New music
Harry Thorfinn-George
Jorja Smith said she named her new album Falling or Flying to describe the uncertainty she’s felt about her career following the success of her debut, the Mercury Prize nominated Lost & Found. Would her career fall to earth or keep flying higher still?For an outsider, the answer seems obvious. Her output since her debut has been confident and measured, releasing a handful of excellent singles and an elegant mini album which has only reinforced her as a mature, fully formed artist. But following up a debut is tricky, and self-doubt can grip anyone. Falling is a second album where you can Read more ...
Thomas H. Green
The music of Daniel Lopatin – AKA Oneohtrix Point Never – exists at the sonic/electronic vanguard. Were the likes of avant-gardists such as Iannis Xenakis, George Antheil and Edgard Varese around today, maybe even Stockhausen, they might dig what he’s up to.Unlike them, though, Lopatin places post-modernism at the centre of things. His latest album is, for want of a more technical phrase, completely out there. If you want to hear music unlike anything else, it’s a one-stop shop.Lopatin has said of the new album that it’s a “speculative autobiography” which “imagines what might have been Read more ...
Graham Fuller
Steven Wilson has merged various genres – metal, shoegaze, pop, dance, jazz – in his solo career without shrugging off the prog label he considers reductive. He hasn’t exactly jettisoned it with his seventh album The Harmony Codex, a collection of songs driven by programming and guitarwork that narrows the distance between the solo artist and the Porcupine Tree band leader.Wilson’s unaffected singing – very English, understatedly yearning – is the strongest connective tissue, but the new album shares beats, cadences, and mood shifts with his cult combo’s 2022 comeback LP Closure/ Read more ...
Jonathan Geddes
There remains something disconcerting about seeing the National as arena rockers. Perhaps it’s the nonchalant stage entrance as they stroll on, a far cry from the pyro heavy displays this Glasgow venue usually witnesses. Maybe it’s the unassuming stage attire, with frontman Matt Berninger adopting a smart casual look, or the sort of onstage chat that featured the group remarking on unusual time signatures in their songs.However this hefty set, clocking in at over two hours, was a reconfirmation of the band’s widespread appeal, and how, with little compromise, they have become comfortable in Read more ...
Harry Thorfinn-George
It felt inevitable that Doja Cat would turn her back on being a popstar. The Californian rapper’s career has been shaped by her ambivalent relationship to fame and earlier this year she went as far as denouncing her previous albums as “mediocre pop”. She regularly gets into spats online, recently telling one of her own fan accounts that they should “delete the entire account and rethink everything.”It was refreshing to see a popstar challenge the toxic aspects of modern fan culture so head on. But the dismissal of her own music felt a bit harsh. Doja Cat’s blend of disco-revival and Read more ...
Kieron Tyler
In September 1955, the grandly named London Skiffle Centre set up for business each Thursday in a room above the Round House pub in Soho’s Wardour Street. A prime mover in the venture was blues acolyte Cyril Davies. Two months after the opening, Lonnie Donegan’s “Rock Island Line” was issued as a single. It was previously out as a track on a 1953 Chris Barber album. Despite the wonky timeline, the skiffle boom was on.Davies – now in partnership with fellow blues enthusiast Alexis Korner – grew increasingly dissatisfied with skiffle and in March 1957 the duo renamed The London Skiffle Centre Read more ...
Guy Oddy
Animal Collective have been putting out albums of off-kilter and whimsical psychedelic pop, in various guises, for over 20 years. And while their 12th album together doesn’t exactly rock the boat and bring on a major stylistic change, it’s not really business as usual either.Isn’t It Now? has been produced by the Grammy Award-winning Russell Elevado, who can more usually be found at the controls for the likes of D’Angelo, the Roots or Kamasi Washington. He hasn’t turned the Baltimore four-piece into a group of hip-hop soul-jazzers though nor have they seized the moment to make a desperate Read more ...
Guy Oddy
Two years after the release of her rather flaccid Disco album and five since her somewhat inadvisable foray into country-ish music, 2023 has seen something of a return to form for Kylie Minogue. First there was this summer’s all-conquering single, “Padam Padam” – which even managed to persuade some national radio stations to rethink their policies on which tracks should be played on heavy rotation. Now comes her new album, Tension, which is marinated in Nineties House and Electro grooves and more than confirms that its lead single was no flash in the pan.In fact, album opener, “Padam Padam”, Read more ...
Kieron Tyler
Can there be too much repetition? Is there a limit to the level of rhythmic insistence which can be tolerated? Judging by the enthused reaction to this sold-out show from Mexico’s Lorelle Meets The Obsolete where a heads down, no-nonsense pulse propelled their set, the answer to these questions is no.Central to this display of musical determination are drummer Andrea Davì and bassist Fernando Nuti. Both are Italian. Neither are full-time members of Lorelle Meets The Obsolete though each has played on their records, including this year’s Datura album. Whack, whack, whack goes Davì. Thump, Read more ...
Thomas H. Green
Had Devendra Banhart been born between 1940 and 1950, he’d likely be a household name. His output – very loosely – sits between Cat Stevens, Syd Barrett and Richie Havens, studded with a greatness not widely acknowledged. He had a spell around 15-20 years ago when he seemed about to commercially explode. That didn't happen but he’s settled to a solid career and done much gorgeous work since.2013’s Mala album, a career highlight, was followed by two that appeared to dip into the alternative possibilities of 1960s Latin American songwriting (do check the luscious Helado Negro remix of "Love Read more ...
Kieron Tyler
Nothing Lasts Forever opens with a drone, a weightless prologue of guitar feedback evoking the initial moments of the Buffalo Springfield’s “Everydays,” written by Stephen Stills and heard on his band’s 1967 second album Again. Teenage Fanclub’s 11th album ends with “I Will Love you,” a similarly gossamer reflection fusing the atmosphere of The Beatles’ “Across the Universe” and the cyclic rhythms of motorik.While an airiness suffuses the mostly low- to mid-tempo Nothing Lasts Forever, it is impossible with Teenage Fanclub not to think of what could have inspired them, what they might be Read more ...
Tim Cumming
It was more than a decade ago when I first saw Rachel Sermanni in concert, in the upstairs room at The Old Queen’s Head in Islington, London, for a Nest Collective night. She had yet to release her debut, 2012’s Under Mountains, but was already making an impact as a stage performer.Her most recent album, 2019’s So It Turns was a self-released set of songs inspired by her time spent at Samye Ling Tibetan Buddhist monastery, the first to be established in the west, and which features, too, in the work of the late Genesis P Orridge. Dreamer Awake, meanwhile, is her first release on Navigator Read more ...