New music
Thomas H. Green
As we ride towards the holiday break on our magic reindeer, it’s time for one last theartsdesk on Vinyl, a seasonal special that, if you scroll down, contains all the usual up-to-date music reviews but, before that, takes a look at Yuletide-themed releases, reissues and heritage fare that might make great presents. As ever, all musical life newly pressed to plastic is here. Dive in.VINYL OF THE FESTIVE SEASONPatrik Fitzgerald featuring Lemur No Santa Clauses (Crispin Glover)This year’s VINYL OF THE FESTIVE SEASON top pick is by long lost new wave troubadour Patrik Fitzgerald. It’s only his Read more ...
joe.muggs
Liverpudlian singer-songwriter Kathryn Williams has always had a literary bent. This doesn’t just manifest in overt ways, like writing a concept album about Sylvia Plath in 2015’s Hypoxia, but in perfectly potted narratives, microscopically brilliant turns of phrase, and even titles that make you double-take going all the way back to 1999’s “Dog Without Wings”. And this tendency is not just written into her lyrics, but her performance too. Her understated style and vocals which combine impossibly pure tone with conversational earthiness bring the fine detail of words to the surface, on Read more ...
Kieron Tyler
At the beginning of November 1964, a form of changing of the guard was evident in the UK’s singles chart. The Dave Clark Five sat at number 25 with “Anyway You Want it,” the highest placing for their follow-up to “Thinking of You Baby.” Although they were four places lower at 29, The Pretty Things would have been happy as “Don’t Bring me Down,” their second single, was rising up the charts. One band represented a primal interpretation of the recently popular R&B sound, the other an uncomplicated take on Beat Boom tropes.The DC5 wouldn’t have been bothered by their relatively poor UK chart Read more ...
Jonathan Geddes
According to local press, Yungblud’s fans had been queuing up outside the Barrowland throughout the day before each gig in his two-night Glasgow stint. If that was one indication of the reverence his following hold him in, another came early in this performance, when he briefly delayed “I Love You, Will You Marry Me” to allow an actual proposal to go ahead down at the front. If your songs are considered suitable for popping the question to, then you know you are connecting with people.That attachment is something that ran through this noisy, entertaining show, that veered between polished and Read more ...
Thomas H. Green
“It was the night before Christmas and all through the house not a creature was sober, especially my spouse.” So runs the giggly spoken word opening line of “Harlan County Coal”, the third song on Hell of a Holiday by American country trio Pistol Annies. A semi-rock number, it insists the titular lump of combustible sedimentary rock is what the man in each of their lives will receive if he doesn’t straighten up his act.This cheerfully sassy woman-powered attitude permeates the album… well, the parts that aren’t Jesus-lovin’ or simply old fashioned Christmas cheese.Pistol Annies are big in the Read more ...
Kieron Tyler
Irrespective of its seasonal nature, the thread running throughout O Come All Ye Faithful is a mood of contemplation which could colour any of Hiss Golden Messenger main-man M. C. Taylor’s albums. The opening cut is “Hung Fire,” a Band-esque, downtempo, soulful reflection beginning with the line “Things were bad for me, if I’m honest.” The song opens out to declare “it’s Christmas day, thank God we made it.” Next up is an interpretation of “O Come All Ye Faithful” which, arrangement-wise, is of a piece with “Hung Fire.”Three of the albums tracks are new songs by Taylor and, as well as “O Come Read more ...
Thomas H. Green
Madness frontman Suggs is asking the capacity crowd at the Brighton Centre if any of them are in school-age education. Quite a few are. There are actual young people here! Some are with parents (even, possibly, grandparents), but gaggles of teenagers are also in evidence on their own. They shout out. We all know what’s coming… a Madness song about school days… “Naughty boys in nasty schools, headmaster’s breaking all the rules…” And, we’re off again, jogging on the spot to perennial Eighties classic “Baggy Trousers”, a sea of shaven heads, red fez’s and porkpie hats bubbling with happy Read more ...
Nick Hasted
Neil Young’s ornery spontaneity has resulted in a remarkable number of mediocre songs. His sketchy 21st century has conjured audacious sonic conceits – the jazzy sparseness of Peace Trail, or the plastic-sounding live album Earth, both 2016 – without the writing to match. Last year’s disinterred, lost Seventies album Homegrown recalled how very different Young’s inspired instinct sounds. Reconstituting Crazy Horse with early member Nils Lofgren on Colorado (2019), after “Poncho” Sampedro’s retirement, covered similarly pedestrian work with his old band’s comforting sound. This follow-up has Read more ...
Nick Hasted
Neil Young’s ornery spontaneity has resulted in a remarkable number of mediocre songs. His sketchy 21st century has conjured audacious sonic conceits – the jazzy sparseness of Peace Trail, or the plastic-sounding live album Earth, both 2016 – without the writing to match. Last year’s disinterred, lost Seventies album Homegrown recalled how very different Young’s inspired instinct sounds. Reconstituting Crazy Horse with early member Nils Lofgren on Colorado (2019), after “Poncho” Sampedro’s retirement, covered similarly pedestrian work with his old band’s comforting sound. This follow-up has Read more ...
Guy Oddy
Christmas albums can traditionally be slippery beasts with a whole host of quality control issues. This is not unlike the compilation albums that also make an appearance at this time of year, with one or maybe two previously unreleased tracks, which are targeted to separate long-term fans from their cash.An artist may write a handful of tunes to celebrate overindulgence, inclement weather and, occasionally, a mythical birth at the eastern end of the Mediterranean. However, from there on in, it’s usually cover versions that sound like carbon copies of the originals and shockingly large amounts Read more ...
Graham Fuller
Just as love's downward spiral can deconstruct a lover's sense of self, so SJS's plangent post-modern prog deconstructs itself as it ebbs and flows toward gorgeous but muted crescendos.On the band's second album The Unlikely Event, lovely melodies stop dead and mutate. Electronic interjections – like leaks from a nerve centre or a super-computer – fizz, throb and splutter out. A searing guitar solo, bent on rockist glory, suddenly falters, chokes and has to regather itself. Uncertainty and impermanence rule.In 2017, English musician-producer-engineer Stuart Stawman launched his Australia Read more ...
Kieron Tyler
The picture seen above doesn’t have quite the same resonance as Art Kane’s 1958 shot A Great Day in Harlem which brought 57 American jazz musicians in front of his lens, but it is nonetheless significant. Here, in 1971, is an evocative, unique record of a moment in West Midlands music history. The shot was taken at the opening of Heavy Head Records, a Sparkhill record shop run by Move/Electric Light Orchestra drummer Bev Bevan. The shop was formerly a toy store run by his mother.In the front, from left to right, are Rick Price, Ozzy Osbourne, Raymond Froggatt, Jeff Lynne, Bev Bevan, Tony Read more ...