CDs/DVDs
Guy Oddy
It may be five years since their last album, Celebration Rock, and the world may have turned several somersaults of late, but Japandroids’ love of tasty power pop songs that suggest Tom Petty and the Heartbreakers’ bar-room rock with a hefty dose of New Wave attitude remains a musical constant in these crazy times. That said, it would seem that in 2017, Brian King and David Prowse have got their sights firmly set on writing an anthem for the millennial generation, as Near to the Wild Heart of Life is awash with songs of wide-eyed exuberance, flavoured with big production values that Read more ...
joe.muggs
This seems a logical progression for The xx. The super-stripped-back sound of their first two albums has got them a very long way indeed – along with fellow melancholicist James Blake the diffident trio formed a twin-pronged stealth British invasion of American pop culture, influencing the influencers and weaving themselves into the fabric of things. But as they've played ever bigger arenas the temptation to give their sound a bit of a boost must've grown steadily, doubly so given that in the interim since 2012's Coexist their beat-programmer and producer Jamie xx has had sizable success in Read more ...
graham.rickson
Let’s explain the peculiar title first: Operation Anthropoid was the code name given by the Czech Resistance for the planned assassination of Reinhard Heydrich in Prague during World War Two. The events have been portrayed on film before, a notable early example being Fritz Lang’s Hangmen Also Die (screenplay and score provided by "Bert" Brecht and Hanns Eisler). Lang took many liberties with the facts, whereas Sean Ellis’s 2016 film attempts to be scrupulously accurate. Heidrich was a repugnant, cold-blooded brute, sent to govern an occupied Czechoslovakia in 1941, his predecessor having Read more ...
Matthew Wright
The flaming pigtails say it all. More St Trinian’s than gangsta, the 23-year-old Croydon rapper Nadia Rose presents (mostly) the lighter side of South London street life. Despite a less than incendiary last place in the BBC’s recent Sound of 2017 competition, Rose had already captured enough attention for Highly Flammable to catch fire with “Boom” and “Station”, 2015’s two feisty singles. They were both a bit rough round the edges but throbbing with the sort of attitude that captures an audience.That attitude is summed up by the video of “Station”, which was shot with Rose rapping on the Read more ...
Thomas H. Green
God knows we need originality in pop, and French singer Petite Meller delivers it. At least, she does visually, which, in 2017, is 50 percent of the game. Like Yolandi Visser of Die Antwoord, she offers a direct subversion of femininity. However, where Visser is confrontationally satirical, Meller’s image is uncomfortable, creepy even, Picnic at Hanging Rock Victoriana by way of rouged baby doll mannequin weirdness. The music is more straightforward.What stands out immediately is Meller’s cutesy toddler voice. It’s undoubtedly divisive but, as with rising UK act Let’s Eat Grandma, such vocal Read more ...
mark.kidel
Eno pioneered ambient music way back in the 1970s, in collaborations with Robert Fripp, Jon Hassell, Harold Budd, and on his own label. His new album continues this adventure in search of stillness, at a time when we are more than ever shaped by muddled layers of high-speed narratives, fuelled by instant communication and hell-bent on denying the presence of the here and now.Like Xenakis, the avant-garde composer of the last century, who used mathematical formulae and discourse as a shield for deeply emotional music, Eno’s algorithm-generated slow-motion cascades of morphing tone are anything Read more ...
Jasper Rees
Hunt for the Wilderpeople is the highest-grossing film produced exclusively in New Zealand, and yet it snuck into UK cinemas at the back end of 2016 with less fanfare than it deserved. Its release as a home entertainment gives a better shot at a long life. It stars Sam Neill as Hec, an ornery old backwoodsman who reluctantly takes charge of Ricky, an unruly orphan thrust into his care. Neill has never been more loveable, but the charm of the film rests just as much on the unfettered performance of Julian Dennison as the boy.Naturally they have nothing in common, but as they go on the run in Read more ...
Kieron Tyler
50 is titled to mark fifty years of touring. Now 75, Michael Chapman released Rainmaker, his first album, in 1969. Though well-known devotees have never been lacking – Bowie recruited Mick Ronson after hearing his playing on a Chapman album; Elton John wanted Chapman for his band – his lengthy presence has not brought Chapman the stature of contemporary and similarly idiosyncratic British singer-songwriters like Roy Harper or John Martyn. Yet, he endures.The swift follow-up to 2014’s The Polar Bear is ample evidence why. 50 opens with the atmospheric, energised and rolling “A Spanish Incident Read more ...
Matthew Wright
Saxophonist, composer and former Radio 3 New Generation Artist Trish Clowes has created a reputation for original chamber jazz of densely woven harmonies and delicate, sometimes folk-tinged melody. This fourth album, with a quartet rather than (as often in the past) a small orchestra is billed as a new musical direction. It isn’t really, but that’s nothing to be ashamed of: in style and mood Clowes rather impressively recaptures the unshowy profundity of her chamber orchestra with only a quartet.There’s a remarkable range of subject matter here, testament to the diversity and maturity of Read more ...
Kieron Tyler
An action film with an intensity that sets it apart, Assault on Precinct 13 still shocks. Although expected, its first killing is a “they wouldn’t do that, would they?” moment. No wonder the 2005 remake failed to overshadow the original. John Carpenter’s hard-boiled second feature, a follow-up to Dark Star, was filmed on a budget of $100,000 in less than three weeks in late 1975 and released the following year. He wrote, shot and edited it as well as composing and playing its brilliant soundtrack music (the early Human League took a lot from it). With a cast of unknowns, the noir-toned Los Read more ...
Barney Harsent
Christmas came, and brought with it the usual silly-season headlines. "Vinyl outsells digital downloads" came the cries, bringing with them a vision of a plastic phoenix rising from the ashes. The truth was, of course, much more prosaic – digital downloads are falling faster than Icarus as more people take to streaming services and abandon even the most ethereal physical things for an internet full of stuff.Meanwhile, in the real world, a rather wonderful release by Laurie Shaw, a ludicrously prolific 22-year-old, Ireland-based singer songwriter, passed by with barely a mention. That’s the Read more ...
Kieron Tyler
Sixty-eight tracks into the intriguing Action Time Vision, orthodoxy suddenly gives way to individualism. The two-and-bit discs so far have mostly showcased what passes for notions of punk rock: block-chord guitars, guttersnipe vocals, Ramones-speed rhythms and Clash-style terrace-chant choruses. Suddenly, The Fall’s lurching “Psycho Mafia” suggests the early punk era was not about trying to be same as every other band. Individualism was possible.Recorded in 1977, but issued in 1978, “Psycho Mafia” was from The Fall’s first record, an EP on the Step Forward label. Other bands on the imprint Read more ...