New music
Miranda Heggie
The Brian Jonestown Massacre has been described as many things over the years, but lazy cannot be one. Whilst they’ve pretty much always been a band just on the periphery of the big time, they’re surely some of the busiest guys in rock and roll.The band’s 20th studio album, The Future is Your Past is out on 10th February, a mere seven months after its predecessor, Fire Doesn’t Grow on Trees, and their latest tour sees 26 dates in the UK and Europe in just over a month.The album’s rooted in The Brian Jonestown Massacre’s signature swirling psychedelia, though their Barrowlands gig on Sunday Read more ...
Cheri Amour
I’ll admit it. When I first saw that noughties indie rockers Bloc Party would be supporting Grammy award-winning emo stars Paramore on their Spring stadium tour, it seemed like a perplexing choice. But, four minutes into hearing the return sounds from the Nashville natives and the crossover is palpable. Former single "The News" is just as sharp as Kele Okereke’s helicopter blades when it comes to cutting up the indie dancefloor.The record – which marks Paramore’s sixth album to date - builds on the sparkling pop of its predecessor. Not surprising given it’s the first to be made with the Read more ...
Tom Carr
It would seem that we’ve been overdue a dose of that awkward teens years nostalgia as all three of Fall Out Boy, Paramore, and their UK Emo/Pop-punk counterparts You Me At Six come back bearing new, angst infused music.For You Me At Six, their career so far has been forever attached to that unmistakable genre, yes, but to their credit they’ve always strived to expand their sound and develop as a band. To label them as the pre-eminent UK emo group doesn’t quite give them the right credit or tell the whole story.Although reliably successful on tour, after their first three albums propelled them Read more ...
Kieron Tyler
In this context, what’s named “diamond road” is a metaphor for staying on course rather than, as the lyrics of the song “Diamond Road” put it, letting yourself go or sprawling all over the floor. Follow this route and life won’t be a mess.Barefoot On Diamond Road is the third album from the Netherlands’s Amber Arcades, the recording persona of Annelotte de Graaf. Away from music, her work as a lawyer has brought a role in the international war crimes tribunal. Previously, her music was a form of Eighties-ish indie with touches of shoegazing. Beyond her glass-like voice, guitar was a main Read more ...
India Lewis
Eliza Carthy has been busy, as she always has. Recording various albums with various artists during the pandemic, her show with her band, The Restitution (and many others), at the Barbican on Saturday, was well stuffed with music, musicians, laughter, familial connections and celebrations. Arguably the reigning queen of folk in England, Eliza has inspired a generation (including a friend of mine whose imaginary friend she was), simultaneously reinventing the form and honouring her roots, the melodies and lyrics brought once more to life. This concert was an excellent way of showing this Read more ...
Guy Oddy
Yo La Tengo’s new disc would appear to be an homage to the indie scene of the mid 1980s: a place before baggy beats became the groove du jour and where dancing with wild abandon was somewhat of a rare occurrence. Indeed, in This Stupid World maudlin and distracted vocals, fuzzy guitars and spacey vibes predominate on tunes that seem to be, with a couple of exceptions, firmly aimed at the head rather than the hips.This Stupid World may be a bit of a juvenile title, but it actually marks some 40 years since Yo La Tengo first got together in Hoboken, New Jersey and a couple of years since their Read more ...
Kieron Tyler
The New York Dolls, The Ramones, Suicide, Television, Blondie, The Dictators, The Heartbreakers, The Shirts, Richard Hell and the Voidoids. From 1974 onwards, New York buzzed with bands. There were also Tuff Darts, The Fast, Pure Hell, Von Lmo and others who didn’t quite grab the brass ring. Out of towners like The Dead Boys, Pere Ubu, Devo and The Real Kids jostled for attention too.Despite the crowded market, The Senders were central to this mix. Formed in 1976 by ex-pat Frenchman Philippe Marcade, who had arrived in New York in 1974, they issued one single in 1978, a seven-track 12-inch EP Read more ...
Liz Thomson
Shania Twain describes her sixth studio album as “a song of gratitude and appreciation. I was inspired that I still had air in my lungs” – and it certainly is a hi-energy affair, a long way from The Woman in Me, the sophomore outing that established her as “the queen of country-pop”. Twain’s come a long way from the mining and lumbering towns of her Ontario childhood – literally and metaphorically, for home is now on Lake Geneva.It's surprising to pause and consider that she’s made so big an impact with so few albums over almost 30 years, though of course Twain has also been busy with Read more ...
Harry Thorfinn-George
Kelela, the DC-born artist, has been fusing R&B with experimental electronics since her 2013 mixtape Cut 4 Me. In 2017 she released her debut, Take Me Apart, a futuristic R&B album which consolidated her as a singular artist in a league of her own. Raven is a much welcomed return. It’s an album filled with break-beats, swelling synths and Kelela’s strongest vocals yet. It’s also an album where she finds comfort and asserts her place in the black, queer, Afrofuturist history of the dance floor. On Raven the majority of production is handled by DJs LSDXOXO, Asmara and Read more ...
Kieron Tyler
It’s the sound of the sun. Panda Bear – born Noah Lennox – is singing in a voice with the purity and warmth of Brian Wilson. Beside him, Sonic Boom – Pete Kember – has more of a growl, a timbre which might make announcements in a railway station. The contrast works well. Sweet and slightly sour.And, in another way, it is the sound of the sun. Kember and Lennox both live in balmy Portugal and here they are in Aalborg, at the top end of Denmark at the Northern Winter Beat festival. It’s freezing out, with the Jutland wind coming off the Limfjord a few streets away bringing it down to a level Read more ...
Thomas H. Green
The Waeve is the debut album from life partners Rose Elinor Dougall (long ago in The Pipettes) and Graham Coxon (of Blur), working with James Ford (of Simian Mobile Disco), who co-produces and provides occasional bits of instrumentation. Their album is a woozy thing, underpinned with analogue synths and elegant Krautrockin’ rhythms, emanating a mystic melancholia. The sound is luscious but the whole could maybe do with a little more oomph.Perhaps that’s not the point. Perhaps this listener’s opinion has been skewed by expectations based on the garage sneer of their great debut single, last Read more ...
Tim Cumming
Lisa O’Neill is a part of the new wave of Irish contemporary folk artists, one that encompasses the likes of Lankum, Ye Vagabonds and John Francis Flynn, all of them putting their albums out on Rough Trade, which makes the venerable English Indie label something of a centre for what the present and future of Irish folk music sounds like. (Lankum’s Radie Peat and O’Neill have also sung together, on the excellent “Factory Girl”, part of the showcase This Ain’t No Disco.)All of This Is Chance is O’Neill’s first release through Rough Trade, and her fourth album since the self-released Has An Read more ...