Reviews
John L Walters
The 10-day London Jazz Festival, now in its 19th year, is a diverse and international festival that embraces the unapologetically commercial Jazz Voice, the outer reaches of (free) free improv and even Abram Wilson’s Jazz for Toddlers. Despite a line-up that’s both starry and distinguished there was no single name that might encapsulate the festival’s rainbow palette. You can get a taste of its breadth from the three giants competing for our attention on the final night: Brazilian pioneer Hermeto Pascoal, guitarist Bill Frisell and free-jazz pioneer Ornette Coleman. I rationed myself to Read more ...
josh.spero
I had misgivings before watching Britain's Greatest Codebreaker last night on Channel 4: the advertised mix of drama and documentary tends to send a signal that neither half is sufficiently well done. And within a minute, it was clear that this was such a chimera: over-dramatic voiceovers for the documentary part, Ed Stoppard acting to the back row in the drama part.From a documentary, I want an understanding of the man's context, his career, his thought, his achievements. None of these were present in any meaningful way. There was no clear explanation of what his genius was - his idea of the Read more ...
Dylan Moore
What if D-Day had failed? Even at a remove of nearly 80 years, it is strangely arresting to hear a BBC radio announcer giving details of how the Nazis have taken over Oxford and Swindon but are being met with resistance in Coventry and Leicester. Amit Gupta’s directorial debut, an adaptation of co-screenwriter Owen Sheers’s own first novel, begins promisingly enough. The brooding landscapes of the remote Olchon Valley in Wales’s Black Mountains are put to much the same use as they were in the book: claustrophobic and accompanied by threatening storm clouds, they serve as a pretty obvious Read more ...
Kieron Tyler
People speak to her. It could be her mother. It could be a colleague. But she doesn’t react, continues what she’s doing. Which, usually, is leaving. It’s welcome back to Sarah Lund, whose watchability is in inverse proportion to her demonstrativeness. As recalcitrant detective Lund, in the second series of Denmark’s The Killing, Sofie Gråbøl is as magnetic as the first time around, whatever she’s wearing. Sweaters be damned, these two opening episodes were up there with the BAFTA-winning first series.After the lash-ups of the first series – the killing of her detective partner, serial Read more ...
marcus.odair
It’s nine days into the 10-day London Jazz Festival, and highlights so far include the double bill of saxophonists Steve Williamson and Steve Coleman, and the UK’s own Empirical supporting veterans Archie Shepp and Joachim Kuhn (the former a mellowed African-American firebrand, the latter a German pianist with all the wild intensity of Klaus Kinski in a Beethoven biopic). Contemporary crooner Gregory Porter, who played the "Jazz on 3" launch at Ronnie Scott’s, didn't do much for me, but it seems already to have been written that he is THE FUTURE OF JAZZ and it might just come to pass.The room Read more ...
judith.flanders
“Over the top” is a curious expression. Originating in World War One, to mean going over the edge of a trench and into battle, it has altered by degrees to mean anything extravagant or outrageous. And Gloria, which is arguably Kenneth MacMillan’s masterpiece, has both the literal and figurative meanings of going over the top layered upon each other.The spare, terse set by Andy Klunder, a skeletal structure in front of a small slope, in sere, dying yellows and dried-blood reds, gives us our no-man’s-land, where soldiers (the Tommy’s tin hat is the only indication of occupation or period) Read more ...
aleks.sierz
It’s the God factor. Although, until very recently, most British playwrights - being a secular bunch - have shied away from tackling questions of religious belief in their work, their American counterparts have had no such inhibitions. The market leader of this trend in the new generation is Catherine Trieschmann, whose 2006 play Crooked featured a “holiness lesbian”, and who now turns her sights on the clash between belief and science in rural Kansas.The main protagonist is Susan, a pregnant but unmarried science teacher from Manhattan who relocates to a small Kansas town, Plainview, which Read more ...
howard.male
How do you forge a pop career in the shadow of the biggest pop star on the planet? What is perhaps forgotten about Janet Jackson is that not only did she pull this off, but for a while she actually overshadowed her older brother. But this documentary doesn’t really dig deep enough, in that it never even begins to answer the question: how did she remain so - relatively speaking - level-headed and grounded while growing up in this most famous and, some would suggest, dysfunctional of families?Maybe the answer lies in the fact that she spent most of her formative years as an observer rather Read more ...
graham.rickson
William Mathias: Piano Concertos 1 & 2; Vaughan Williams: Fantasy for Piano and Orchestra Mark Bebbington (piano) Ulster Orchestra/George Vass (Somm)Welsh composer William Mathias’s first two piano concertos are the most enjoyable things on this disc. The earlier work was written in 1955 while Mathias was still a student, winning him a scholarship to study composition with Lennox Berkeley in London. It’s a really engaging piece – spiky and rhythmically interesting. Granted, it’s not as challenging as anything by Bartók or Stravinsky, but it’s acerbic, exciting and striking. There’s Read more ...
David Nice
It would be hard to say which was the more breathtaking: a sunny autumn morning walk around the woody-banked loop of the River Wear, looking up at Durham’s monumental Norman cathedral from every perspective, or seeing the great edifice illuminated the previous evening with pages of the Lindisfarne Gospel, centerpiece of the city’s LUMIERE festival. For dynamic outdoor art to rival one of the world’s most spectacular natural-urban scenes is quite something; for the citizens, who must almost take Durham’s hilly location for granted, the festival offers a bewitching chance to renew a sense of Read more ...
peter.quinn
There aren't too many pianists who excite jazz aficionados and hip-hop fans in equal measure. But then no other artist has been inspired equally by hip-hop beats on the one hand and Thelonious Monk on the other. And while it appears increasingly that jazz artists are refusing to be straitjacketed by genre convention, US pianist Robert Glasper is perhaps the prime example of this blurring at the edges.Glasper's previous Blue Note album, Double Booked (2009), celebrated this creative duality by featuring his acoustic trio in the first half and the electric Robert Glasper Experiment in the Read more ...
carole.woddis
This needs confessing. Neil LaBute and I have an uneasy relationship. David Mamet - in Oleanna or Boston Marriage mode – also gets under my skin. It’s a close-run thing: misogyny exposed, or the thing itself? After Fat Pig (2004) and The Shape of Things (2005), Reasons to be Pretty is the third in LaBute's trilogy of plays about female appearance, and his seventh collaboration with the Almeida. It must be LaBute’s most adult, moral and seriously comic exploration yet of society’s obsession with female beauty and the male gaze through which so many women still see themselves.Once again I find Read more ...