercial release had been in 1970.The reissue of 1970’s Morning Way, her Read more ...
joe.muggs
There's something reassuringly resistant to modernity about Jeff Lynne. In much the same way that his cast iron Brummie accent and demeanour have remained unchanged despite decades in Los Angeles, so his music remains in a late 20th century interzone – its real concerns being the songwriting of the Sixties and the huge, glossy production values of the Seventies and Eighties.And so it is here. The songs and vocal delivery are full of shameless nods to his sometime fellow Travelling Wilburys Bob Dylan (“Ain't it a Drag”) and Roy Orbison (“I'm Leaving You”), as well as to Paul McCartney (almost Read more ...