CDs/DVDs
Liz Thomson
Sharon Shannon’s not yet 50 – and she’s been performing for more than 40 years, joining a band at home in County Clare when she was eight and touring the US with them at 14. Since then she’s worked with an impressive array of artists, from the Waterboys through Steve Earle to Nigel Kennedy. Arguably, it was The Woman’s Heart project (1992), showcasing Irish folk musicians which included Mary Black and Maura O’Connell, that propelled Shannon to international success.Sacred Earth, her first studio album in three years, encompasses what Leonard Bernstein called “the infinite variety of music”. Read more ...
Guy Oddy
Barry Adamson has forged an impressive solo career since the soundtrack-without-a-film of Moss Side Story in 1988. His epic cinematic noir sounds have absorbed blues, jazz, rock and a myriad of other musical designs along the way and Love Sick Dick happily doesn’t stray too far from that tradition. Much like his debut, Love Sick Dick is a song cycle that follows an implied narrative and features a lonely and paranoid bloke adrift in the big bad city as he crashes ever downwards. In fact, despite outward appearances, Love Sick Dick is really a blues record.Things start with a zap and a pop, as Read more ...
Kieron Tyler
“I never saw anything like it,” declares Billy Pilgrim in wonderment. “It’s the Land of Oz.” He has just seen Dresden’s splendour from the train carriage into which he and other American prisoners of war are crammed en route to the city. They’ve been told it will be easier there than the prison camp they’ve left: they will experience less hardship at their new quarters. Dresden is not the Land of Oz, though. The new camp is named Slaughterhouse-Five and fire from above is about to slaughter the city’s residents. Soon, Billy and his fellow prisoners are stacking corpses.February 1945's bombing Read more ...
Kieron Tyler
The Frankie Goes to Hollywood of “Two Tribes”. Talk Talk. Stadium-era Depeche Mode. Laibach. a-ha’s aural dramas “Stay on These Roads” and “Manhattan Skyline”. “New Year’s Day” by U2. These are the musical building blocks of Ulver’s The Assassination of Julius Caesar.The death of Princess Diana. The attempted assassination of Pope John Paul II. Anton LaVey’s Church of Satan. The Greek goddess Artemis (Diana, in the Roman myths) and story of Actaeon the hunter who saw her naked body so was killed by dogs. The Bernini statue The Rape of Proserpina, used as the album's cover image. The death of Read more ...
peter.quinn
While this is a big beast of a record, it’s one that’s surprisingly light on its feet. Consisting of Danish bassist Jasper Høiby, British pianist Ivo Neame and Swedish drummer Anton Eger, anyone who’s familiar with Phronesis knows that metric shifts, whiplash-inducing changes of gear and tricky ostinatos are meat and drink to these musicians.Commissioned for their 10th anniversary, the album sees the trio’s back catalogue cast in dazzling, widescreen big band arrangements courtesy of sax player, bandleader, arranger and conductor Julian Argüelles, together with the acclaimed Frankfurt Radio Read more ...
Russ Coffey
The Far Field is the fifth album from Baltimore synth-poppers Future Islands, and the first since that performance on Letterman. In case you aren't familiar, a quick recap: the band were performing their single, "Seasons (Waiting on You)" when something mesmerising started to happen. Thumping his chest and screwing up his eyes, singer Samuel T. Herring suddenly became totally at one with the song. The performance soon went viral. It didn't just breathe new life into the band, though; it also put them under a new level of scrutiny.All credit, then, that the boys haven't buckled under pressure Read more ...
Nick Hasted
“But when did you become an object of pity?” Nick Cave asks himself. Brighton’s streets have become an obstacle course of concerned strangers and acquaintances, in the arms of whom he may find himself collapsed, crying. Such indignity was his grief’s smallest cost, after his 15-year-old son Arthur fatally fell from a cliff in 2015.One More Time with Feeling was released in cinemas last year, in a complex 3D process. Watched at Cave’s favourite cinema in his adopted hometown Brighton on its muggy opening night, it felt oppressively intense and increasingly raw, with the 3D adding hallucinatory Read more ...
David Nice
No-one has ever matched costume drama to psychological depth quite like Luchino Visconti. Much of it has to do with what Henry James termed a "divided consciousness": as a nobleman who became a communist in World War Two and was relatively open about his homosexuality, Visconti was able to depict the warped opulence surrounding Ludwig II of Bavaria with a meticulous eye for detail and composition, while analysing the causes of his dramatic decline as a despised outsider (and no, Ludwig was not mad; Visconti was among the first to say so).There's little of the hysteria and excessive Read more ...
Liz Thomson
As Imelda May releases her fifth CD, it can’t but help that Bob Dylan has come out as a fan – it was, she wrote, "like being kissed by Apollo himself". No doubt his buddy T Bone Burnett passed him a copy of the album, for he produced it in Los Angeles, where it was recorded over seven days, with guest appearances from guitarist Jeff Beck and pianist and band leader Jools Holland, on whose TV shows May has guested several times.Life. Love. Flesh. Blood is the fifth studio outing for the girl from Dublin’s Liberties, and it's full of emotion, polished and stylised. May has performed with Read more ...
Javi Fedrick
Fujiya & Miyagi are greater than the sum of their parts. Singer David Best recently explaned that he "sees it as an album rather than a compilation", but Fujiya & Miyagi’s sixth album is, essentially, a collection of three EPs, combining 2016’s EP1 and EP2 with three sparkling new tracks.Despite all the songs being written, recorded and released at different points over the last year, the album is pleasingly coherent. As with all Fujiya & Miyagi’s work, bleeps, pulses, and closed hi-hats provide the building blocks for the music, yet Best has ventured that this album is “more Read more ...
Sarah Kent
Revolution - New Art for a New World film starts well: the opening shot (main picture) is of young women painting white letters onto a red banner. “We all knew what to paint,” says the voice-over. “Bread, Work, Vote, but the message was ‘Women of the World Unite!’” These were the words of Liubov Popova, one of Russia’s many brilliant women artists; her enthusiasm came from the conviction that after the revolution women would have greater opportunities. “Everyone was going to have equal rights, and that included artists,” she predicted, since they were “building a new life and a Read more ...
howard.male
Because so many African albums that get an international release feature tastefully neutered acoustic guitar, pretty scatterings of kora notes, and lyrics centred on some imagined ideal Africa, it is a blessed relief to hear something as punchy, confrontational and insistent as this explosion of beats and hollering from Ghana’s King Ayisoba. What’s also incredibly canny about this record is how the producer Arnold de Boer (of the excellent Dutch post punk outfit the EX) manages to throw in electronica atmospherics and hip hop bottom-end without it for one moment sounding forced or Read more ...