CDs/DVDs
Barney Harsent
For a band dealing in noise and sonic possibilities, the niches at the coalface on which to get a foothold are few and far between. The sound has been mined for years and one has to wonder whether there are any new strains we’ve not heard somewhere before. Spectres certainly seem to think there are and, judging by their debut LP, Dying, they’re keen to prove this point to anyone within a thousand-mile radius.Opener “Drag” is almost painfully onomatopoeic – however, where some noiseniks seem happy to sound like they're so full of louche ennui that they can barely be arsed to lean over the cusp Read more ...
Katherine McLaughlin
The regal countenance of St. Vincent’s fourth self-titled solo album cover reflects the poise and confidence of Annie Clark’s otherworldly, powerful and playful music. This assured album marks her incredible progression as a unique and highly skilled artist and it brims with the kind of fearless honesty that her fans have become accustomed to.Complex compositions sit proudly alongside lyrics that scrutinise both the modern world and Clark’s personal experiences. The opening song "Rattlesnake" recalls a time when Clark threw caution to the wind, stripped naked, wandered through the desert and Read more ...
Kieron Tyler
Powder: Ka-Pow! An Explosive Collection 1967–68It’s an instantly familiar sound. Crescendo follows crescendo, and power chord follows power chord. For The Who, “I Can see for Miles” was the apex of this style. But this is not The Who. Instead, it is a band from California called Powder whose shelved album from 1968 was crammed with thrilling, British-influenced gems. Like Todd Rundgren's contemporaneous band The Nazz, Powder filtered a British sensibility through an American outlook.Ka-Pow! collects the surviving recordings by Powder and the band they seamlessly evolved from, The Art Read more ...
Barney Harsent
2014 has seen a fair few late lunges for the line in the race to be my best album of the year (a contest fought more for prestige and honour than hard cash in all honesty). I’m a mild-mannered sort, and hate disappointing the recording artists clearly hanging on my every word for validation, but Theo Parrish, Spectres and Craig Bratley will have to settle for commendations along with Goat, The War on Drugs, Peaking Lights and Klaus Johann Grobe this time. Jane Weaver’s The Silver Globe has taken gold – and done so with clear distance between it and the rest of the pack.Where the concept Read more ...
Graham Fuller
Stories of outsiders set in the Oregon wilds, the recent independent films directed by Kelly Reichardt are quiet, unhurried, and sparing with incidents. Their minimalist lyricism and sympathy for nature in the face of ruinous civilisation is the source of their emotional power and political resonance. Like Old Joy (2008), Wendy and Lucy (2008), and Meek’s Cutoff (2010), Night Moves is trenchant and unsentimental. As a psychological thriller, it generates unease organically, unlike rote Hollywood suspensers.Three eco-terrorists prepare and execute a plan to blow up a hydroelectric dam. Farm Read more ...
bruce.dessau
Morrissey went beyond parody years ago. Titles on his 10th solo album such as "Kick The Bride Down The Aisle” or “Earth is the Loneliest Planet” could easily come from a Buzzfeed spot-the-send-up list. But barge your way past this initial obstacle and World Peace Is None Of Your Business is one of the venerable pop poet’s best albums in years.It is also one of his most stylistically eclectic. A change in band personnel seems to have prompted a broadening of his musical canvas. For someone frequently accused of Little Englander tendencies there are exotic trumpet solos and flashes of flamenco Read more ...
Matthew Wright
It’s the subtlety of this album that gets you, stealthily, like an intoxicating vapour, until you wonder what your listening world was like before you encountered its heady, narcotic pulse. It seems a shame to get all musicological about a sound that breathes such sultry, natural life, but essentially, McFarlane fuses jazz and neo-soul. It's then filtered through her unusually broad personal and musical perspective, based on professional experience in musical theatre, pop and jazz, and a home filled with reggae.Black British women are rare in jazz; those who cover reggae songs, as she does Read more ...
Kieron Tyler
His Girl Friday is funny. Very, very funny. It is also crammed with cutting verbiage as sharply delivered as the moves of a complex pas de deux. Yet another no-frills appearance of the 1940 film on home video is not a surprise as – despite being a Hollywood product – it fell out of copyright and has been just-about endlessly reissued. Nonetheless, anyone looking to enjoy a laugh riot with an intelligent slant should seek it out. Despite being over 60 years old, this screwball comedy still feels daisy-fresh.The plot of this dazzlingly fast-moving film is as wafer-thin as that of a farce or a Read more ...
Russ Coffey
Some say the albums that endure the longest are those that comfort us in our dark nights of the soul: LPs such as Dylan’s Blood on the Tracks and Joni Mitchell’s Blue. So what’s an artist to do when he’s outgrown the intensity of youth and the peaks and troughs have flattened out? Does life become less interesting? Or, necessarily, more predictable? Beck wrote Morning Phase while recovering from a back injury. More generally, though, it expresses a fine range of sentiments to meditate on as you grow older – melancholy, experience and cautious optimism.The “morning” referred to in the title is Read more ...
Tim Cumming
You’d have to go back almost 20 years, and to 1996's Spirit, to name a Willie Nelson album with more than one or two original new songs. The nine for Band of Brothers was a real cause for celebration. He may be 81, he may not fly over to perform in the UK again (I hope to be proved wrong) but he's not lost form.These new songs sound like they had to be written, and from the inside. They’re co-written with producer Buddy Cannon, and the working method was for Nelson to send Cannon demos of the songs, around which Cannon arranged a sympathetic acoustic band line–up of seasoned sessioneers – a Read more ...
Kieron Tyler
Finland’s album of the year, the number one, gold-selling and best-of-2014 poll-topper Pepe & Saimaa, has barely registered elsewhere. Probably not a crime but a damn shame nonetheless as the album, released in May, is undoubtedly an all-time great. Despite being entirely in Finnish, Pepe & Saimaa is crammed with beatific melodies carried by an emotive, warm voice evoking pre-falsetto Bee Gees, David Bowie, Scott Walker and Brian Wilson. The voice seamlessly meshes with music nodding to mid-Seventies Kraftwerk, similarly dated Isley Brothers and The Beach Boys. With full orchestration Read more ...
Nick Hasted
This has been Scarlett Johansson’s defining year. Previously seeming a slightly dazed, limited beauty, she bravely abandoned her comfort zone in Jonathan Glazer’s gruelling and strange Scottish s.f. vision Under the Skin, then had her biggest hit with Luc Besson’s Lucy.Lucy is a fun-loving student whose time in Taiwan takes a turn for the worse when she is handcuffed and flung into the clutches of Korean gangster Mr. Jang (Oldboy’s Choi Min-sik). A bag of CBH4, a drug accelerating our brains’ supposed 10 percent usage is sewn inside her, bursts when she’s kicked, and floods her system. Read more ...