CDs/DVDs
Guy Oddy
Anyone looking for some psychedelic pop to at least give the illusion that we might now actually be in the middle of summer could do much worse than try out the debut album by Anglo-French duo Bosco Rogers. Their 21st century twist on the Monkees’ good grooves is just what the doctor ordered, and Barth Corbelet and Del Vargas’s sun-drenched harmonies and catchy, fuzzy guitars are guaranteed to generate big smiles and some serious rump-shaking from even the most unconfident of dancers.Post Exotic comes straight out of the traps with a bucket load of swagger and the knowing smirk of “Anvers”. “ Read more ...
Kieron Tyler
Thirty-three minutes is not long for an album. What actually counts is not length but what is said and its impact. Norway’s Hedvig Mollestad Trio know what they are doing and over Black Stabat Mater’s 33 minutes they do it with such clarity, force and panache there is no need to say any more. This is exactly what an album should be: a coherent statement.The title is a feint. Hedvig Mollestad Trio’s fourth album does not sound like Black Sabbath. There are guitar riffs: heavy, pounding, pulsing riffs. They employ a one-string style similar to the soloing of Sabbath’s Tony Iommi. But Mollestad’ Read more ...
Saskia Baron
Five years in the making, this is the dream documentary for every die-hard William Burroughs admirer. It was originally released in 1983 but was thought lost until the director’s nephew Aaron Brookner painstakingly restored it in 2011. Criterion has now released it in the UK for the first time on Blu-ray. It opens with flickering bootlegged footage of supermodel Lauren Hutton introducing "the greatest living writer in America" on Saturday Night Live, and then throws in every story and every character ever linked to Burroughs. Patti Smith says "he’s up there with the Pope, one of the Read more ...
peter.quinn
Ludic, ironic, kaleidoscopic, highly stylised, this follow-up to the Elliot Galvin Trio’s acclaimed 2014 debut, Dreamland, packs an exhilarating feast for the ears into its shortish 38-minute time frame. Like that greatest of musical magpies, Igor Stravinsky, who was able to creatively distort any style that appealed to him, from medieval music to the music of the Second Viennese School, Galvin similarly dips in at will to the endless resources of jazz, classical and pop music history to create a sound-world entirely his own. Punch, the trio’s debut for Edition Records, sees the pianist Read more ...
Kieron Tyler
If Kris Kristofferson had just been the writer of “Help Me Make It Through the Night”, “Me and Bobby McGee” and “Sunday Mornin’ Comin’ Down”, his legacy would have been assured. Each song is a classic, and each is wonderful. Elvis Presley and Gladys Knight & the Pips ensured that “Help Me Make It Through the Night” would live forever. Kristofferson’s ex-girlfriend Janis Joplin did the same with “Me and Bobby McGee” – the writer did not initially know she had recorded it. In 1969, Ray Stevens was first to tackle “Sunday Mornin’ Comin’ Down”. Johnny Cash was next. All three songs featured Read more ...
Katie Colombus
For Aerosmith frontman Steven Tyler, country music is the new rock n’roll. And it seems an easy transition from one kind of heavy beat to another, with simple melodies, alongside rich textures and honeyed harmonies in this new vista.Tyler brings his own unique flava into the Nashville-infused mix, with album opener “My Own Worst Enemy” introducing us to a deliberate accordion backdrop but with some decent riffing and a screeching hot guitar solo at the end of the song. "We're All Somebody From Somewhere" is set to be a summer hit. It’s a great time to be preaching unity for “Some Read more ...
Thomas H. Green
Cliff Martinez isn’t your average Hollywood film composer. He didn’t come up via an orchestral academy or even move sideways from the electronica/classical crossover milieu. Neither John Williams nor Jóhann Jóhannsson are his template. Instead, he took a sharp left out of the LA punk scene, drumming in bands ranging from Lydia Lunch’s no wave noisiness to the nascent, raucous Red Hot Chili Peppers. He even played on Captain Beefheart’s final freak-out, 1982’s Ice Cream For Crow. However, since the Eighties, and especially working with the director Steven Soderbergh, he’s carved himself a Read more ...
graham.rickson
Hail, Caesar!’s shortcomings are easily forgiven. You could complain that the multiple plotlines aren’t given enough time to breathe, or that the deeper issues rumbling beneath the film’s frothy surface could be explored in more depth. Superbly designed and beautifully shot on film by the Coens’ regular cinematographer Roger Deakins, this really needs to be seen on a large screen. But repeated DVD viewing allows the barrage of sight gags and wordplay to really hit home.Set in the early 1950s, it centres on Josh Brolin’s studio manager Eddie Mannix (pictured below with George Clooney), Read more ...
Barney Harsent
The weight of expectation can be a terrible thing to bear. When Since I Left You, The Avalanches’ patchwork party debut, was released in 2000, there was no sense of how long it had taken to make, just a collective intake of breath at the dense layers and intricate detail. Plundering anything and everything in their bid to create this delightful decoupage, it was the sheer scale of the band’s collective imagination that thrilled. How could any follow-up possibly compare?Listening to their long-awaited comeback Wildflower, which has been 16 years in the making, it sounds like they've not given Read more ...
Thomas H. Green
Bands have grown slack about releasing albums. The Beatles used to pump them out, releasing both Help and Rubber Soul in the first half of 1965, whereas, say, Bastille’s second album arrives three years after their debut (although they released a “mixtape” in-between). Feeble. Kudos, then, to The Fiction Aisle, the newish project from Thomas White of Electric Soft Parade and Brakes. Their second album appears a mere six months after their debut. And it’s well worth investigating.Debut Heart Map Rubric was an opulent orchestral affair, described here as “hewn in the shadow of John Barry, John Read more ...
Saskia Baron
Back in 1959, Black Orpheus was a revelation – a reworking of the Greek myth of doomed lovers Orpheus and Eurydice, played out in the favelas of Rio de Janeiro during Carnival. It was the first movie to win both the Palme d’Or at Cannes and the Best Foreign Language Film Oscar. French director Marcel Camus cast his beautiful American wife Marpessa Dawn as Eurydice and Breno Mellor (a handsome Brazilian footballer Camus had spotted on a Rio street) played Orpheus. Cast for their looks, they were not great actors, and neither ever achieved much success again on screen.Criterion has Read more ...
Kieron Tyler
Pictured above is the label of an exceptionally important Pink Floyd record issued last November. Only a thousand people bought a copy. That was the amount that hit shops. Pink Floyd 1965: Their First Recordings was a double seven-inch set with a historic importance inversely proportionate to its availability. It was the first ever outing for the earliest recordings by the band and, as such, the earliest compositions for them by its prime songwriter Syd Barrett. He died on 7 July 2006 at age 60, and a look at this hard-to-find yet significant release is a tribute to his memory.The band is the Read more ...