New music
Thomas H. Green
As New York gypsy punk live sensation Gogol Bordello tear into another Balkan rebel hoedown in front of a capacity Brighton crowd I'm reminded of an old Stones lyric, Jagger and Richards's 1971 classic "Dead Flowers": "When you're sitting there in your silk upholstered chair/ Talking to some rich folks that you know/ Well, I hope you won't see me in my ragged company/ You know I could never be alone". Gogol Bordello epitomise the rock'n'roll "ragged company", the scruffy outsiders.They revel in it. Extravagantly moustachioed frontman Eugene Hutz arrives on stage in a Homburg hat and shirt but Read more ...
Kieron Tyler
Luxembourg's musical landscape has few claims to represent the Grand Duchy itself. Most of Luxembourg's Eurovision entries weren't actually from the Duchy, as there was little local music to draw on. So Belgium's cod punk-gone-blando Plastic Bertrand became 1987's entry (with “Amour, Amour”). In 1965 Luxembourg won Eurovision with France's France Gall's “Poupée de Cire, Poupée de Son”, a song written by her countryman Serge Gainsbourg. Radio Luxembourg began broadcasting to the outside world in the 1930s and went on to define the Swinging Sixties until the BBC woke up to what was going on. Read more ...
bruce.dessau
Primal Scream's gig last night may well have been the loudest gig theartsdesk has ever attended. Three hours after returning home, my ears are still ringing like they've never rung before. At the time I didn't notice the volume though. I was enjoying the veteran band's emphatic performance too much to realise quite how many decibels were being pumped out.The main reason for the two-night stand at Olympia was the opportunity to perform the Mercury Award-winning 1991 album Screamadelica. Before that, however, there was the small matter of a quick greatest hits set. The surrogate Stones homage " Read more ...
theartsdesk
This month theartsdesk attempts to answer burning questions like - how much of an egomaniac is Kanye West? Are Take That any good? (Yes, actually - surprisingly for some). Can you tell the difference between Rumer and Duffy? What kind of pencil does Brian Eno resemble - 2B or 6H? Is Sylvie Vartan better than Cilla Black? Plus there's intimate stuff from the vaults of Bruce Springsteen, grooviness from Congotronics, a dull one from Kate Rusby, some splendid bluegrass and an epic 27-CD box set of Fela Kuti. Reviewers are Joe Muggs, Adam Sweeting, Howard Male, Kieron Tyler, Russ Coffey, Bruce Read more ...
Nick Hasted
Joy Division brought Anton Corbijn to England in 1979 and, nearly 30 years later, made him a cinema director. The sleeve of the band’s album Unknown Pleasures fascinated him so deeply he felt compelled to leave Holland for the country where such mysteries were made. The photographs he took of them for the NME helped make an icon of their singer Ian Curtis even before his 1980 suicide, and were themselves icons of a school of serious, black-and-white rock photography.Corbijn restlessly challenged himself to change styles through the 1990s, making rock videos as well as portraits. Finally, in Read more ...
joe.muggs
I once passed up the chance of meeting Peter "Sleazy" Christopherson, who - it was announced by his Throbbing Gristle bandmates on Twitter - died in his sleep last night aged 55. In the late 1990s I was invited to interview him and his long-term partner Geoff Rushton aka John Balance at the country house where they recorded their ritual electronic music as Coil, but being a young and inexperienced writer at the time, I got scared off by their reputation as exploratory occultists and opted instead for a phone interview with Rushton. He proved to be a spectacularly charming and fascinating Read more ...
Nick Hasted
When the hit Broadway musical Fela! reached London last week, Femi Kuti joined the ovations on opening night with more feeling than most. The musical’s subject, his father Fela Kuti, was a government-taunting mix of James Brown and Che Guevara, a musical revolutionary who, with drummer Tony Allen, forged Afrobeat, and a polygamous, dope-smoking thorn in the side of successive corrupt Nigerian governments. Fela! is set in 1978, the year the military retaliated by destroying his musical base, the Shrine, and its adjoining commune. Fela was dragged by his genitals on the way to jail. Amid rapes Read more ...
josh.spero
From Rufus Wainwright's first album, which featured the dirgey "Damned Ladies" wherein he sings to Desdemona and "brown-eyed Tosca", his operatic musical tendencies - indeed, his whole operatic self-conception - have never been latent. He has always been a diva trapped in mortal form.So imagine the joy when a mailshot from the Royal Opera House arrived in inboxes across the world on Monday morning telling us that from Tuesday at 9am, we could book tickets to see Rufus doing a five-night stand - "velvet, glamour and guilt" - at Covent Garden next July. Two nights will be recreating his Read more ...
howard.male
In theory, AfroCubism should have been one of the most exciting world-music releases of the year; how could you go wrong with a supergroup composed of Cuban and Malian musicians working towards combining their musical styles in a new and exciting manner? In fact, originally this get-together was meant to take place 14 years ago for what became the multimillion-selling Buena Vista Social Club album. But passport problems prevented the Malian musicians from being able to take part.The fact is you can’t go wrong exactly, but you could end up with something that really isn’t that much greater Read more ...
ash.smyth
For hundreds of years now the island currently known as Sri Lanka has had a thriving musical culture (or cultures, not to politicise the issue). There’s been folk music for as long as there’ve been folks. The various strata of society have refined their ceremonial music, be it sacred or profane. Each ethnic group in each part of the island has hived off its own sub-genres over the centuries. And in the colonial era (eras) a whole new batch of influences arrived, fully formed, ready to be adopted wholesale or adapted and integrated for local use.As we push on into the second decade of the 21st Read more ...
marcus.odair
"Being asked to introduce this artist”, began the compere, “is like being asked to introduce God." Fans of Eric Clapton, of course, might beg to differ. But in jazz terms, Sonny Rollins, self-proclaimed “saxophone colossus”, has indisputably been on the all-time A-list since his early work with Miles Davis and Thelonious Monk. He is also on a particularly exclusive part of that list of jazz greats: those still alive. Yet even amongst those few, whose resilient ranks include both Cecil Taylor and Ornette Coleman, Rollins’s London Jazz Festival performance represented a quite remarkable feat of Read more ...
graeme.thomson
The renaissance enjoyed by Leonard Cohen over the past few years is not only thoroughly welcome and entirely justified, but also partly a testament to the strange and powerful alchemy that sometimes occurs when the defiantly high-brow is swallowed whole by popular culture. The adoption of Cohen’s 1984 song “Hallelujah” by everyone from Jeff Buckley and Shrek to a parade of desperate X Factorettes made it an “Angels” for the noughties; the only point, I'd be willing to wager, where Cohen and Robbie Williams will ever find communion.More prosaically, the decision – forced upon him by the Read more ...