CDs/DVDs
Nick Hasted
It has Brian De Palma’s greatest shock ending since Carrie, and an Alec Guinness-worth of John Lithgow psychopaths – yet 1992’s Raising Cain is rarely remembered among the director’s best works. I last came across it midway through, late at night on TV, unsure of quite what I was seeing, and sent reeling to sleep. Watching from the start hardly steadies the Chinese-box dream-sequences and vertiginous violence, as nice child psychologist Dr. Carter Nix (Lithgow) tries to survive his relationship with nasty twin brother Cain (Lithgow), cruel Norwegian dad Dr. Nix (Lithgow) and adulterous wife Read more ...
Guy Oddy
Henrik Björnsson has been laying down nihilistic and scuzzy rock’n’roll sounds with Singapore Sling since 2000, and with Kill Kill Kill (Songs About Nothing) there is a sense that he has long given up chasing radio-friendly commercial success. However, while song titles like “Fuck Everything” and “Surrounded by Cunts” may predominate, the tunes are nothing like the toy-throwing tantrums that they imply. Fuzzy and echo-drenched psychedelia powers this set of 10 haunting and claustrophobic tunes that bring to mind prime time Jesus and Mary Chain, and it’s one fine ride.The subterranean gothic Read more ...
Matthew Wright
The heartbreak of poor, rural America has an urgent topicality for the first time in decades. Wisely, country singer Courtney Marie Andrews has left her views on the Mexican wall unspoken, but on the other staples of folkloric woe she proves to be unexpectedly eloquent. Still only in her mid-twenties, this is technically Andrews’ sixth album, though her first in the limelight. It’s a gem.Musically, the sound is conventional, perhaps self-consciously so, with giddy portions of pedal steel, glistening close-harmony backing vocals, and Andrews' own bubblegum drawl. The album’s Read more ...
Katie Colombus
If there's one thing I've learned from Nashville the TV show it's that the best musical collaborations can birth the most beautiful love stories.Johnnyswim is the real life version of boy (Abner Ramirez) meets girl (Amanda Sudano) in Nashville Tennessee, who got together to collaborate back in 2005. They made beautiful music together, and ended up in love.Their heady mix of American folk-pop, with soul and blues influences, comes together to make a sound that Callie Khouri would be proud of. They sing of summertime romances, being each other's lighthouse, getting it right on the first try, Read more ...
mark.kidel
Victor Erice is one of the great Spanish directors of the last century, though much less prolific than his compatriots Buñuel and Almodóvar. There are three key films, The Spirit of the Beehive, The Quince Tree Sun and El Sur (The South). All three are characterised by an intense attention to the act of seeing, the mystery of presence and the power of the imagination. They are slow, beautiful films – every frame a delight – that benefit a great deal from being seen on a large screen or in the cinema. The lighting of interiors is often dramatic, conjuring an introverted and Read more ...
Tim Cumming
Recorded more or less live at those venerable studios with a great big sound, Rockfield and Real World, Eliza Carthy’s Big Machine is a monster of an album, big, brassy, and bendy. She has a monster of a group with her too, the 12-piece Wayward band, among them Sam Sweeney, Lucy Farrell, Saul Rose, Beth Porter, and Barnaby Stradling. There are big choruses, big songs and plenty of freewheeling brass, spiky guitars, strings and sharp contrasts in these bold settings of Broadside Ballads from Manchester’s Chetham Library, songs such as “Devil in the Woman”, about domestic violence, the album Read more ...
Thomas H. Green
Brit singer Rose Elinor Dougall is best known for her various associations with Mark Ronson and her time in the polka-dotted girl band The Pipettes. Ten years into her solo career she’s well-liked by much indie-centric music media but has yet to carve herself out a recognisable larger profile. Her second album, co-created with London producer Oli Bayston – AKA Boxed In – is sweet-natured, an electro-poppy extension of her 2010 debut, but, unfortunately, lacks real impact.Stellular has the trappings; it’s lushly produced, roves around a variety of 1980s musical tics, and is riven with Read more ...
Markie Robson-Scott
This is a story of an adorable dachshund and her cross-country travels, divided into four parts. So far so cute, but as this is a Todd Solondz movie, it doesn’t stay that way. Kids, avert your eyes. The dog’s first home – and the most impressive part of the film – is with lonely young Remi (Keaton Nigel Cooke) who’s recovering from cancer. He names her Weiner-Dog and they bond (the first shot of Remi is of him lying on bright green grass in a pose straight out of Boyhood, though similarities end there). But control-freak dad (Tracy Letts) is an owner from hell, even though it was he Read more ...
mark.kidel
Nick Cave and Warren Ellis’s soundtrack for the National Geographic drama documentary about an imagined manned space mission to Mars in 2033 feels at times as if it were a sketch for the sonic ambience that made Nick Cave and the Bad Seeds' much-acclaimed 2016 album Skeleton Tree so intensely atmospheric. Which came first isn’t clear, but suffice it to say, that both inhabit the same dark-hued and super-charged sonic atmosphere.Cave’s music has always been highly cinematic, not least when featuring the imaginative work of his regular cohort Warren Ellis. Here, as in Skeleton Tree, they have Read more ...
Liz Thomson
In the era of star-making TV progs and here-today-gone-tomorrow musicians, just how wonderful is it to have a new album from a man who marked his 80th birthday three years ago by signing a new contract with Eric Corne’s Forty Below Records?John Mayall, Manchester-born “godfather of the British blues”, is a true guitar legend, an elder statesman to whom so many of rock’s key players owe a huge debt – among them John McVie and Mick Fleetwood, Mick Taylor and, of course, Eric Clapton. Whose collection does not include the 1966 classic John Mayall and the Bluesbreakers with Eric Clapton on which Read more ...
Jasper Rees
New releases by Mike Oldfield don’t exactly grow on trees, but nor can they be deemed rarities. For the first three decades he brought out roughly half a dozen a decade. But Return to Ommadawn is only his second since 2008. As the title announces, it tours the landscape of his third album Ommadawn, which he recorded in his own studio at Hergest Ridge in 1975 and played pretty much everything that didn’t require breath (wind instruments and vocals).It’s roughly the same story here except that Oldfield blows on his own penny whistles, which feature prominently in the mock-Celtic musical Read more ...
Saskia Baron
Charles Burnett is one of the neglected pioneers of African-American film-making. He first won attention back in 1978 with his poetic, powerful debut film, Killer of Sheep. Acclaimed by critics and respected by his fellow directors, Burnett has always struggled to get his scripts on screen, focusing as they do on the reality of black American lives.The Glass Shield, made in 1994, was his best-funded movie and doubtless the film’s producers thought their investment would pay off if they highlighted rapper Ice Cube’s name (he’s a minor character) and sold it as a racy cop drama off the back of Read more ...