CDs/DVDs
Tom Birchenough
The excellent booklet essay by Michael Brooke that accompanies this Second Run release of Pavel Juráček’s second, and final feature (it’s presented in a fine 4K restoration) tells us much about the director’s importance for the Czech New Wave, that remarkable period of independent filmmaking that spanned the 1960s. It was brought to an end, of course, by the Soviet intervention in 1968. A Case for a Rookie Hangman intriguingly spans that crucial dividing line: written in 1966, it was filmed only in 1969 and released two years after that, albeit only on a very limited scale (for many observers Read more ...
Tim Cumming
Earlier this year, eight musicians – Karine Polwart, Julie Fowlis, Seckou Keita, Kris Drever, Kerry Andrew, Rachel Newton, Beth Porter and Jim Molyneux – set about working with the ‘spell songs’ of nature writer Robert Macfarlane and the images from nature of artist Jackie Morris, and recorded what they created at Rockfield studios, then performed four sell-out shows to standing ovations in February. At these shows, Morris would create new images live on stage as the musicians played. Next weekend, they return to Folk By The Oak, the one-day festival in Hertfordshire, and the patron of the Read more ...
mark.kidel
Damon Albarn isn’t just a national treasure but an international one. He seems to spread his reach so widely, with a mix of curiosity and boundless energy, a great deal of discernment and a vision as different as possible from the narrow-minded attitudes that feed the Brexit frenzy.Having worked creative magic in Mali, with a range of exciting collaborations and recordings at Bamako’s Bogolan studios and elsewhere, and paid homage to various traditions on his label Honest Jon’s, Albarn has taken his ever-renewing project Africa Express into the creative maelstrom that is South Africa. He is Read more ...
Kieron Tyler
With shifts from the crepuscular to the distinct, Dawnbreaker is the aural equivalent of a stygian day periodically lightened when banks of cloud break to allow knife-like sunlight through.The album begins with “Fellows”, where an unadorned acoustic guitar accompanies a cracked solo voice declaring “he gave me his love and I couldn’t give mine.” The atmosphere and sound quality suggest it was rescued from a wax cylinder recording. Next, and bedded by what could be the rhythm box of a Seventies supermarket keyboard, “Gem” swings along, builds and adds instruments, developing into a Read more ...
Guy Oddy
Scott Hansen is a man that, in the musical guise of Tycho, finds himself seemingly unable to sit still creatively. Over his previous four albums, Hansen has incrementally filled out his sound, by bringing post-rock guitars, bass and live drums to a downtempo electronic groove, as well as recruiting other musicians into the band. Weather is no different in its desire to bring new sounds and people into the mix. Indeed, it sees Tycho’s further humanisation since 2006’s electronic solo debut, Past Is Prologue, with the addition of Hannah Cottrell’s sophisticated, pop vocals.After more than a Read more ...
Saskia Baron
Mirai made animation history when it was included in the Director's Fortnight at Cannes in 2018, the first Japanese anime feature to be so honoured. It went on to be nominated for an Oscar. Director Mamoro Hosoda, who worked at Studio Ghibli before creative differences on Howl’s Moving Castle led him to strike out on his own, has been described as the natural successor to anime master, Hayao Miyazaki. Certainly they share extraordinary artistry and a fascination with children and the fantasies they create. But for me, Mirai lacked the otherworldly enchantment of Studio Ghibli classics like Read more ...
Liz Thomson
“He was an outsider, a purveyor of truth”, Sarah Jane Morris has said of John Martyn, whose rackety life came to a tragically premature conclusion in 2009, when he was just 60. He was a key figure on the British folk scene, and his distinctive fusion of folk and blues quickly led him into the realms of jazz. A brilliant finger-picking guitarist in a style often referred to as folk baroque, Martyn was also an early experimenter with the fuzzbox and other gizmos, and while his own hero was Davey Graham, Martyn’s admirers came from across the musical spectrum and included Mike Harding and David Read more ...
joe.muggs
Releasing this record must be a daunting process for Steve Clarke. For one, it's his first record as a frontman and main songwriter, after a lifetime as a jobbing bassist and tour manager. For two it's a collaboration with his wife – they've been married a year, and together for five – and isn't shy of expressing the hopes and fears of an evolving relationship. But perhaps most potentially intimidating for Clarke, his wife is Rachel Goswell of Slowdive, one of the most distinctive sounding UK bands of recent decades, so it's inevitable her presence will generate attention and draw comparisons Read more ...
mark.kidel
Weimar Germany produced some extraordinary cinema, with Pabst, Murnau, Fritz Lang and others creating a language that transformed the medium and is still a core reference today. People on Sunday (Menschen am Sonntag), a silent film made in 1929, entirely on location – itself unusual at the time – features a team that would make tracks once established in Hollywood. The credits include a story by Curt Siodmak, Billy Wilder as screenwriter, Edgar G Ulmer and Robert Siodmak as directors, and Fred Zinnemann and Eugen Schüfftan as cinematographers.The film tells the story of a group of Read more ...
howard.male
This debut is the best collaboration between a French producer and African musicians since Yves Wernert got together with Malian ngoni player Issa Bagoyogo for a string of masterful fusion albums during the Noughties. But his time around it was the electronica producer Débruit who was blessed by chance to encounter a bunch of inventive musicians in Kinshasa. Although "inventive" hardly covers it, because poverty dictated that KOKOKO! forged their instruments out of plastic water bottles and other garbage and junk. But don't let that put you off. A tight riff played on a one-stringed guitar Read more ...
Barney Harsent
On his last album, 2017’s acclaimed The Possum in the Driveway, singer-songwriter Mark Mulcahy presented a collection that seemed almost anthological – a series of vignettes each with a strong sense of individual identity, sewn together in a pin-perfect patchwork by Mulcahy’s distinctive tones. With The Gus, Mulcahy has taken his narrative approach forward, apparently inspired by the short stories of American writer George Saunders. His renewed focus lends a sharp sense of authorial voice to the album and the result is a more contained and structured piece. Mulcahy’s success Read more ...
Lisa-Marie Ferla
Eight albums in, you can imagine why a singer-songwriter in the confessional vein of Ingrid Michaelson might be ready to look elsewhere for inspiration - and inspiration for new album Stranger Songs came from a curious place. Each of the album’s 11 tracks (Eleven, get it?) was inspired by Netflix’s Eighties-set sci-fi/horror smash Stranger Things - but don’t expect too radical a departure, because Stranger Songs gets its kicks from the series’ more universal themes of first love, friendship and teenage alienation rather than mysterious laboratories, monsters or The Upside Down.Opening track “ Read more ...