CDs/DVDs
Russ Coffey
They've been indie and they've been (quite) pop, but this time the band has firmly nailed its colours to the art-rock mast. The Take Off and Landing of Everything is a subtle, reflective piece which befits the age and intelligence of its creators. And while some will, of course, miss their arms-in-the-air anthems, it’s worth remembering 2011’s Build a Rocket Boys had already left much of that behind. How then has this post pop-rock Elbow progressed? It's not just the musical style that has evolved, but also the general landscape.That familiar northern, “ Read more ...
Lisa-Marie Ferla
For better or worse, it’s not enough these days to be a perfectly serviceable pop singer. With Saturday night TV shows churning them out by the dozen, you need more than an attractive face and an ability to hit the right notes to stand out. With her brassy voice and purposefully idiosyncratic looks Paloma Faith, who herself will shortly be mentoring a musician as part of yet another nationwide talent search, always seemed like somebody doing her own thing - it’s just a shame that doesn’t come across on her third album, A Perfect Contradiction.While this may be to do with the lengthy cast of Read more ...
Tom Birchenough
“Only connect!” might be the unexpected motto for this Hollywood Hills story – hard to call it a drama – from writer-director Sean Baker (Prince of Broadway). Because the worlds coming into contact in Starlet could hardly be more different: think, albeit with a generous pinch of salt, Legally Blonde mixing with an unhappy singlular version of On Golden Pond.Jane, played by newcomer Dree Hemingway (daughter of Mariel, for what it’s worth) has transplanted, complete with her titular chihuahua, from Florida to the San Fernando Valley to pursue what we might assume will be studies. Though as the Read more ...
Tim Cumming
Ealing Studios was known for comedy, but when it released Dead of Night in 1945, it unleashed on movie-goers the classic template of portmanteau horror for decades to come. The film comprises six tales – five supernatural stories and a framing narrative in which architect Walter Craig (Mervyn Jones) arrives at a country house, only to find he recognises not only the house and its rooms but everyone in it, as figures from half-remembered nightmares that slowly, inexorably come to life as each one embarks on a tale of the uncanny.This nightmarish, circular framing device is part of what gives Read more ...
Adam Sweeting
It may not have won the Best Picture Oscar, but Gravity's sack of gongs for cinematography, sound editing, original score and more was richly deserved, while Alfonso Cuarón's acute directorial vision brought its own reward. I was amazed by Gravity on first viewing, and watching it again on disc it's even better. I've always found the notion of travelling into the infinite freezing vacuum of space a horrifying prospect, and perhaps only Kubrick's 2001 can match Gravity in its ability to evoke its incomprehensible and unfeeling emptiness. However, were one forced to part company with terra Read more ...
Guy Oddy
Just when you were getting sick of music that just offers wafty platitudes, Laibach return to save the day with Spectre, their first proper album since 2006’s Volk. While there is none of the laugh-out-loud subversion of their infamous covers of Queen’s “One Vision” or “Live is Life” by eighties horrors Opus, Spectre still packs a mighty punch of dirty, electronic beats and provocative and intensely political songs. This album is not polite background music.Opening track “The Whistleblowers” is a tribute to modern digital anarchists Bradley Manning and Edward Snowden, set to a camp, Euro- Read more ...
mark.kidel
Fusion – so ubiquitous in the music of our time - can be contrived or blessed. Imed Alibi’s debut album, a rich tapestry of North African, Turkish, Brazilian, Balkan and rock sensibilities, works a treat because nothing feels forced: the conjunctions are happy ones, creating a web of contrasting connections that flow with a sense of inevitability rather than irritatingly clash.Built like a suite, “Safar” plays on changes of mood, each track leading into the next, with a perfectly judged sense of drama. There are widescreen cinematic moments, with multiple tracks built into a breathtaking wall Read more ...
Lisa-Marie Ferla
If English Oceans is the Drive-By Truckers finest album since 2004’s The Dirty South - and I’d argue that it is - I doubt it was intentional. A little time away; more of a partnership of equals between founder members and songwriters Patterson Hood and Mike Cooley; and inspirations rooted as much in real life (“Grand Canyon”, dedicated to the memory of crew member and friend Craig Leiske) as in fiction (“Pauline Hawkins”, named for a character in a Willy Vlautin novel) find the southern-fried country rock veterans in a creative place that sounds both vibrant and effortless.What probably helps Read more ...
David Nice
Only the most antagonistic of diva fanciers, opera queens, call them what you will, would deny coloratura soprano Natalie Dessay her place as one of the great singing actresses of our time. The size and range of the voice are rather more limited for the role of giant-hearted Violetta, Verdi’s Parisian courtesan who sacrifices true love on the altar of convention and dies of consumption.Not that it matters too much in film-maker Philippe Béziat’s take on the opera, originally Traviata et nous, in which he guides us through the drama chronologically but very selectively from rehearsal room to Read more ...
Russ Coffey
After years of similar-sounding instrumental albums many Oldfield fans may have been expecting Tubular Bells 4. But his return to the Virgin label starts with a more intriguing proposition: Oldfield has teamed up with vocalist and Freddie Mercury lookalike, Luke Spiller from The Struts to record his first rock album for decades. So, then, could the presence of this Young Turk herald a new chapter for the old progger? It seems not. What might have been rather eccentric and charming, in the end, turns out to be mostly throwaway.At least the videos offer fans a genuine treat - even if mainly Read more ...
joe.muggs
Trip-hop is much maligned as a genre, and understandably so. One of the worst names for a style this side of “folktronica”, it rapidly came to mean anything downtempo that wasn't a standard indie rock format – including plenty of the blandest music ever made. As the late Nineties drew on, it and other experimental electronica faded together into the even vaguer audio Prozac of the “chillout” section, all holiday show sound-beds and CDs on supermarket checkout displays for stressed shoppers to impulse-buy as their children pestered them for sweets.Think back, though, to the glories of Massive Read more ...
Graham Fuller
Basil Barrow (John Mills) is a proud, repressed, upper-class lieutenant colonel who was traumatized by his experiences in a Japanese POW camp. Shortly after the war, he fulfils his ambition by taking command of the Scottish battalion once led by his grandfather. When his by-the-book methods are ignored, his stiff upper lip doesn't quiver, but one of his eyes twitches dementedly and his head looks as if it it might burst, like a plum. Mills was able to twitch that eye at will.The cause of Barrow's apoplexy is the acting colonel he has replaced, Major Jock Sinclair (Alec Guinness), a coarse, Read more ...