Reviews
David Nice
Recent events have prompted the assertion – understandable in Ukraine – that the idea of the Russian soul is a nationalist myth. This production reminded me that it isn’t, if only by telling us of what we’ve lost: the majority of those great Russian singers and conductors who lit up previous stagings of Tchaikovsky’s dark masterpiece.Though Jack Furness’s period-conscious concept – no violations pushed too far as in Stefan Herheim's Royal Opera horror – works beautifully with Tom Piper’s endlessly resourceful designs, Lizzie Powell’s lighting and Lucy Burge’s quirky choreography, the musical Read more ...
Anthony Cecil
I think The Ballad of Wallis Island is the best British romcom since I Know Where I’m Going! (1945), which it closely resembles.In the earlier film, an unexpected love affair develops on a remote Scottish island that is cut off by stormy weather. The fictional Wallis Island is off the coast of Wales, not Scotland, yet director James Griffiths makes the same poetic use of landscape that characterises the Powell and Pressburger classic. Both movies are about love and nostalgia, but whereas the primary conflict of I Know Where I’m Going! is class, the corresponding fault line in The Ballad off Read more ...
Kieron Tyler
Pete Shelley’s departure from Buzzcocks felt abrupt. When he left the Manchester band which had been integral to British punk since 1976, the other members thought it was still a going concern. Shelley had reached a different conclusion.Buzzcocks played what turned out the be their final show on 23 January 1981. At this point, making a new album, their fourth, was on the table. Neither the band or the audience in Hamburg knew it was the last time the band would be seen on stage. A little over a month later, on 4 March, Shelley put his name to a letter dissolving the band. “Homosapien,” his Read more ...
Markie Robson-Scott
“I can’t move my arms or legs, but apart from that I’m good to go.” Moth (Jason Isaacs) has to be pulled out of the tent in his sleeping bag by his wife Ray (Gillian Anderson). And this is only the second day of their 630-mile walk, split into two summers, along the south-west coastal path from Minehead to South Haven Point.Raynor Winn’s moving, witty account of their trek, which they embarked on after being made homeless, was a bestseller in 2018. Perhaps inevitably, the eponymous film, in spite of having Tony-award winning theatre director Marianne Elliott at the helm (War Horse, Angels in Read more ...
Rachel Halliburton
This charmingly eloquent semi-autobiographical show – which first played at the Bush Theatre in 2022 – tells the story of a girl whose life growing up in a council flat is transformed by the arrival of an upright piano. Lylah – like the show’s creator, Anoushka Lucas – is the daughter of an Anglo-Indian father and a French Cameroonian mother, and her subtle, often humorous, exploration of her racial identity becomes intertwined with who she is as a musician.Lucas has won several plaudits as an actor and singer in shows including Regent Park Open Air Theatre’s Jesus Christ Superstar and the Read more ...
Sarah Kent
Director Ben Rivers is primarily an artist, and it shows. Every frame of Bogancloch is treated as a work of art and the viewer is given ample time to relish the beauty of the framing, lighting and composition. Many of the shots fall into traditional categories such as still life, landscape and portraiture and would work equally well as photographs.In fact, the whole film is structured as a series of episodes that are more like animated stills than narrative sequences. And it produces the sense of being in the continuous present – as in a painting or a photograph. It’s a perfect match for the Read more ...
Gary Naylor
MOR. Twee. Unashamedly crowdpleasing. Are such descriptors indicative of a tedious night in the stalls? For your reviewer, who has become jaded very quickly with a myriad of searing examinations of mental health crises and wake up calls about the forthcoming environmental collapse, I often find comfort in material more suited to the large print section of the library. But the show still has to be good and that’s a big challenge when dealing with "smaller" subject matter.We open on a large scale doll’s house, and, to be fair, the allusions to Ibsen, Chekhov, Williams et al don’t ever fade away Read more ...
Kieron Tyler
For the first half-hour of this show – on the day before the release of his new album Alan Sparhawk With Trampled by Turtles – Alan Sparhawk moves ceaselessly. Whirling, arms sweeping like the sails of a windmill, gliding across the stage. He sings, his voice treated: auto-tuned, pitch-shifted. The only breaks come with momentary pauses to set rhythm tracks for the next song. Then, off again.His old band Low – abruptly terminated with the death in 2022 of his wife and musical partner Mimi Parker – were often dubbed “slowcore.” Minimalist yet always primed to create a huge sound they were not Read more ...
Adam Sweeting
As this two-part documentary vividly illustrates, it has been a wild ride for Baroness Mone of Mayfair, the self-made businesswoman who emerged from Dennistoun in Glasgow’s East End in the Nineties and created the Ultimo Bra. This revolutionary undergarment ingeniously enhanced the wearer’s cleavage, using a silicon gel to mimic the feel of real breast tissue. Thanks to the product itself and Ms Mone’s dynamic marketing skills, it proved sensationally successful, and would be seen empowering such popular icons as Helena Christensen, Mel B, Kara Tointon, Sarah Harding, Melanie Sykes and many Read more ...
Ibi Keita
Garbage’s eighth album, Let All That We Imagine Be the Light, arrives with weighty intentions and a strong sense of purpose, but the end result feels more admirable than truly compelling. While the band still knows how to craft polished, politically aware alt-rock, the album often plays it safe musically, lacking the punch or experimentation that once defined them.The opener, “There’s No Future in Optimism”, sets a sombre tone, and while its message of resilience is timely, the track itself feels more like a thesis than a song you would return to. That is a recurring issue throughout the Read more ...
Boyd Tonkin
Thankfully, Julia Burbach’s version of The Flying Dutchman for Opera Holland Park doesn’t try to be one of those concept-laden productions that banishes all sight of the sea.Because last night the ocean – or rather its typical weather – came to us. A stiff south-westerly punched for hours across the awnings of the semi-open theatre’s canopy. Gale-force (well, almost) sound-effects partnered the City of London Sinfonia as its muscular brass summoned the sonic storm that opens Wagner’s breakthrough opera, and never quite let up.That said, Naomi Dawson’s set avoids any barnacled naturalism. Read more ...
Gary Naylor
As a regular theatregoer, you learn pretty quickly that there’s no story too bizarre to work as a musical. Cannibalistic murders in Victorian London? Faking a miracle in smalltown USA? The westernisation of Japan? And that’s just Sondheim…Aristophanes gets an MT makeover in South London. The Frogs, his comedy telling the tale of Dionysos’ journey to Hades, was freely adapted by Burt Shevelove 50 years ago and supplemented by Nathan Lane with, crucially, songs by Stephen Sondheim. It concerns a quest to bring back George Bernard Shaw to heal an ailing world through the power of theatre! The Read more ...