CDs/DVDs
Russ Coffey
After 20 or so years the Moles are back. Great news, one imagines, for fans. Others may be a little nonplussed about their identity. A quick recap then. During the early Nineties the band catalogued the lo-fi adventures of quirky Aussie psych-rocker Richard Davies. Davies and friends later relocated to New York and London where they achieved a degree of cult success. But in 1996, the singer decided on a change in musical direction and the Moles were no more. Davies's "Moles" ideas were put on ice. Now they've been warmed up in the form of Tonight's Music. Unsurprisingly, the LP is Read more ...
Barney Harsent
In an age where things change at a lightning pace, where we are programmed for progress, touchstones are crucial. There’s a need for something we can rely on to remain solid, unchanging and free of the burden of momentum. The noise produced by Dinosaur Jr, which comprises J Mascis, Lou Barlow, drummer Murph and others, is just such a thing – gloriously monolithic and fondly familiar.On this, the band’s 11th studio album, there is, if anything, an echo of past glories. Indeed, when the clatter and drums of “Goin' Down” starts up, their 1987 sophomore statement of intent, You’re Living All Over Read more ...
joe.muggs
In the early 2000s, a club called Trash in London, run by DJ Erol Alkan, introduced a wave of indie teenagers to the joys of electronic music, giving them a way into club culture that was all theirs and not beholden to the superstar DJs of the acid house generation. A generation of bands would form directly or indirectly influenced by it – and by the end of the decade, there was a mini wave of bands like Friendly Fires, Late Of The Pier and Wild Beasts, who integrated electronic sound into a rock band format, and brought a bit of disco glitter and androgyny to their image to boot.It felt like Read more ...
Kieron Tyler
The story of Queen Christina Vasa of Sweden has been told in opera, novels and on stage. It was first addressed by cinema in 1933 when Greta Garbo played the title role in Rouben Mamoulian’s Queen Christina. Liv Ullmann then took the part in 1974’s The Abdication.The reasons for the persistent attraction to the story are clear. Christina was six when her father King Gustav II Adolph was killed in battle in 1632. Queen at 18, she studied voraciously and wanted knowledge and literacy for all. In thrall to the ideas of Descartes, she brought him to Sweden. She did not obediently accept Read more ...
Kieron Tyler
A Venn diagram connecting the diffuse, distanced and drifting, The Amazing's Ambulance is hard to latch onto. Its first five tracks are etiolated cousins of the Midlake of Antiphon, while also calling to mind Sydney dream-popsters The Church circa Heyday and Starfish, as well as fellow Australians The Moffs. Although beautiful, their vaporousness makes it difficult to keep them in focus. Then, as the seven-and-a-half minute “Through City Lights” progresses, any hold on the ear dissipates. The subsequent pair of acoustic guitar-centred tracks feel tacked on and, as attention has already Read more ...
Kieron Tyler
As the album featuring Simple Minds’ first Top Twenty single, “Promised You a Miracle”, 1982’s New Gold Dream (81-82-83-84) was aptly titled. After the success of the next single “Glittering Prize”, it hit number three in the album charts. Five albums in and three years after their first single, Simple Minds were indeed touching gold.Whether their breakthrough into the mainstream was a miracle or not depends on how the band is seen. The album preceding New Gold Dream (81-82-83-84) was actually issued as two separate records: Sons and Fascination and Sister Feelings Call. Each featured a Read more ...
Thomas H. Green
Right now we’re at the heart of the silly season. In mid-August no-one releases albums (it’s the same in January). Here at Disc of the Day we’re screaming for something decent to review. But, no, microscopic bands choose to hold their albums back and go head to head with the big names during the pre-Christmas release splurge of September and October. The fact is, as autumn arrives, no-one will cover Blobus & His Black Metal Armada over Britney, Bastille, Ed Sheeran, Haim, Frank Ocean, and the rest. We all like a bit of Blobus, sure, but we have a remit to review what people are interested Read more ...
mark.kidel
America is a country that has always thrived on dramatic battles between "good" and "evil", God and the Devil. Demonising may have Puritan roots, but it remains a particularly American obsession. The photographer and artist Robert Mapplethorpe, whose sexually explicit images shocked many of his compatriots, drew much of his strength from exploiting the chasm that divides the self-righteously "pure" and the darker forces of revolution. He embodied the shadow of his country more radically than any other artist of his time, and cultivated a devilish notoriety that ensured him the fame and Read more ...
Matthew Wright
Little-known Brazilian arranger José Prates created the music recorded on Tam...Tam...Tam...! in the early 1950s to accompany a touring dance show. When the show toured Europe in 1958, the tracks were released as an album. So obscure is Prates today that Gilles Peterson made a TV appeal for a good copy of the LP, which he couldn’t source. Yet Prates’ blend of complex, loose-limbed, recognisably African rhythm, with sultry, melodic vocal lines was genuinely an epochal moment in the birth of bossa nova and the modern Brazilian sound. The crucial word here, of course, is “reimagined”. The Read more ...
Barney Harsent
Honestly, you wait years for a lengthy project to come to fruition, then two turn up at once. However, while The Avalanches had to contend with people tapping their watches and sighing wearily, The Earlies’ John Mark Lapham had only his own clock to watch. The measured pace and unhurried approach are reflected in the languorous song spectres he presents here.Starting out life as an idea for his short-lived 4AD outfit, the Late Cord, the project soon outgrew its shell and ended up a huge collaborative effort which sees turns from, among a Hollywood-sized cast, Sara Lowe (the Earlies), Swans’ Read more ...
Kieron Tyler
The home-cinema release of Absolute Beginners is a rarity, as it’s one where watching the bonus before the main feature is a must. In Absolute Ambition, those involved with the film are brutally frank about this most hyped piece. It’s also an eloquent, fascinating potted history of the pop-cultural milieu that led to it being made in the then still-resonating aftermath of punk. Despite being set in the 1958 of its source book, Colin MacInnes’S Absolute Beginners, director Julian Temple avers that the film was more about when it was made than when it was set.That wasn’t clear on its release, Read more ...
Guy Oddy
Purple’s 2014 debut album, (409), was a burst of party punk straight out of Texas that deftly avoided crass clichés while letting the good times roll. Sophomore effort Bodacious won’t disappoint those who were bitten by the Purple bug the first time around and might even entice new listeners along the way. In particular, a hefty dose of the funk has been added to their exuberant groove, with Joe Cannariato giving his bass a good seeing to where previously he might have sat back. While this means that things may have slowed down in places, this is still music with a beaming smile and a beer in Read more ...