CDs/DVDs
Lisa-Marie Ferla
Woman to Woman, the second solo album from Denver songwriter and former Paper Bird front woman Esmé Patterson, has an origin story almost as interesting as the music. Teaching herself to play Townes Van Zandt’s “Loretta” during some down time on tour, Patterson found herself getting frustrated at the song’s depiction of a passive bar-room girl so in awe of the great songwriter that she drops everything any time he passes through and “don’t cry” when he’s gone. She put down her guitar, picked up her pen and the result was “Tumbleweed”: a funny and furious riposte in which Patterson, playing Read more ...
Thomas H. Green
The quotation from which this film’s title is taken runs thus: “Unless the world learns the lessons these pictures teach, night will fall.” It’s drawn from the voiceover of a documentary called German Concentration Camps: Factual Survey that was made by Sidney Bernstein as World War II drew to a close. It was a gathering of massed concentration camp footage and detailed explanations that he hoped would be shown worldwide but, especially, to the German people, so that they might consider their complicity. André Singer, previously best known as a producer, notably of The Act of Killing and Into Read more ...
Guy Oddy
It’s now more than 10 years since The Subways came roaring out of Hertfordshire in late 2004 with their adrenaline-charged debut single, “At 1 am”. Since then they’ve released three albums which have all threatened, but failed, to deliver the widespread commercial success which the band certainly deserves. Their self-titled fourth album sees the Subways on familiar territory with plenty of catchy tunes and sing-along choruses and has the potential to finally move their career up a gear.Last year’s single, “My heart is pumping to a brand new beat” opens things up with a classy, Blondie-esque Read more ...
mark.kidel
Bob Dylan closed his recent concerts with a heart-rending version of “Stay with Me”, a melancholy lament made famous by Frank Sinatra. It's worth remembering that, born in 1941, Bob Dylan didn’t grow up on a diet of folk and blues. Sinatra was the biggest hit-maker of his early youth, a dominant presence on the airwaves he was exposed to as a child.This is no tribute album, neither is it a piece of opportunism, as Dylan has never traded on received ideas or well-tried music business tricks. Even his Christmas album was shot through with irony as well as joy. With Time out of Mind, which now Read more ...
Jasper Rees
When a film is all about unreliable narrators, it’s difficult to talk about it without ruining things for others. But it’s also a problem for filmmakers. When Gillian Flynn’s bestselling Gone Girl (1.2 million in UK paperback) was recalibrated by the author for the cinema, it was possible for the marketing material to refer to no more than the first 54 minutes of the movie. So explains director David Fincher in the commentary which is this release’s only extra. If they gave the game away, he adds, it wouldn’t be worth making the film.For Gone Girl first timers, there’s plenty to feast on in a Read more ...
Matthew Wright
Russian saxophonist Zhenya Strigalev, whose band of stars Smiling Organizm has now released its second album, cuts a rather romantic figure in jazz, hopping from continent to continent, his saxophone as calling card. Along the way, he has accumulated an outstanding band of mainly American players, including trumpeter Ambrose Akinmusire, bassist Larry Grenadier and drummer Eric Harland, though there’s still a quirky, rootless individualism about much of this album that sounds like a band whose origins cross oceans. Where Strigalev’s compositions really stand out is in the blending of Read more ...
Lisa-Marie Ferla
It’s not obvious, listening to her work, just how funny Tanya Tagaq is. Her modified version of Inuit throat-singing-for-one, introduced to a wider audience on Bjork’s Medulla, has been called many things: intense, powerful, primal. But just when you’re ready to put her work in a box condescendingly labelled “world music”, to be trotted out at middle-class dinner parties as a way of showing off just how capital-A Alternative you are, you might figure out that the pulsing, all-encompassing opening track to her Polaris prize-winning third album Animism, is in fact a cover of Pixies’ “Caribou”. Read more ...
Kieron Tyler
Motorpsycho: Demon BoxAfter a burst of guitar feedback, heavy, snail’s-pace drums pound. A massive, churning riff kicks in. The agitated singer tells of bad dreams and blisters on his skin. It’s heavy, lumbering and could define the most challenging end of grunge. Then, suddenly, barrelhouse piano enters the mix along with a Hammond organ. The whole dissolves into a freakout recalling Deep Purple as much the fried psychedelia of jazzy Krautrockers Brainticket. At just over 11 minutes, it’s quite a trip.The song is “Mountain”, a fantastic track from the 1993 Demon Box album by Norway’s Read more ...
Tom Birchenough
With its combination of a Tom Waits lament and visuals tracking over art works by Viennese modernists like Klimt and Schiele, the opening of Nicolas Roeg’s 1980 Bad Timing stays in the memory – its mood remains just there. The territory is defined gradually: variations on obsession, sexual but not exclusively. One line in the script suggests “lineaments of gratified desire”, though the elements of gratification here remain dubious for all concerned.Bad Timing came at the end of Roeg’s glorious 1970s, after Performance, Walkabout and Don’t Look Now. He came on a variation of the script through Read more ...
mark.kidel
Zun Zun Egui, who emerged from Bristol’s indie-boho scene a few years ago, are one of those bands who come closest to the essence of their potential when playing in an intimate and sweaty small venue. Recording their frenzy for posterity has never been easy. This their second album treads a similar path to their first, Katang: it’s good but rarely evokes the incandescent fury and derangement of their performances.Front-man Kushal Gaya is originally from Mauritius, and his musical roots – midway between Asia and East Africa – continue to colour the band’s mix of non-Western polyrhythms and Read more ...
Russ Coffey
The more I listen to Steve Rothery the more convinced I am he possesses one of the fattest, juiciest guitar tones around. Rothery really should be seen as one of the more interesting stylists of his generation. The reality, however, is that he remains dreadfully underrated: his own Wikipedia page even faint-praises him as once winning an award for Yorkshire and Humberside’s best guitarist. Ghosts of Pripyat, Rothery's first solo album, may not remedy this. Fans, though, will love it. Assembled through crowdfunding site Kickstarter, and now finally on general release, this has Read more ...
graham.rickson
Boyhood is an intimate film on an epic scale. Twelve years zoom past in 189 minutes, as we follow Mason Evans Jr.'s journey from primary school pupil to university student. That the film exists at all seems miraculous; you admire the producers’ nerve in funding such an open-ended project, and director Richard Linklater’s luck in securing a loyal cast willing to commit for 12 years. Especially the two young leads; Linklater’s daughter Lorelei as Mason’s sister Samantha must have been a known quantity, but watching six-year-old Ellar Coltrane mature into such an engaging, confident screen Read more ...