CDs/DVDs
Kieron Tyler
The Belarusian director Sergei Loznitsa recently made an impact with the powerful In the Fog, a delicately balanced examination of the pressures at play in World War II Russia. Before that, his international calling card was My Joy (2010), a first venture into fiction. Both form part of a prodigious body of work otherwise dedicated to non-fiction. The release of the documentaries Blockade, Landscape and Revue in one package gives non-Russians a first chance to sample what dominates his output.Blockade (2006) takes archive footage of the Leningrad Blockade of 1941 to 1944, when the city was Read more ...
Lisa-Marie Ferla
Some people are lucky enough to have the sort of friends that, no matter how rarely you see them, you can call them up and instantly pick up right back where you left off. Some people are even luckier, and have the sort of friends that they see even less but yet, when they reconnect, they can spill out their most intimate longings and hopes and discomforts and immediately feel unburdened. Seasons of Your Day, Mazzy Star’s first album in 17 years, is like that friend. The band’s core duo - singer and multi-instrumentalist Hope Sandoval, and writer and guitarist/keyboardist David Roback - sound Read more ...
Jasper Rees
A new album from Elton John is also a window into the world of Bernie Taupin. For four decades the lyricist, like a golfer who has always just won the previous hole, has had the honour of going first. It’s easy to forget that with songs from Elton’s pomp in which the words, the voice and piano have long since melded into a unified whole. The reality is that the fantabulously out-and-about showman channels the musings of a heterosexual Californian recluse. It’s been a remarkable conjuring trick.So what has Taupin been thinking about on The Diving Board? Well, the opener “Oceans Away” is about Read more ...
Tom Birchenough
Eleven life stories, and memories stretching back more than half a century. The protagonists of Sebastian Lifshitz’s Les Invisibles (The Invisible Ones) tell their different stories of growing up homosexual in France in years when their sexual identity was far from accepted by society. What a kaleidoscope of experience they have behind them, how moving a perspective they present as they view the lives they have lived from age. This is a film as much about looking back, about le temps perdu, as it is about the ramifications of sexual orientation.Some talk hesitantly, other unstoppably. They Read more ...
Graham Fuller
The reason to obtain a DVD or Blu-ray disc of Sarah Polley's unforgettable documentary is because making sense of it requires several viewings. What starts out as a straightforward memoir centred on the presence of an absence – her mother Diane, lost to cancer at 54 in 1990, when Sarah was 11 – turns into a kaleidoscopic meta-narrative that makes the Canadian actor-director ponder her motives.The impassive on-screen observer of the perplexing oral history of her engendering, Polley seemingly works from a position of clarity toward the realisation that families are conundrums, for everyone. Read more ...
Lisa-Marie Ferla
The punchline about angry upstarts journeying to po-faced middle-aged is an easy enough one for a band to make, but over the past few years the Manic Street Preachers have managed something far harder: they’ve started to make good records again. Rewind the Film is apparently the more sedate of two planned albums and it’s no laughing matter - even if a song called “Anthem for a Lost Cause” is straight out of Manics 101.From its opening couplet (“I don’t want my children to grow up like me, it’s too soul-destroying, it’s a mocking disease”) to its sepia-tinted title track, Rewind the Film is an Read more ...
Kieron Tyler
Various Artists: Classroom ProjectsIt starts with a plummy voice: “The poems, the words and the music on this record all come from children at primary schools, boys and girls of eight, nine, 10 and 11 years old.” Although the introduction to Classroom Projects sounds like a BBC continuity announcement from a lost era, what follows is more than entertainment. This collection of tracks from albums made by and for British schools is enlightening. Compiled here are music concrête, folk, chamber experiments and songs written about road safety. All of it is amazing.An important release, Read more ...
Thomas H. Green
Back when Placebo were the androgynous face of late period Brit-pop, back when singer Brian Molko’s every sneered utterance was snapped up by a lapdog music media desperate to fuel their retro-guitar addiction, they were supremely annoying. They trod well-worn musical ground, did so with an unappealing, entitled arrogance, and sold millions. Like Suede, they even made sexual debauchery and ravenous drug-taking look dull and passé. Thus, I have to admit I came to their seventh album with the intent of giving it a good hiding. It’s a surprise, then, to find it an emotive, involving stab at Read more ...
Graham Fuller
Raoul Walsh's 1941 High Sierra, a late entry in the Warner Bros gangster cycle, made Humphrey Bogart a star. It was adapted by John Huston from the novel by WR Burnett, who was also the author of Little Caesar and one of Scarface's screenwriters. A fatalistic character study of a Dillinger-like bankrobber with a craving for domestic bliss, the film indicates that human striving is a fool's errand. It thus augurs film noir – notwithstanding Tony Gaudio's gleaming black-and-white outdoors cinematography (surely influenced by Ansel Adams). Huston and Bogart's next collaboration, The Maltese Read more ...
Thomas H. Green
Mark Lanegan is a forbidding figure, which makes him appealing. In interviews he’s often taciturn and not very likeable, as if he cannot be bothered with the presentation of his art to the media. Good on him. There are now a billion bum-suckers out there who’d fuck a chicken on YouTube if they thought it would draw attention to whatever paltry excuse for music they were pushing at the time.Lanegan, on the other hand, is a dark horse, a 48-year-old ex-junkie from Seattle who was making grunge before that term existed, and who’s gone on to become a grizzled Americana vocalist-for-hire, from his Read more ...
Kieron Tyler
MGMT’s last album, 2010’s Congratulations, defined a modern psychedelia of the highest order. Bold of sweep, full of ambition and tinged with the airs of defeat and desperation, it set Ben Goldwasser and Andrew Van Wyngarden up as ones to watch: a duo whose early electropop-inclined work had been left far behind. It’s unfortunate then that their self-titled third album does not take them even further out. Instead, MGMT is the sound of a band stuck in low gear.To a degree, Goldwasser and Van Wyngarden have had some of their thunder stolen by the rise of Tame Impala and their leader Kevin Read more ...
bruce.dessau
Alex Turner says he wants to sound like 50 Cent. Adele has recently been recording with Wiz Khalifa. There really are very few musical barriers to be demolished these days. But 59-year-old Elvis Costello goes hip hop? Now that's a turn up for the books that shows that, not far off 40 years of making music, the man out of time still has the ability to shock.Calm down. Wise Up Ghost is not exactly Kanye. This stylistically mixed album was recorded in late-night sessions with skilful all-rounders The Roots, who Elvis bonded with on Jimmy Fallon's chat show when they aired their Read more ...