Reviews
David Nice
Who is more likely to be an operatic creature of flesh and blood: Puccini's young diva, unexpectedly caught up in the infernal machine of a lustful tyrant, or Tchaikovsky's teenager impetuously pouring out her soul in a love letter to a man she's just fallen for? Usually, you'd go for Tatyana over Tosca every time. At ENO it's currently the other way round. While Deborah Warner's new production of Eugene Onegin unfathomably misses most of the truths in a story we can all identify with, Catherine Malfitano's take on the best if most overdone Italian operatic thriller in the repertoire makes Read more ...
Mark Kidel
Stockhausen’s Gesang der Jünglinge (Song of the Youths), composed in 1956, is, in many ways, the mother of all electronic music. I can remember discovering it in the 1960s, before I had acquired my first pair of Koss headphones, lying on the floor, strategically placed between two speakers, my ears opened by the copious ingestion of some red Lebanese. The combination of electronically treated live voices with purely synthetic sounds, so much a commonplace today, was then strikingly new. Along with his later pieces Kontakte and Mikrophonie, the German pioneer blazed a trail which is till Read more ...
Demetrios Matheou
It’s always struck me as an odd sort of desire: to go to see a movie in which you know someone is going to die a long and painful death, while someone else – or maybe a whole gaggle of people – stand and watch, shedding tears and beating breasts. Of all genres, the “terminal illness movie”, if we can call it that, seems altogether perverse.We see a romantic comedy because we all hope to be in love again, and find it helpful to laugh about the times we thought we were and botched it; sci-fi fuels our imaginations and desire for wonderment; action movies and war films get the adrenalin pumping Read more ...
Kieron Tyler
Although they're beginning to get cold, the winds blowing in from Scandinavia have recently brought enough music to keep anyone warm through long, dark nights. Finnish intensity, pop and introspection from Denmark, Swedish luxuriousness, Icelandic keyboard quirk, Norwegians that enfold - all are here. Along with Estonian haziness.Finland hits hardest with a new EP from K-X-P. theartsdesk has met them before, live and on album. Previously with Norwegian label Smalltown Supersound, Easy is their first outing for Manchester’s Melodic. It’s an extraordinary thing, coalescing a vision marrying a Read more ...
graham.rickson
Bach: Complete Keyboard Works Ivo Janssen (Void Classics)This 20-disc box set has been entertaining me for several months. Dutch pianist Ivo Janssen set up his own record label to distribute his 1997 Goldberg Variations, recorded on the hoof over two days in Haarlem. Its success prompted him to tackle Bach’s complete keyboard output. And there’s a sense of fly-by-night impetuosity about some of these performances, all taped in the same venue with the same producer, the cycle finally finished in 2009.There are so many reference recordings of this repertoire. Janssen seems comparatively Read more ...
carole.woddis
WC Fields once famously cautioned against working with children or animals. He might very well have gone crazy had he been involved with the RSC’s hit musical production Matilda, which started out in Stratford-upon-Avon last November, garnering fistfuls of rave reviews, and has just won this year’s Evening Standard and Theatrical Management Association awards for Best Musical.The animals are otherwise engaged, but this is a show where the kids absolutely rule the roost. At Wednesday night’s West End press performance they were led by a tiny sprat of a thing, Kerry Ingram (pictured below Read more ...
david.cheal
The Hertfordshire market town of St Albans has not hitherto been renowned for its buzzing music scene: its hall of fame contains but a handful of names from the pop pantheon, most notably Enter Shikari and Lowgold (unless you count the fact that David Essex lives there). It’s not exactly Chicago in the 1950s or Liverpool in the 1960s. But now the citizens of this former Roman stronghold can hold their heads high, thanks to the emergence of Friendly Fires. The band’s three core members met at St Albans School in their early teens, and whatever they were playing and listening to in their Read more ...
Graham Fuller
My Week With Marilyn depicts the supposedly sweet dalliance between Marilyn Monroe – an actress in over her head played by an actress, Michelle Williams, reaching her peak – and eager-beaver gofer Colin Clark (Eddie Redmayne) during the fraught Pinewood production of Laurence Olivier’s The Prince and the Showgirl in 1956. The liaison, romantic on the boy’s part, needy on the star’s, was such a pivotal episode in the life of television arts film-maker Clark (son of Sir Kenneth, brother of Tory MP Alan) that he wrote two memoirs about it, the sources of Simon Curtis’s likeable but slender and Read more ...
Kieron Tyler
On 9 September, 1985 The Jesus and Mary Chain played Camden's Electric Ballroom to a ceaseless hail of plastic pint pots. After 20 minutes, the songs gave way to formless feedback and they sloped off the stage. Although Yuck weren’t born then, the significance of playing the same stage can’t have been lost on them. Carrying a torch for the pre-grunge fuzz-rock that was shoegazing’s ugly sister, Yuck know a thing or two about what they’re drawing from.Yuck’s set ended in formless feedback and there was no encore. The house lights were quickly switched on and that was it. Singer/guitarist Read more ...
Jasper Rees
The life-swap doc comes in sundry guises. Emissaries of simpler cultures visit our broiling cities to gawp at streets swimming in fresh spew and rivers of piss every Saturday night. Alternatively our lot pop off to places where people shit in holes and praise the Lord. Whichever way the story gets sliced, it’s always about the same thing: holding up a mirror to ourselves and not tending to like the view. Here’s what we look like when we stand next to this or that person with whom we wouldn’t change places for anything.Last year a programme called Amish: The World’s Squarest Teenagers brought Read more ...
aleks.sierz
This play has a deliberately evocative title: not only does it suggest overabundance (“everything but the kitchen sink”), but also a whole genre of playwriting (Kitchen Sink Drama). At the same time, the kitchen is the heart of family life. In fact, the title also has a more literal meaning: with a plot involving a blocked plughole, Tom Wells’s new play, which opened last night, gives us a chance to see how this venue’s much-lauded new premises suit the small family dramas that worked so well in its previous location.This family drama is typical of one strand of British theatre at the moment Read more ...
emma.simmonds
The Deep Blue Sea, the latest from justly esteemed British director Terence Davies, shares its name with a Renny Harlin movie about genetically modified sharks (well, give or take a definite article). Both films deal in high anxiety and the looming spectre of death and both indulge in their own particular brand of theatrics. And - this may surprise you – as cinema, the shark movie works better.Part-inspired by such masterful works of filmic melodrama as All That Heaven Allows (1955) and Letter from an Unknown Woman (1948), with more than a touch of the heightened, adulterous shame of Brief Read more ...