New music
Guy Oddy
Felt Mountain is not one of Goldfrapp’s most dynamic albums. So, what better venue to stop off in Birmingham to celebrate 20 years since its release than the iconic all-seater Symphony Hall? This the venue, after all, that is renowned for some of the best acoustics in the whole of Europe.That said, it’s not actually 20 years since Goldfrapp’s debut album first came out. That was in 2000. However, recent events have meant that a tour that was supposed to happen in 2020 got delayed until 2021, only to be rescheduled again to 2022. In fact, if it had got pushed back another year, it would have Read more ...
Thomas H. Green
I have a theory about Reef. In the mid-Nineties, when the Somerset outfit appeared, they were reviled by London music journalists. This was mostly because they sounded like a hoary, unreconstructed early-Seventies blues-rock band. Those same journalists, however, were excitedly touting bands who lamely emulated Kinks-ish Sixties-ness, faux new wave, or a mixture of both (ie Britpop). So, Reef, arguably, just choose the wrong decade at the wrong time.As an electronic vanguard zealot I sneered at all retro. So, I too disliked Reef. However, cards-on-the-table, decades later my partner digs them Read more ...
joe.muggs
Kranky, run in Chicago for very nearly 30 years now, is one of the most remarkably consistent record labels around. They helped define “post-rock” in the Nineties with key releases from the likes of Labradford and God Speed You! Black Emperor, and they’ve put out all manner of way out-there postpunk, psychedelic rock and electronica freakery, all well retaining a unifying aesthetic identity. And while doing all that, they have also quietly (how else?) become one of the most important platforms for ambient music in the world. With the likes of Loscil, Ethernet and Steve Hauschild they Read more ...
Thomas H. Green
“Play something we can dance to,” heckles a fan. “Fuck off, we are not a dance band,” fires back Wayne Hussey, leader of The Mission. He’s right. They’re not. But still there is dancing.One especially notable aspect of this gig is the total and vocal devotion of The Mission’s fans. Not only do they sing along loudly, en masse, to most songs, but they have their own football-style chants, sometimes making reference to Mission arcana beyond this writer’s knowledge. The band play the gig straight and sturdy, without banter, but the crowd lifts it.In terms of show, then, there are no bells’n’ Read more ...
Tom Carr
Although the term “hipster” has become degraded to well beyond cliché, Kurt Vile is one of those artists whose fans may indeed have that in-the-know smugness. With Vile, though, this is not a bad thing. Given the increasingly confidence-shedding nature of recent world events, Vile’s mix of indie rock with psychedelia and Americana makes for a welcome escape.His first studio release since 2018’s Bottle It In, (Watch My Moves) – replete with brackets – is 15 tracks long. There’s a whole lot to dive into, beginning with “Going on a Plane Today”. With this piano-led curtain-raiser, Vile mixes in Read more ...
Tim Cumming
Expansive, free-form, handmade and improvised, the extravagantly-titled The Liquified Throne of Simplicity is the fourth album from this freewheeling Slovenian trio of multi-instrumentalists. They forage among the world’s musics as well as their own, making their own handmade instruments, and creating huge tracks redolent of a borderless musical world where the guembri rhythms of the opening 20-minute track, “Wilted Superstition Engaged in Copulation”, ring and resonate with the sound of chimes, balafon, ocorina flute, ribab and viola, the peeling Egyptian double-reeded mizmar, plus "various Read more ...
Kieron Tyler
Fat Man’s Music Festival. The Haystack. Red Line Explosion. Stormy Petrel. Butterwick. Sweet Chariot. Names which don't immediately spring to mind.The factor linking them is also common to 1967’s “Let’s go to San Francisco” hit-makers The Flower Pot Men, The First Class, who charted in 1974 with “Beach Baby,” and The Ivy League, who went Top Ten in early 1965 with “Funny How Love Can be.”Then, there are well-known songs like “Hip Hip Hooray,” “Knock Knock Who’s There,” “My Sentimental Friend” and “Winchester Cathedral” which, respectively, were hits for The Troggs, Mary Hopkin, Herman’s Read more ...
Guy Oddy
It doesn’t happen very often that I find myself experiencing a performance of music that I don’t really know, sung in a language that I don’t speak – and completely entranced by what’s going on. But prior to this week, Mdou Moctar was a bit of an unknown quantity to me.Mdou Moctar (or Mahamadou Souleymane to his closest and dearest) and his three-piece band are Tuareg musicians from Niger and play muscular psychedelic desert blues sung in the Tamasheq language. To those who are unfamiliar with their recent Afrique Victime album (and those that have come before it), they have something of Read more ...
joe.muggs
The global popularity of Latin music in the past few years is almost incomprehensibly huge. 2017’s “Despacito” by Puerto Rican Luis Fonsi was the point where it became clear that Latin America – like South Korea – was now operating entirely on its own pop terms and making the rest of the world dance to its beat. And a look at global streaming charts will show consistently vast figures for artists like Brazil’s Anitta whose “Envolver” is currently the worldwide no.1 single with streams in the hundreds of millions. All of which has altered the shape of the Anglophone pop mainstream Read more ...
Nick Hasted
Jack White is still unsatisfied, and rock’n’roll still unfinished business for its most extremist exponent. His last pre-pandemic album, Boarding House Reach (2018), seemed a major blow to his career, its experiment in warped dynamics and Beat spoken-word relatively rejected, despite its chart-topping start, a setback barely arrested by the Raconteurs’ reunion.This fourth album in his decade-long solo career is barely more conventional than its predecessor, but is really a sequel to Lazaretto, in which The White Stripes’ fetishising of the blues was widened to absorb hip-hop and R&B. This Read more ...
Thomas H. Green
“You know you’ll always be my best friend” and “There’s no-one else who gets me quite like you” run a couple of the lyrics to “Happy New Year”, the opening song from Norwich duo Let’s Eat Grandma’s third album. And the whole is laced with love songs from band members Rosa Walton and Jenny Hollingworth to each other, not romantic love, but songs passionately, poetically affirming their long friendship.Two Ribbons is a celebratory synth-pop explosion but also laced with bittersweetness. It has a key back-story. Let’s Eat Grandma appeared six years ago, aged only 16, Norfolk schoolgirls firing Read more ...
Guy Oddy
Wet Leg’s self-titled debut album is one that has generated significant expectations over the past few months. Last year’s singles “Chaise Longue” and “Wet Dream” especially created all kinds of hype and led to plenty of media coverage.But now it’s here, Wet Leg feels somewhat lacking. Indeed, this exciting new noise doesn’t sound particularly new nor especially exciting. Instead, it’s rather insubstantial and it will be interesting to see how much play these tunes are still getting in a couple of months when the media hysteria has calmed down.Sure, many of Rhian Teasdale and Hester Chambers Read more ...