CDs/DVDs
Barney Harsent
Singer Jessie Ware has long been considered a bastion of grown-up pop. A natural heir to the estate once tended by Sade; a scenic artist providing the background to relaxed conversations with good company; the eventual recipient of a recurring spot on Jools' Hootenanny in perpetuity.Glasshouse, Ware’s third album, has been preceded by two singles. “Midnight” came dressed in a breathy, wispy outer layer that was soon whipped away to reveal a slow soul stomper, while “Selfish Love” sounded like Amy Winehouse being covered by a bossa nova Portishead covers band. While that might not sound like Read more ...
Thomas H. Green
P!nk is a likably gobby superstar who has consistently maintained her position at the top of the pop tree for an impressive 17 years. Amping up her feisty one-of-the-boys persona, she’s been a template for a generation of girl-pop stars who followed. Her live shows are eye-wowing circus events, setting the bar high for stadium gigs of any type.Unfortunately, though, her seventh album is a fizzle, rather than a firework. In a year when both Katy Perry and Kesha have put out albums containing a decent share of gems – not to mention the extraordinary Lemonade from Beyoncé last year – Read more ...
graham.rickson
There are two elephants in Blake Edwards’ 1968 comedy The Party. One appears literally at the film’s climax, emblazoned with graffiti. More significant, and troubling, is the metaphorical elephant in the room: that we’re invited to laugh at a white comedian in brownface.Namely Peter Sellers, impersonating an Indian actor who unwittingly wrecks an upmarket Hollywood shindig. His Hrundi V Bakshi is almost a retread of the character he played opposite Sophia Loren in 1960’s The Millionairess. Still, according to a talking head interviewed in one of the bonus features, the film “was very popular Read more ...
mark.kidel
Robert Plant once again ploughs the vibrant field he cultivated on his last album Lullaby and the Ceaseless Roar. The mix of Led Zeppelin-rooted hard rock, softly passionate English folk with Arab rhythm and blues works wonders. Plant has, perhaps more than any other British musician, served the sacred roots of rock’n’roll. From the opening “May Queen”, which references age-old Celtic rituals, driven along crazily by the snare-buzz of the North African bendir, until the quiet and meditative closing track, “Heaven Sent”, Plant, as before accompanied by the Sensational Space Shifters Read more ...
Russ Coffey
Colors, the follow-up to Beck's meditative masterpiece Morning Phase, couldn't come as more of a contrast. It's a glossy, high-energy LP designed to make you dance, not think. The inspiration came partly from Pharrell Williams's mega-hit "Happy". When Beck heard it, in 2013, he was blown away by how exuberant it sounded. It made him wonder if he could write something with the same feel-good factor.For four long years, Beck has been working on the formula. The result is not merely a cheery album, it's a studiously cheery album, full of choppy guitars, smooth synths and complex drums. All Read more ...
Graham Fuller
In the most famous scene in Luis Buñuel’s Belle de Jour, Catherine Deneuve’s resplendently blonde Séverine fantasises being tied to the wooden frame of a crude outdoor eating space. There she is pelted with mud by her surgeon husband Pierre (Jean Sorel) and his friend Husson (Michel Piccoli), an older roué she hates but to whom she is perversely attracted.A herd of cows is nearby and the black mud is likely mixed with their shit. Before throwing the ordure and calling Séverine filthy names, the two men discuss the time of day, which is between 2 and 5 pm. These are the hours the 23-year-old Read more ...
howard.male
It’s easier to admire than fall in love with the music of St Vincent aka Annie Clark. But then again does one genuinely fall in love with a Bacon painting or a Beckett play? It’s just that we’re more used to taking pop songs to our heart, fondly looking back on them as markers of key moments on our lives. Having said that, some love struck couple might semi-ironically play Massduction’s lead single “New York” at their wedding. It’s resigned hook line, ‘You’re the only motherfucker in the city who can stand me,’ is delivered with such melancholy gratitude that it does evoke an emotional Read more ...
Tom Birchenough
Director Jakob M Erwa's Centre of My World may be a coming-of-age story, but it’s definitely not a “coming out” one. Youthful hero Phil (Louis Hofmann) has barely reached the third sentence of his voiceover narration before he tells us he’s gay, and absolutely fine about it. There may be plenty of other emotional dysfunction in Phil’s world, but concerns about his own sexuality don’t feature.It’s an encouraging perspective to start from, particularly when we remember that Erwa’s film is an adaptation of an acclaimed Young Adult novel by Andreas Steinhofel The Centre of the World (Die Mitte Read more ...
Guy Oddy
Courtney Barnett’s debut album, Sometimes I Sit And Think, And Sometimes I Just Sit, was a quirky and bitter-sweet disc of sunny lo-fi tunes about wanting to be an evaluator operator, the price of organic vegetables and generally being at a bit of a loose end. Well, that was a couple of years ago and for her follow-up, she’s taken the somewhat unexpected step of getting together with lo-fi king, Kurt Vile for an album of largely laidback, Americana-infused duets that take a lead from Gram Parsons and Emmylou Harris’ 70s hippy cowboy ballads and 90s slacker couple Evan Dando and Julia Hatfield Read more ...
Thomas H. Green
Marilyn Manson, the man and the band, have maintained impressive global success for over two decades. Their albums – this is the band’s 10th - continue to shift by the bucket-load, and they can still sell out a worldwide stadium tour. Partly, their appeal is tribal. In the age of the beige hoodie and jeans, they don’t kowtow but continue to offer a studded, debauched black-splatter of Hollywoodised punk-goth kitsch. In recent years they’ve also undergone something of a musical renaissance. This continues on Heaven Upside Down.As with 2015’s The Pale Emperor, film composer Tyler Bates is co- Read more ...
Barney Harsent
When Liam Gallagher turns up with an album in tow, no one is expecting "Jazz Odyssey". You wouldn’t call a plumber to turf your lawn, and you wouldn’t ask ISIS to explain the dynamics of intersectionality. Similarly, you wouldn’t expect the former Oasis and Beady Eye frontman to deliver anything other than Beatles-inflected rock stompers. For the most part that’s exactly what you get. I stopped counting Fab Four references when I ran out of digits, but lyrically, there are nods to “Helter Skelter”, “All Things Must Pass”, “Happiness is a Warm Gun” and “Run For Your Life” among many Read more ...
Tom Birchenough
There’s an intriguing combination of style and atmosphere in Berlin Syndrome, one that proves that, although director Cate Shortland has embraced genre with conviction, she certainly hasn’t left the arthouse roots that she established with her first two films, her debut Somersault and the much-acclaimed Lore from five years ago, behind. Whether the result finally and fully convinces may be another mattter, especially over a rather protracted length of nearly two hours, but it’s certainly a curious journey.It begins in laid-back mode, as we encounter heroine Clare (Teresa Palmer, intense) Read more ...