CDs/DVDs
Kieron Tyler
Although it's impossible to place yourself in the shoes of audiences seeing these other-worldly short films at the dawn of the 20th century, the reaction they provoke now cannot be that different. Delight, surprise and then amazement. These films were meant to be magical, and remain so. Taking 19th century theatre in all its forms, capturing it on film and making it even more unreal with hand tinting and editing resulted in a unique strand of cinema.Fairy Tales collects 25, chronologically sequenced, films made by the Pathé Frères between 1901 and 1908. Most are feéries, or fairy films, but Read more ...
Russ Coffey
Even before listening to the third instalment of Green Day’s 2012 trilogy, it’s hard not to feel generously disposed towards it. Not only has poor Billie Joe recently had a stint in rehab, but after three quick-fire back-to-basics albums, few could deny their current work ethic is impressive.There are, of course, others who refuse to join in the enthusiasm. Many accuse the California punks of being middle-aged fraudsters with pantomime songs. But what’s so wrong with 40-year-olds singing teen anthems? Surely, the issue is quality, not age. Some have suggested, after the the Read more ...
Thomas H. Green
Theo Keating – AKA DJ Touché - has been creating club-functional tunes for over twenty years. His most high profile moment was as half of The Wiseguys whose song "Ooh La La" was unavoidable in the late Nineties, both in nightclubs and on TV ads. Nowadays he has a secure career on the global DJ circuit, grounded in his eclectic taste and turntable skills developed as a teenage B-boy, but he appears restless, always exploring new areas. His Black Ghosts project with ex-Simian singer Simon Lord, loosely based around the theoretical intersection of dance music and horror films, never came to much Read more ...
Jasper Rees
For all its playful, subversive energy, it’s sometimes easy to view the Czech New Wave as kind of a stylistic monolith. In fact, the slackening of state control between 1963 to 1968 spawned a variety of filmic departures, and three very different forks in the road are travelled down in this latest collection from Second Run, each profoundly radical in their own way.Earliest and, at just over an hour, shortest is the feature debut of Jan Němec, Diamonds in the Night (1964), an adaptation of Arnošt Lustig’s novel about two young fugitives in Nazi-occupied Bohemia (pictured below). With Read more ...
joe.muggs
Another week, another album of music with dubstep's soundsystem heft, an indie sense of melancholia, and skyscraping electronic orchestrations that seem to hark back to the most grandiose experiments of 1980s acts like The Cocteau Twins and Echo & The Bunnymen as much as to anything in the club music canon. Stubborn Heart, Stumbleine and Planas, and in a more subdued form Madegg, Kyson and Memotone, all to some degree hit this vein of sound. This kind of blurry area between electronica and indie songwriting has been made extremely popular by SBRTKT, James Blake and The xx, but there Read more ...
Thomas H. Green
Ah, Goth. It’s a difficult genre to take in any way seriously unless you’re feeling under-appreciated while going through puberty. Then again, like heavy metal, maybe it’s not supposed to be taken seriously, more an enjoyably melodramatic way of roaring angst at the universe through fantasy metaphor. Officers probably couldn’t give a damn one way or the other and almost certainly wouldn’t welcome the term – but that’s what their music is entirely run through with, and rather fine it is too.The four-piece hail from Leeds, a Goth Mecca, home to the Sisters of Mercy, and deal in computer-tooled Read more ...
theartsdesk
The House of Love: The House of LoveKieron TylerAfter The Jesus & Mary Chain, The House of Love were Creation Records’ next most-likely sons. Their melodies had an epic sweep, they had a top-notch songwriter in Guy Chadwick and, with Terry Bickers, a fabulous guitarist. Yet, after signing to a major label their potential was never achieved despite regularly packing major venues. Their first, eponymous, album – reissued here, 24 years on – is their finest hour. All that said, as the liner notes reveal, Creation were more convinced stablemates The Weather Prophets were more likely to happen Read more ...
Thomas H. Green
Ke$ha’s presentation is very shrewd. When she first appeared a couple of years ago, she seemed to be trashy, binge-drinking progeny of the Lady Gaga phenomenon. As time passed, the 25-year-old Californian singer tempered this version of herself with a musical self-awareness contrary to tabloid reports of global boozing and bum-flashing. Notably, she worked with Wayne Coyne of space-pop alt-rockers The Flaming Lips, contributing a track to, and appearing on the cover of, The Flaming Lips and Heady Fwends. More recently she’s been telling anyone who’d listen that her second album, Warrior Read more ...
Tom Birchenough
With a title like this, you know you’re getting something different. Madeleine Olnek’s first feature is a quirky love story set in her native New York, which is portrayed with enchanting zaniness. Where else would you expect the arrival of female space aliens, with bald heads and distinctive collared costumes (to hide their gills, since you ask) to pass unnoticed? Welcome to Olnek’s micro-budget, stylish black-and-white world that revels in its Fifties B movie sci-fi ancestry, complete with juddery spacecraft. Homely Jane works in a stationery store that gives new definitions to banality Read more ...
Kieron Tyler
“If shit were music, you’d be a brass band”. Bish Bosch is no easy ride and that lyric, from its 22-minute centrepiece “SDSS1416+13B (Zercon, A Flagpole Sitter)", is typically abstruse, emblematically challenging. Although the album has clear themes and becomes less impenetrable the more it is lived with, it’s never going to achieve the cosy familiarity that future cult items so often exude on early passes. If anything, Bish Bosch is an anti-cult album, one that seeks to jar, disorient and remain inscrutable.Nonetheless, emotional connections can be made. There is an anger to Bish Bosch. Read more ...
Thomas H. Green
Paul Geissinger, AKA Starkey, is a musicians’ musician who has turned to the gnarly side. Classically trained from an early age in piano, woodwind and later, prophetically, bass guitar, he’s become known, following in fellow Philadelphian Diplo’s footsteps, as the American who dabbles impressively in raw British styles such as dubstep and grime. Having built a reputation with “street bass” parties in his hometown and showcased his production skills on albums and EPs for the cutting edge UK labels Planet Mu and Ninja Tune, he’s since been employed by Tinie Tempah to add crunchiness to his Read more ...
Karen Krizanovich
What if your childhood teddy bear came to life and never went away? This unlikely premise (explained by Patrick Stewart no less) establishes the opening moments of one of the most unlikely breakout comedies of 2012. Ted, starring Mark Wahlberg, Mila Kunis and Seth (Family Guy) MacFarlane as the voice of Ted himself, is a brilliant shining example of stupid comedy made smart.As a child, John Bennett (Wahlberg) was never popular. He was so unwelcome that even the victims of bullies told him to go away while they were being beaten up. But Bennett's dream of a life long buddy becomes a reality Read more ...