New music
howard.male
I’m not sure what it says about a songwriter when they simply call a song “Music", but the half French, half Moroccan singer Hindi Zahra is a bit of an enigma all round. Critics have already compared the 30-year-old to Billie Holiday and Madeleine Peyroux, presumably because of her phrasing, timbre and a certain fragility in her voice. But her debut album is neither easy listening or jazz. In fact, it’s got more in common with the woozy, trip-hoppy work of Martina Topley Bird, or even the lo-fi experiments with sound that Tom Waits indulges in. The latter aspect being what got my ears paying Read more ...
david.cheal
When I last saw Paul Weller at the Royal Albert Hall he was becalmed in the doldrums of his career – between the demise of the Style Council and the release of his “wake up and smell the coffee” album, Stanley Road. On stage, Weller was a sheepish figure who only sporadically sparked with enthusiasm for his music; it wasn’t much fun. What a difference nearly 20 years can make: this time around he was confident, assertive, vigorous, alive – an elder statesman of rock who has reached the point where he can fill up a five-night residency at the Royal Albert Hall (of which this was the second Read more ...
Thomas H. Green
The arrival on the scene of The Klaxons a few years back gave indie, pop and rock a much-needed kick in the pants. Sure, they were a band born of self-consciously over-trendy east London, causing the NME to froth about "nu rave" for ten minutes, but they were also a sudden flash of raucous beatnik psych-pop in a landscape dominated by mundane Luddites such as The Fratellis, The Kooks, et al. The Klaxons harked back to rave culture's utopian bluster but littered their music with knowing nods to Ballard, Burroughs and The Beach Boys. How could anyone not be smitten? And when they won the 2007 Read more ...
howard.male
I love a world music gig where there’s hardly a single world music fan present - or for that matter, a world music journalist. By this I mean that it’s a joy to be at a concert where the audience seems to mainly consist of people from the band’s country of origin, who are just thrilled to be getting a taste of home. From the off last night these fans of Colombia’s latest musical export seemed to know every taught, funky song and its sing-along chorus, and they bounced around with the kind of enthusiasm one rarely sees in a London world music audience (at least not until the encore informs Read more ...
Adam Sweeting
Aptly, this new documentary about how the Rolling Stones fled from England to the South of France to record Exile on Main Street was premiered at the Cannes Film Festival, with a supernaturally healthy-looking Mick Jagger on hand to give it a promotional shove. Jagger (along with Keith Richards and Charlie Watts) produced the film, working closely alongside director Stephen Kijak to knit together an evocative and emotional portrait of "the greatest rock'n'roll band in the world", at what many would argue was their peak.The fact that the project is an authorised job from the heart of the Read more ...
graeme.thomson
When the moment finally arrives for the Great Rock Reckoning, it’s hard to say where Crowded House will figure. There was a time, around 1993, when they looked like heirs apparent to U2 and R.E.M., ready to make the step-change up to the out-of-town sheds and the weekend fan-boys. They broke up rather than have to grasp that particular nettle, and the moment duly passed.Now in their second phase, having reformed in 2006 with Matt Sherrod replacing former drummer Paul Hester, who committed suicide just over five years ago, they remain an intriguingly indistinct proposition. Their albums, save Read more ...
Russ Coffey
Fairport Convention in the abstract seem romantic and timely. Their Sixties folk-rock is being rediscovered by many of our best emerging songwriters; the late Sandy Denny is still written about; and their most famous graduate, Richard Thompson next month curates Meltdown 2010. However, in the concrete, the Fairports are a somewhat more problematic proposition. Over 19 incarnations in 43 years, they have recorded almost 50 albums. To top it all they are loved by their fans with a level of detail normally reserved for sci-fi gatherings. This all makes getting your head around Fairport Read more ...
peter.quinn
An unprecedented second consecutive year for saxophone colossus Sonny Rollins, celebrating his 80th birthday, is one of the many highlights of the 2010 London Jazz Festival announced yesterday. One question immediately springs to mind: which Noël Coward classic will he dust down this year?Other mouth-watering treats include the European premiere of Brad Mehldau and Joshua Redman’s new project Highway Rider with Britten Sinfonia, the remarkable bassist-vocalist Esperanza Spalding, and the nimble-fingered octogenarian French pianist Martial Solal (composer of the film score for Godard’s À Read more ...
david.cheal
So anyway, when I told my three teenagers that I was off to see Randy Newman, there was a collective yawn and a mild snort of derision, which (and I think I know them well enough to interpret their snorts of derision) said, in effect, “Well, he’s just some crumbly guy who writes sweet songs for Toy Story. Why would anyone actually want to go and see him sing?” A response began to form in my head: that Randy Newman has been described by some as the greatest living American songwriter; that his songs cover some pretty big topics – racism, the slave trade, German child murderers of the 1930s, Read more ...
Thomas H. Green
Quasi, Bye Bye Blackbird (Domino) The "Bye Bye Blackbird" on offer here is not the jazz stalwart favoured by everyone from Peggy Lee to Miles Davis. It is, instead, a garage guitar-pop concoction from perennial underdog trio Quasi from Portland, Oregon, that prolific centre of American indie guitar raucousness. At the core of the band, ex-husband and wife Sam Coombes and Janet Weiss have always appeared happy, throughout eight albums, to veer into wilful lo-fi messiness whenever their natural aptitude for a tasty melodic song threatens to interfere. This time, though, they've blown it.The Read more ...
Adam Sweeting
The Rolling Stones' Exile on Main Street is such a quintessential rock epic that it ought to be added to the list of things they throw in for free on Desert Island Discs. Defying the old adage that all double albums would be vastly improved by being boiled down into a single one, Exile is such an astounding feast of blues, gospel, boogie, country and flat-out rock that it feels as if it ought to have been a triple album instead. And guess what - now it is, thanks to Polydor's new reissue which arrives with an extra disc of Exile-related material mysteriously lifted from the vaults 38 years Read more ...
fisun.guner
Since its millennium opening, Tate Modern has managed to transform the landscape for the contemporary visual arts in Britain. This week it celebrates its 10th anniversary by inviting 70 of the world’s most innovative, independent art spaces to take over the Turbine Hall. No Soul for Sale – a Festival of Independents will see an eclectic mix of art, performance, music and film throughout the weekend. Organised in collaboration with Italian conceptual artist Maurizio Cattelan (most famous for his dead Pope John Paul II struck by lightning), the weekend promises visitors a chance to experience a Read more ...