CDs/DVDs
Justine Elias
Naked (1993), the fifth and finest feature film written and directed by Mike Leigh, remains a searing, eerily prescient look at Britain on the verge of a social and economic breakdown.Maybe even a verbal breakdown, too, for Leigh, unlike any other filmmaker, has an ear for drawing out compelling characters from their distinctive modes of expression. Where so many other British films draw obvious lines between class with emphasis on accents, Leigh’s characters have an inimitable way of winding up words until they shatter.Though Leigh’s work – which spans 56 years of stage, television, and Read more ...
Thomas H. Green
“It was the night before Christmas and all through the house not a creature was sober, especially my spouse.” So runs the giggly spoken word opening line of “Harlan County Coal”, the third song on Hell of a Holiday by American country trio Pistol Annies. A semi-rock number, it insists the titular lump of combustible sedimentary rock is what the man in each of their lives will receive if he doesn’t straighten up his act.This cheerfully sassy woman-powered attitude permeates the album… well, the parts that aren’t Jesus-lovin’ or simply old fashioned Christmas cheese.Pistol Annies are big in the Read more ...
Kieron Tyler
Irrespective of its seasonal nature, the thread running throughout O Come All Ye Faithful is a mood of contemplation which could colour any of Hiss Golden Messenger main-man M. C. Taylor’s albums. The opening cut is “Hung Fire,” a Band-esque, downtempo, soulful reflection beginning with the line “Things were bad for me, if I’m honest.” The song opens out to declare “it’s Christmas day, thank God we made it.” Next up is an interpretation of “O Come All Ye Faithful” which, arrangement-wise, is of a piece with “Hung Fire.”Three of the albums tracks are new songs by Taylor and, as well as “O Come Read more ...
Nick Hasted
Neil Young’s ornery spontaneity has resulted in a remarkable number of mediocre songs. His sketchy 21st century has conjured audacious sonic conceits – the jazzy sparseness of Peace Trail, or the plastic-sounding live album Earth, both 2016 – without the writing to match. Last year’s disinterred, lost Seventies album Homegrown recalled how very different Young’s inspired instinct sounds. Reconstituting Crazy Horse with early member Nils Lofgren on Colorado (2019), after “Poncho” Sampedro’s retirement, covered similarly pedestrian work with his old band’s comforting sound. This follow-up has Read more ...
Nick Hasted
Neil Young’s ornery spontaneity has resulted in a remarkable number of mediocre songs. His sketchy 21st century has conjured audacious sonic conceits – the jazzy sparseness of Peace Trail, or the plastic-sounding live album Earth, both 2016 – without the writing to match. Last year’s disinterred, lost Seventies album Homegrown recalled how very different Young’s inspired instinct sounds. Reconstituting Crazy Horse with early member Nils Lofgren on Colorado (2019), after “Poncho” Sampedro’s retirement, covered similarly pedestrian work with his old band’s comforting sound. This follow-up has Read more ...
Guy Oddy
Christmas albums can traditionally be slippery beasts with a whole host of quality control issues. This is not unlike the compilation albums that also make an appearance at this time of year, with one or maybe two previously unreleased tracks, which are targeted to separate long-term fans from their cash.An artist may write a handful of tunes to celebrate overindulgence, inclement weather and, occasionally, a mythical birth at the eastern end of the Mediterranean. However, from there on in, it’s usually cover versions that sound like carbon copies of the originals and shockingly large amounts Read more ...
Graham Fuller
Just as love's downward spiral can deconstruct a lover's sense of self, so SJS's plangent post-modern prog deconstructs itself as it ebbs and flows toward gorgeous but muted crescendos.On the band's second album The Unlikely Event, lovely melodies stop dead and mutate. Electronic interjections – like leaks from a nerve centre or a super-computer – fizz, throb and splutter out. A searing guitar solo, bent on rockist glory, suddenly falters, chokes and has to regather itself. Uncertainty and impermanence rule.In 2017, English musician-producer-engineer Stuart Stawman launched his Australia Read more ...
Sebastian Scotney
Jef Costello, the lone contract killer in Le Samouraï (Jean-Pierre Melville, 1967), carries out the murder of the boss of a night club. We see how meticulously he has prepared for it, including the construction of an airtight alibi involving precise times – which others will corroborate – for his arrivals and departures at locations other than the scene of the crime. In spite of that, he is rounded up on the same night, identity-paraded the following morning, and once he is released by the police, he still remains their main suspect. And then finds he is also being pursued by his Read more ...
Guy Oddy
Madmess are a Portuguese power trio who are based in London. Muscular and (mostly) instrumental stoner rock is their thing, which may not be particularly original but with the volume turned up appropriately, their schtick is pretty transcendental stuff that feels like being caught in a wind tunnel with a jet engine.A couple of years ago, Vasco Vasconcelos, Luis Moura and Ricardo Sampaio looked like they might be ready for significant recognition (at least within the world of paisley pattern shirts and black winklepickers), with the release of their self-titled EP and some reasonably high- Read more ...
Barney Harsent
It’s a far cry from his beginnings in a tight, no-frills power-pop-post-punk three piece, that’s for sure. Last May, Paul Weller took to the stage with guitarist Steve Craddock, a smattering of guest vocalists and the BBC Symphony Orchestra to perform a career retrospective with new arrangements by composer-conductor Jules Buckley.Career retrospective might be pushing it a bit, in fairness. The tracks here lean heavily into more recent releases such as True Meanings, On Sunset and Fat Pop, although there are pleasing nods to his time heading up The Jam and The Style Read more ...
joe.muggs
The Californian label Stones Throw has long specialised in inseparably folding together the most profound and most wilfully foolish Black American music. And that is truer than ever on these 17 tracks from Virginian singer / songwriter / producer / multi-instrumentalist DJ Harrison. As the title suggests, this is a politically engaged record, directly addressing the dark history of Harrison’s Deep South home, where Confederate generals’ statues still stand as a reminder that slavery is not only commemorated but celebrated by many. But it’s also full of sonic and lyrical kookiness, with every Read more ...
Kieron Tyler
Although it’s indirect, the overall feel of In Order To Know You points to where jazz and soul meet – a space analogous to that occupied by The Rotary Connection, Seventies Curtis Mayfield, Neneh Cherry, the early Camille and the warmer end of trip-hop. It’s an impression fostered by shuffling drums, interlacing brass and undulating strings. Nonetheless Deep Throat Choir's second album is explicitly – as their handle acknowledges – about the voice, the merging of voices. Eleven voices. Sometimes in unison behind a soloist, at other times weaving in and out of each other.On the title Read more ...