Theatre
aleks.sierz
In contemporary British drama, kids are usually either suffering or doomed innocents. But Winterlong's Oscar is different. He is a loner who was abandoned by his schoolgirl mum and his scary dad at the age of four years old, and tries to make his way in a chilly world armed only with his small but powerful reserves of love. The writing throbs like an infected wound, so you can see why actor Andrew Sheridan’s debut play was joint winner of the 2008 Bruntwood Prize for playwriting, receiving its premiere at the Royal Exchange Theatre in Manchester earlier this month, and now visiting the Soho Read more ...
Sam Marlowe
Like the misbegotten monster at its heart, this stage version of Mary Shelley’s seminal novel is stitched together from a number of discrete parts; and though some of the pieces are in themselves extremely handsome, you can all too clearly see the joins. Here’s a bit of half-baked dance theatre, there a scene of simple, touching humanity. And for each dollop of broad ensemble posturing, there’s a visually stunning scenic effect. In the midst of it all are two excellent performances by Benedict Cumberbatch and Jonny Lee Miller, who alternate in the roles of vauntingly ambitious Read more ...
graham.rickson
The clipped Fifties accents raise a smile for the first few minutes, but what’s startling about this new production of Terence Rattigan’s 1952 play is how universal, how timeless the story is. Director Sarah Esdaile wisely decides to play things respectfully straight, and within seconds the time and place, both beautifully evoked in Ruari Murchison’s detailed set, melted into irrelevance. Maxine Peake plays Hester Collyer, attempting suicide after her boyfriend Freddie has forgotten her birthday. After her life is saved by the enigmatic fellow tenant Mr Miller, her back story is slowly Read more ...
Matt Wolf
Just in time to capitalise - is that how that word is spelled? - on awards season, along comes the latest Broadway-to-Britain transplant, The 25th Annual Putnam County Spelling Bee, a musical all about a culture that likes to win, win, WIN! Does William Finn and Rachel Sheinkin's surprise 2005 New York hit go to the top of the London class? Intermittently, yes. Charming and cheeky at its best, repetitive and sentimental elsewhere, the piece may simply be too echt-American to repeat its success here, though it certainly marks a change at the Donmar from the daunting fare this playhouse has Read more ...
Sam Marlowe
Forked lightning glimpsed through an aeroplane window, a silken dancer spilling stars in a snow-filled sky, a dragon tattoo etched on a man’s back: we’ve grown to expect seductive alchemy of images from the work of Quebecois master of visual theatre Robert Lepage, and in his latest show he doesn’t disappoint.For all that, The Blue Dragon – which picks up the action of director, writer and actor Lepage’s Eighties breakthrough The Dragons' Trilogy 25 years on, and is co-written with a collaborator on that piece, Marie Michaud – is a comparatively distilled piece for a theatre-maker who Read more ...
aleks.sierz
Men. They say these strange creatures never leave the playground. Even when the years have passed, boys stubbornly remain boys, chatting rubbish, competing manfully and finally burning out. In Enda Walsh’s Penelope, which was a hit at the Edinburgh Festival last year and now visits London, four men compete for the love of one woman, and they are as likely to be found bickering over a small barbecued sausage as they are to be seen fighting to the death with knives. The only question is: can they also work together?Penelope, produced by Galway’s Druid theatre company, was commissioned by Read more ...
Ismene Brown
Chichester Festival has unveiled its 2011 season running from May to November, and priority booking opened yesterday. Terence Rattigan's centenary is celebrated in style, including two famous and fine plays, The Deep Blue Sea and The Browning Version, and a first-ever showing of a script he wrote for television about Nijinsky and Diaghilev, now written into a new play by Nicholas Wright. Other world premieres are David Hare’s South Downs and a new version of Eduardo De Filippo's The Syndicate, starring Ian McKellen. Three musicals - She Loves Me, Singin’ in the Rain and Sweeney Todd - and two Read more ...
hilary.whitney
A burgeoning North London art scene, which includes the Zabludowicz Collection in Chalk Farm and one of the London outposts of the Gagosian Gallery, suggests that the art world has the North firmly in its sights and tomorrow sees the opening of its latest addition, Cob Studios & Gallery, based in the heart of Camden Town. Cob is jointly run by playwright Polly Stenham and Victoria Williams and aims to be a truly collaborative venue exhibiting work by emerging and established artists and comprising a large ground-floor gallery, a communal first-floor studio with enough space for four Read more ...
tanika.gupta
A few years ago my brother and I were stuck in a traffic jam somewhere in London and a Rolls Royce drew up next to us with an elderly Asian gentleman at the wheel. He turned to us both and smiled sweetly before gliding on. For a blink of an eye, the driver morphed into our dad who died 20 years ago. My brother and I turned to each other and both said out loud, “Great Expectations.” It was our father’s dream to come to London and end up with a Rolls Royce and both myself and my brother mentally saluted the Asian gentleman’s smug realisation of our father’s ambition.Of all the Dickens novels I Read more ...
aleks.sierz
The story revolves around the character played by Stevenson, Dr Diane Cassell, an academic who specialises in sea-level rises, and works at an Earth Sciences university department. Although she is seen by some as a climate change sceptic, a heretic who deserves the death threats she is beginning to receive, she has a more attractive view of her role. For her, scientists are meant to be sceptical: knowledge only advances when people ask questions. People who “believe” in climate change are merely the newly religious.Such attitudes put Diane on a collision course with Kevin, her head of Read more ...
theartsdesk
It is one of the most hotly anticipated new productions at the National Theatre in years, for which all but day seats have long since been sold out. Danny Boyle has been lured back to the stage to direct a version of Mary Shelley’s Frankenstein. In a rare and daring instance of double casting, Benedict Cumberbatch and Jonny Lee Miller will share the duties of playing Victor Frankenstein and the creature which, in popular mythology, has taken his name. NT Live will thus be screening two separate performances. But in the first instance, the names which will make the box office tick over can do Read more ...
Matt Wolf
Who needs America for the American theatre? Barely six weeks into this year, and already we've had the bracing and bilious Becky Shaw, the West End transfer of Bruce Norris's perpetually award-scooping Clybourne Park and Woody Guthrie taking up residence at the Arts Theatre courtesy of Woody Sez. What's been lacking has been the sort of defining revival on the order of last season's All My Sons that shakes down an extant text, inducing in sometimes unruly West End audiences a wondrous hush. Well, the wait is over: The Children's Hour has reached town anew in a production so powerful that Read more ...