CDs/DVDs
Kieron Tyler
Anyone familiar with the hermetic sound-world of Argentina’s Juana Molina is not going to be surprised by WED 21, her first album in five years. Despite an added rhythmic pulse, a new use of squelchy and clanking electronics and a more spare approach, she hasn’t arrived in a new territory. More one where some fresh outsiders have been welcomed.That’s not to say WED 21 isn’t good – it is. It’s more that her vision remains so singular she has stepped beyond the boundary of self to become the presiding authority for a genre for which she has set the template. Her sound is rooted in rotating Read more ...
Kieron Tyler
Amsterdam is in ashes. The Vatican City has been wiped off the map. Abandoned cars litter Trafalgar Square. The National Gallery has become the base camp for an arms-dealing Major. It’s a bad time alright, yet a group of people aren’t fussed about that. Instead, they are exercised by the death of the father of Jerry Cornelius. Dad had a formula, a computer programme they’re seeking. It’s the final programme. A programme which will create a super-human.This adaptation of the Michael Moorcock science fiction-adventure book of the same name was released in 1973. It was retitled The Last Days of Read more ...
Lisa-Marie Ferla
While it wouldn’t have been fair to expect 100 percent authenticity from a performer whose last stage show began with her rising from a trapdoor with two giant peppermint patty pinwheels spinning over her breasts, the follow-up to Teenage Dream was never going to replicate the bubblegum formula of its predecessor. As the recent documentary Part of Me showed in heartbreaking detail, Katy Perry has had a tumultuous few years - and no amount of Scandinavian hit-factories-for-hire were ever going to paper over all of the cracks.Still, as infectious lead single - and PRISM opening track - “Roar” Read more ...
Kieron Tyler
Madness: Take it or Leave itIn 1981, Madness followed The Beatles, Slade and The Sex Pistols by playing versions of themselves in a film. Take it or Leave it is no masterpiece, but it is hugely entertaining. At the time, surprisingly, a soundtrack album wasn’t issued and its belated appearance on CD plugs a gap in the story of Madness.This smart, two-disc set teams a DVD of the film with the shelved album, for which a master tape was assembled. The CD is not a live set though, collecting the rough-and-ready performances seen in the film, but assembles familiar studio recordings and Fats Read more ...
Russ Coffey
Few artists make critics wince like James Blunt. One described his biggest hit, “You’re Beautiful”, for instance, as being like “Japanese water torture”. Another said Blunt made him want to “rip his ears off”. Still, the erstwhile army officer doesn’t seem to care what critics say. And why should he? Not only have his songs brought him platinum discs, they’ve also helped pay for houses in Ibiza and Switzerland. So, with such a big audience what exactly are the critics' issues? And is Moon Landing going to change their minds?Not a chance. Blunt's mother once opined that some people are simply Read more ...
Serena Kutchinsky
It’s official. The Saturdays are the nation’s number one girl group. Well, these days they’re more of a yummy mummy collective, with two of their members having recently popped out sprogs. Since Girls Aloud bowed out last year amid the usual round of back-stabbing and bitch fighting, this overly made-up fivesome have elbowed their way to the top of the charts.With Little Mix battling to overcome both second album syndrome and the X Factor curse, The Saturdays have little competition. No longer a cheap alternative to the glossier girl groups, their sound and style has matured since they first Read more ...
Tim Cumming
In the age of big data where nothing escapes retrieval and the afterlife is a matter of cloud storage, the whole idea of "lost BBC tapes" seems about as inconceivable as a hunter-gatherer climbing out of an Iceland freezer cabinet. Dead of Night was broadcast in 1972 and has since become the object of a considerable cult. Thankfully, with this BFI release, it proves to be as odd, as arresting and as eerie as the best weird programming of the decade.Scripted, directed and produced by old-school, left-field, left-leaning BBC staffers – the kind of extinct animal whose return would have Paul Read more ...
Adam Sweeting
This is studio album number 10 for the seasoned Seattle-ites, and on a first listening you might feel inclined to flip it into the bin marked "solid but unexciting". Give it a bit of time to breathe though and it starts to reveal its strengths.Among these are the lead guitar playing of Mike McCready, something of an unsung hero in the annals of axemanship but a chap eminently capable of blowing the bloody doors off in a variety of styles. For instance in "Mind Your Manners", one of the disc's standouts, he unleashes a blistering riff-and-chord barrage in a bring-back-the-Dead-Kennedys style, Read more ...
Thomas H. Green
There has been conjecture that Motörhead’s latest album is titled in honour of frontman Lemmy Kilmister’s recent health problems, notably the insertion of an ICD (Implantable Cardioverter-Defibrillator) in his chest after he suffered cardiac arrhythmia and other circulatory issues. However, one listen to Aftershock gives the finger to any notion that his band is slowing down. It may not be a match for 2010’s The World is Yours, a beast of an album whose fearless Götterdämmerung defiance was startling, but there’s enough solid Motörhead jolt to satisfy.Boasting the ramped-up amphetamine blues- Read more ...
Jasper Rees
Bees, whenever called upon, have always been ready for their close-up. They had a sizeable cameo in Disney’s Winnie the Pooh, played the lead villain opposite Michael Caine in The Swarm and got to be heroes in Bee Movie. Most recently there was The Secret Life of Bees, in which Dakota Fanning’s grieving teen finds solace in beekeeping. That was in 2008. Five years later the world is waking up to the fact that in reality there’s no solace to be had from making honey. More Than Honey explains why.From a very left field indeed, this documentary about the catastrophic collapse in world bee Read more ...
Lisa-Marie Ferla
Open letters are so passe. There’s a track on Back to Forever, the second album from folk-pop crossover star-in-the-making Lissie, that addresses the recent shenanigans of Miley Cyrus and her ilk as well as the singer’s own place in the music industry. “I stole your magazine, the one with the beauty queen on the front,” she sings in that glorious, smoky voice of hers, half mocking, half angry. “I don’t want to be famous if I got to be shameless.”And yet wouldn’t a Lissie take on “We Can’t Stop”, all midwest drawl and laidback swagger, be the greatest thing? It’s easy to imagine: the singer is Read more ...
Kieron Tyler
The Kinks: Muswell HillbilliesRock’s rich tapestry currently has it that 1968’s The Kinks are the Village Green Preservation Society is their best album. This deluxe edition, 2CD reissue of 1971’s Muswell Hillbillies isn’t going to alter that, but it does force the emphasis away from the notion that their most lasting legacy will be a fascination with and celebration of Britishness.The album found Ray Davies and co looking to American archetypes, musical and cultural, and bringing them into songs drawing figurative links between the former colony and those still wedded to the old country. Read more ...