Theatre
Gary Naylor
Like theatre itself, the law finds its voice in stories, performance and spectacle. Any law student will, from that very first induction lecture, become suffused in a culture that is informed by and in turn informs theatre, some classes more like an evening at the Old Vic than an afternoon at the Old Bailey.A Voyage Round My Father mines that lucrative seam of inspiration, John Mortimer (creator of Horace Rumpole, unforgettably given life on screen by Leo McKern) writing a kind of love letter to his blind barrister father. In its latest manifestation, this touring production casts Rupert Read more ...
Helen Hawkins
The Sondheim gala show Old Friends is a must for fans of the master, naturally, but its quality would knock anybody who loves musical theatre for six. It’s the successor to a one-off gala of the same name staged in May 2022 and broadcast since by the BBC; a recording will soon be available. The line-up that night included Bernadette Peters, Judi Dench, Sian Phillips, Damian Lewis, Maria Friedman, Helena Bonham Carter, Haydn Gwynne, Julian Ovenden and Julia McKenzie. The last-named has lent her expertise to the current production, along with Matthew Bourne, who's in charge of the Read more ...
Gary Naylor
The Royal Court’s collaboration with Access All Areas (AAA) may not be theatre’s first explicit embrace of the neurodiverse community on stage: Chickenshed has five decades of extraordinary inclusive work behind them and Jellyfish, starring Sarah Gordy at the National Theatre, was one of my highlights of 2019.But Molly Davies's play, directed by Hamish Pirie, may be the most ambitious. Developed by AAA’s seven learning disabled and autistic Associate Artists, the five-year long project addresses many issues but sinks into a convoluted narrative that never quite resolves itself into plain Read more ...
Helen Hawkins
The Biba dresses are way too colourful, the shop’s interior about 10 times too bright… and did anybody really say ”happening threads” in 1965?Taking Ben Elton to task for his portrayal of the Sixties, which feature in the first half of Close-Up, his new self-directed piece about the style icon and national treasure known as Twiggy, shouldn’t be the point. He’s written another jukebox musical, with all the colour-popping jollity that involves, the energetic chorines giving it their all and building an affectionate rapport with the audience. Except, what he’s written is more a hybrid: a musical Read more ...
Gary Naylor
Unbelievable is a strange title for a slightly strange show, the brainchild of Derren Brown, Andrew O’Connor and Andy Nyman, a trio with an impeccable pedigree in creating successful magic-based events. It’s a strange title because suspension of disbelief lies at the heart of the bargain the performers make with the audience. Nobody wants to be sitting next to the unbelieving sceptic cynically informing us that it’s all done with mirrors or that she’s no longer in the box and that it's just a dummy hand in the glove. The thrill of believing it’s actually happening, however much cognitive Read more ...
Demetrios Matheou
Two elderly men meet in the park while walking their dogs, and become friends. Even when friendship turns to love, the hounds tend to dominate the conversation. It’s hardly the most scintillating set-up for a play.I wanted to like Frank and Percy more. It stars two of our most accomplished and personable actors; it’s quite amusing; and it carries sweet messages about friendship, love and the ability to surprise oneself later in life. And yet, dramatically, writer Ben Wetherill and director Sean Mathias offer little more than a soft-centred character study that doesn’t break free of its Read more ...
Gary Naylor
Seldom can a title have given so much away about the play to follow, not just in terms of the subject matter but also in terms of the sledgehammer approach to driving home its points. Kimber Lee, who won the inaugural Bruntwood Prize for Playwriting 2019, International Award, certainly does not say anything once if she can say it twice or thrice nor leaves any ambiguity about every element of her stance regarding Orientalism. Of course, she does have a cast iron case. First up for a skewering is Madama Butterfly with its helpless/sexy Japanese girl who kills herself so her son can be saved by Read more ...
aleks.sierz
How many hearts does an octopus have? Answer: three. This pub quiz clincher is just one of the many fascinating facts that emerge from Octopolis, Marek Horn’s engrossing 100-minute two-hander which explores the relationship between humans and cephalopods, and is currently playing in the Hampstead Theatre Downstairs space, starring Jemma Redgrave.As well as diving into the depths of a philosophical enquiry into what kind of consciousness such a creature could have, the play also shows how scientific enquiry can be seriously compromised by the personal relationships of its practitioners.Set in Read more ...
Helen Hawkins
The work of the double Pulitzer-winning Black American dramatist Lynn Nottage has thankfully become a fixture in the UK. After its award-winning production of Sweat, the Donmar will stage the UK premiere of her Clyde’s next month, and MJ the Musical, for which she wrote the book, arrives in the West End in March 2024.But not to be missed right now is her 2018 play Mlima’s Tale at the Kiln. Out of a magazine article about the ivory trade, Nottage has spun a Brechtian yarn of corruption and mendacity, minus the Verfremdung and with a surprising number of laughs, that suggests a whole world Read more ...
Gary Naylor
There are times when it’s best to know as little as possible before taking one’s seat for a show – this new production of Rebecca would be a perfect such example.It was once talked up as the new Phantom, the next smash hit musical that would do on Broadway in the 2010s what it had done in Europe in the 2000s. Mysterious backers sent emails from dubious addresses, one bearing news of the death of a key investor and, while real sets were built and real actors rehearsed, the money, like the deceased investor, was never real at all. More than a decade on, Rebecca, adapted from the 2006 Read more ...
aleks.sierz
Must science always be dominated by politics? This question is most urgent when the stakes are high – climate change or nuclear weapons. And it is grimly true that the fact that audiences are still interested in the race for the atom bomb between the Allies and Nazi Germany in the 1940s says something about our current anxieties about Russia, North Korea and Iran.Billed as the “other side of the Oppenheimer story”, American playwright Alan Brody’s award-winning 2013 history play, Operation Epsilon, gets its British premiere at the Southwark Playhouse, and offers a solid, if pedestrian, Read more ...
Helen Hawkins
An impressive performance by Samuel West as one of two warring hams stuck on-set in a trailer over a not-so-dormant volcano in Iceland, endlessly waiting to shoot their scene and go home, tended by a young runner whose woke values soon clash with their antediluvian ones...This Park Theatre debut sounds like the makings of a decent farce, with maybe a nod to Beckett. But Adrian Edmonson’s and Nigel Planer’s It’s Headed Straight Towards Us has ended up an incompletely digested mix of digs at the acting world and Young Ones-y excess. The action begins in blackout with what sound like Read more ...