CDs/DVDs
Tom Carr
Away from the spotlight of mainstream music the metal scene thrives, unbothered with how much attention it picks up. When bands like Architects reach number one in the UK charts, it is huge, but unimportant. Instead the scene is preoccupied with its own endlessly shifting subgenres and sounds.Enter Parkway Drive, an Australian metal band who spent the first part of their career firmly within the "metalcore" subgenre. Born from an aggressive merging of metal with hardcore punk, it melds the ferocious energy of hardcore with the intricate riffs and musicianship of metal – a heavy match made in Read more ...
Guy Oddy
Is Ozzy Osbourne finally over the hill and ready to knock this rock’n’roll thing on the head? It’s a question that has been asked many times since he was unceremoniously dumped by Black Sabbath in 1979.Ozzy seems physically and artistically indestructible, even though few will remember albums like Under Cover with great affection. He’s even become an international treasure along the way and recently helped close the Commonwealth Games with “Iron Man” and “Paranoid” – and ex-Black Sabbath confederate Tony Iommi laying down the riffs.Fortunately, his first album since 2020’s Ordinary Man is Read more ...
Nick Hasted
Hedonism and romance still drive Greg Dulli’s rock’n’roll on his main band’s ninth album.Relationship traumas have always simmered just beneath the Whigs’ surface, most notably on Gentlemen’s 1993 autopsy of an affair. Whatever the real life skeleton of How Do You Burn?, it mostly shows love for the rock form itself, and the life it traditionally offered. The ghosts of the Nineties, when the Whigs bloomed and American rock last defined an era, haunt this record. So too the Seventies, when the Stones dropped clues to an apparently seedily splendid existence through albums of implicit Read more ...
Kathryn Reilly
Damned if he does, damned if he doesn’t, there’s no way for Julian Lennon to escape the longest of shadows – his parentage – so by naming this album Jude, he’s tackling it head on. Or is he? The haunting cover image and name are the only direct reference. But, of course it’s literally in his DNA. Jude is his seventh album and first since 2011. To be honest, I thought it was all over after "Too Late for Goodbyes" (1984), so this is a pleasant surprise (and I didn’t know he’d been Grammy nominated). Firstly, his voice is much less "John-like" than in those days when he troubled the charts. He’s Read more ...
joe.muggs
Travis, Coldplay, Haven, Elbow, Snow Patrol, Aqualung, Embrace, Starsailor, Turin Brakes, Athlete, Elbow, Doves… and of course Keane. The turn of the millennium deluge of sincere young men opening up their feelings to the world, their voices cracking into falsettos over grandiose post-U2 rhythms, really was quite a major cultural movement, wasn’t it? Easy to mock – and indeed the target of some real hatred – but absolutely inescapable, and as defining of its time as any hipper sound.Keane in particular exemplified the ostentatious sensitivity – and Tom Chaplin’s choirboy tones were up there Read more ...
Barney Harsent
Three and a half years on from 2019’s False Alarm, Keep On Smiling comes album number five from Northern Ireland trio, Two Door Cinema Club. Known for having more bounce to the ounce than your average band, their brand of guitar-flecked electro pop has won hearts, minds and sales in roughly equal measure.Confounding expectations from the start, the new album is neatly (nearly) bookended by two instrumentals, the brooding “Messenger AD” and its penultimate partner piece “Messenger HD”. The first brings to mind heyday John Carpenter (or Stranger Things depending on your age). Clocking in at Read more ...
graham.rickson
Hailed by Miloš Forman as “the spiritual father of the Czech New Wave”, Czech film director Vojtěch Jasný’s long career began in the early 1950s and spanned five decades. All My Good Countrymen (Všichni dobří rodáci), based on a screenplay originally written by Jasný in 1956, was released in 1968 and won him a Best Director award at Cannes a year later.Alas, following the Soviet invasion in 1968, the film ended up as one of a handful of 1960s Czech features to be “banned forever”, unsurprising given Jasný’s assertion that, “with Countrymen, I showed real life from 1945 to 1968. It was the Read more ...
Sebastian Scotney
Not every musician has friends in high places in quite the way German jazz pianist and composer Julia Hülsmann does these days.A few weeks ago she played a private concert at the invitation of the German Head of State. Bundespräsident Frank-Walter Steinmeier, a proud and self-confessed jazz fan, has started what he calls his own “little tradition” of hosting jazz concerts outdoors in the gardens of Schloss Bellevue in Berlin, the official residence of the President. Hülsmann was host/curator of the most recent of those concert evenings, in early July.To see jazz music, which is most at home Read more ...
Nick Hasted
Road movies in England work better by foot. Slowing down finds the scale to explore our small island, tramping Chaucer’s pilgrim paths, not Kerouac’s roaring highway.Visual artist Larry Achiampong’s debut feature accordingly sends its heroine from Hadrian’s Wall to Margate, during the already fantastical year when lockdowns left the landscape vacated. Wearing priestly red robes akin to Red Riding Hood penetrating the forest or an Atwood Handmaid, the Wanderer (Perside Rodrigues) is an sci-fi tourist, exploring a post-imperial country through a post-colonised immigrant lens.Wayfinder is Read more ...
Tom Carr
From three young lads making music to escape adolescent boredom, inspired by heavy doses of Nirvana and Deftones, Muse now regularly make stadiums around the world their own with seas of thousands adoring fans their home. Since 2006’s Black Holes and Revelations they have also continuously refined their larger-than-life brand of stadium rock. Taking straight up alt-rock and arming it with an extravagant presence, somewhat reminiscent of Queen, they never shy of regularly dipping in and out with distorted, fuzz-laden riffs.On 2018’s Simulation Theory they toyed with a synthesised sound Read more ...
Sebastian Scotney
The clarinet-player, clarinet-owner or clarinet-lover in your life is going to want and need this record. The combination of a glorious sound, lyricism that is lived and (okay, obviously) breathed, contrasted with insane finger-busting at crazy speed is irresistible. There is a less-is-more lightness about the whole enterprise, and there are some ear-wormish tunes too.Perugia-born clarinettist Gabriele Mirabassi (b. 1967) is known in jazz circles. He has in the past made albums with jazz greats such as trumpeter Kenny Wheeler and pianist John Taylor. The harmonic language he develops on Read more ...
Kieron Tyler
The third track of All Of Us Flames is titled “Dressed in Black.” Its protagonist “come[s] to me by night beneath my window sill…you leave before the sun comes up. Haunted eyes, you’ve got those haunted eyes.” Though tortured, this relationship doesn’t seemed to be doomed despite a mention of weapons.Ezra Furman’s “Dressed in Black” shares it title with a March 1966 Shangri-Las B-side telling the tale of a forcibly sundered love. “They said he was much too wild for me,” wails a broken Mary Weiss. “They thought we were too young to be in love… I climb the stairs, I shut the door, I turn the Read more ...