CDs/DVDs
Barney Harsent
The EU referendum isn’t the only thing causing polarised opinion over European issues. The question of what constitutes Balearic Beat looms large over the music community. For some, it’s a fixed point, namely celebrated DJ Alfredo’s record box in the mid-80s. For others it’s built on more shifting sands, a sentiment DJ and author Bill Brewster summarises with trademark élan: “Balearic Beat today is the same as it was in 2011, 1999 and 1984. It’s shit pop records and brilliant EBM records. It’s everything and nothing.”International Feel record label boss and producer Mark Barrott’s take is Read more ...
Kieron Tyler
Completed from scratch in seven days, The Magic features 15 songs veering from spindly, fidgety No Wave excursions to tuneful yet harsh pop-New Wave nuggets and headache-inducing bangers. In short, Deerhoof’s 13th album proper encapsulates everything they have done to date from 1997’s debut album The Man, The King, The Girl.The prescriptive approach is nothing new. Its predecessor La Isla Bonita was similarly speedily tracked live in a basement, and the album before that, 2013’s Breakup Song, was collated from digital files each band member had made separately. Seemingly, Deerhoof are Read more ...
Lisa-Marie Ferla
How does Hannah Georgas’s 98-year-old grandmother feel about her collaborations with Graham Walsh, her two-time producer better known as part of Canadian electronic quartet Holy Fuck? It is, one suspects, one of a few aspects of this rich, immersive record that the Evelyn of its title might raise an eyebrow at – but in its themes of family, longing, loyalty and resilience, particularly on the gorgeous not-quite-title track, there’s plenty for her to be proud of.It was obvious from their work together on her 2013 self-titled album that Walsh had a knack for drawing out the unexpected from Read more ...
Kieron Tyler
Punk rock, or what’s touted as punk rock, is practically inescapable right now. In London, a series of events tagged as Punk.London: 40 Years of Subversive Culture includes concerts by reanimated bands, exhibitions and film seasons. Backers include the British Fashion Council, the British Film Institute and the Design Museum. The Mayor of London is an official supporter. Sponsorship has come from the Heritage Lottery Fund. The year 1976 was apparently when punk began, and it’s time for these august bodies to celebrate the anniversary.Joe Corré, the son of Sex Pistols’ manager Malcolm McLaren Read more ...
Thomas H. Green
DJ Shadow, AKA Californian producer Josh Davis, is a renowned figure in the world of electronic music. His profile was especially high during the millennial period, primarily down to his groundbreaking 1996 debut album, Endtroducing…, which was built entirely from samples. It was a listening experience based around hip hop principles yet accessible to aficionados of post-rave electronica, and influenced multiple producers, leaving Shadow a figure of unassailable esteem.In more recent times, Shadow himself has clearly felt that, after a 20-year career in the wake of his landmark work, he’d do Read more ...
Barney Harsent
After two albums in rapid-fire quick succession, 2012’s eponymous debut and its 2013 follow-up, Shangri-La, Jake Bugg could be forgiven for taking a little longer to get his third out into the world. There was talk of working with the Beastie Boys’ Mike D, of taking risks, and rumours were of something darker, different and more diverse.Feburary’s unveiling of the new album’s title track, “On My One”, gave no such sense of a shift. Although Bugg reigned in the worst excesses of his nasal tones, it was familiar and surprisingly safe ground. Then, barely a week later, “Gimme the Love” arrived, Read more ...
mark.kidel
In 1969, just before he made M*A*S*H, the innovative film that launched him in the world, Robert Altman had made his first proper feature. That Cold Day in the Park was a piece of period weirdness, all but forgotten in the shadow of his iconic Korean War black comedy "debut".An uptight upper-class Vancouver spinster rescues an apparently mute homeless teenager she finds drenched with rain on a bench in the park. She becomes fascinated by the boy, as years of repressed desire give way to an obsessive passion that comes out all wrong – tainted with shades of perverse fantasies she can hardly Read more ...
Adam Sweeting
While many acts have deployed the live album as a stop-gap or an easy money-spinner, some of Neil Young's best work was recorded live – Rust Never Sleeps, Weld and Arc-Weld, Live at Massey Hall 1971, the enigmatic Time Fades Away and so on. As an artist who works spontaneously and intuitively, much of his studio work is effectively live anyway.With Earth, Young has put a new spin on the live approach by picking a batch of songs from across his career, recorded onstage last year with backing band Promise of the Real (featuring Willie Nelson's sons Lukas and Micah), then piecing them together Read more ...
Russ Coffey
Of all the challenges the Chilis have faced over the years none has been greater than how to deal with guitarist John Frusciante's occasional spells of retirement. When, in the mid-nineties superstar axeman Dave Navarro stood in for him, his technical style lacked emotional simplicity. Frusciante was coaxed back. Then, when in 2009 the guitarist finally left for good, the band hired Josh Klinghoffer. Yet what initially seemed like an inspired choice, resulted in an album that was, ultimately, underwhelming. Now Klinghoffer returns with The Getaway – notably, also the Read more ...
Kieron Tyler
“Telegram Sam” by T. Rex spent its second and final week at the top of the singles chart in the week of 12 February 1972. A month later, on 18 March, Marc Bolan and his band played two shows at Wembley’s Empire Pool to a sell-out crowd under the spell of what was labelled Bolanmania or T. Rextasy. Bolan seemed unstoppable. Before “Telegram Sam”, the success of “Ride a White Swan”, “Hot Love”, “Get it on” and “Jeepster” suggested he was as big as The Beatles. Fittingly, a real-life Beatle directed the camera crews capturing the Wembley shows on film.Born to Boogie was made at these shows. Its Read more ...
howard.male
It’s not that there’s anything lacking in the writing quality on Ms Mvula’s second album (or third if you include her powerful orchestral revisiting of Sing To The Moon), it’s just that its overall effect becomes a little wearying after a while. It’s the production that’s the problem. The wall of voices that partly constitutes this Birmingham lass's signature sound is for much of the time so awash with reverb that the ear longs to escape the cavernous space being artificially simulated.This problem first became apparent to me during the hymn-like “Show Me Love”. The illusion that the music is Read more ...
Kieron Tyler
The names may be unfamiliar, but Folque and Undertakers Circus are as good as better-known bands. Despite being musical bedfellows neither Norwegian band is as esteemed as, say, Trader Horne and Trees or Colloseum and Lighthouse. Folque issued their eponymous debut album in 1974. Despite line-up changes, the band was active until 1984. Undertakers Circus issued two albums, the first of which was 1973’s Ragnarock. The original band ran out of steam around 1976. Original pressings of Folque fetch between £40 and £80. Ragnarock is very rare and sells for around £70. The reissue of each album is Read more ...