Film
Saskia Baron
I really wanted to like Good Luck to You, Leo Grande. It’s got a funny trailer and Emma Thompson has been passionately publicising her film. And while our screens are currently full of stories about twentysomething girls and their chaotic love lives, watching a 62-year old woman intent on enjoying sex with a younger man on her own terms seemed promising. Unfortunately, the film is overly talky and visually dull. Filmed under the restrictions of Covid, Leo Grande takes place almost entirely in a single hotel room, with one scene in the downstairs bar. It could have been a Read more ...
Saskia Baron
The animation may be stunning, but in every other department, Lightyear is a disappointment. It’s a crying shame for anyone who loved the original Toy Story and its (mainly) excellent sequels. If you were expecting a buzz from Pixar’s origin story, brace yourself instead for a damp squib. We’re told in a caption that what we're about to see is the sci-fi movie that Andy watched back in 1995, the thrilling adventure that inspired him to jettison his beloved cowboy figure Woody in favour of macho astronaut Buzz Lightyear. But something went wrong in Angus MacLane’s Read more ...
Saskia Baron
French filmmakers do family dramas so well, and none better than François Ozon when he is on form, as he is on Everything Went Fine.André (veteran charmer André Dussolier) is a wealthy industrialist and art dealer who, after suffering a debilitating stroke at the age of 85, has no wish to live a diminished life. His two daughters try to persuade him that the future still holds many pleasures, but over several months Emmanuèle (Sophie Marceau) agrees to make the covert arrangements for her father to travel to Switzerland. Assisted suicide is outlawed in France.The legendary Fassbinder Read more ...
mark.kidel
The Last Metro (Le dernier métro), from 1980, is without doubt one of François Truffaut’s best films: a story beautifully told, strong on character, sometimes funny and always profoundly moving. Most of the credit has gone to Truffaut and co-stars Catherine Deneuve and Gérard Depardieu, but there is a key member of the team whose name is barely known outside the world of French cinema history.There are echoes here of the director's 1973 La nuit américaine (aka Day for Night), a film also set behind the scenes of show business, whose strength derives to a large extent from the many Read more ...
Graham Fuller
Like her first two features, Lucile Hadžihalilović’s Earwig is an oneiric coming-of-age drama that uses body horror imagery as a metaphor for the daunting unknowns – sexual and emotional – to be encountered in adulthood.Eschewing narrative logic, which some viewers will find frustrating, it depicts the ordeal of a little girl who has failed to develop secondary teeth. The unexplained involvement of her protector with a waitress, which is limned with erotic violence, intersects with the girl’s story. It dilutes the maturation theme, but amps up the movie’s power by adding layers of Read more ...
graham.rickson
Salvador Dali loved when he saw it, describing Steven Arnold’s debut feature as “an extraordinary, fantastic film”, subsequently inviting Arnold to help decorate his museum in Figueres.Maybe you just had to be there; viewing the film on a sunny afternoon in suburban Leeds can’t compete with hanging out at New York’s St Regis Hotel in 1974. Second Run’s release of this 1971 curio is well worth a look, though I’d suggest watching the videoed introduction from media curator and film historian Steve Seid before pressing play. Seid was instrumental in the preservation and rerelease of Read more ...
Markie Robson-Scott
The piercing-eyed German actor Udo Kier is best known for his supporting roles in many high-profile films, including those of Lars von Trier, Gus Van Sant and Fassbinder. In Swan Song, he carries off his first starring role magnificently as wry ex-drag queen and Ohio hairdresser Pat Pitsenbarger, though the film itself is rather meandering and has mawkish, saccharine moments.Director Todd Stephens (Another Gay Movie; Gypsy 83) based Mr Pat on a real character from his home town of Sandusky, Ohio. The film is a nostalgic journey, looking back at the days before gay dads became a norm (“I Read more ...
Matt Wolf
A birthday weekend in Devon goes rather badly wrong in All My Friends Hate Me, the new film co-written by its leading man, Tom Stourton, that looks guaranteed to make shut-ins of us all.The antithesis of the warm-and-fuzzy gatherings proffered onscreen over the years by the likes of Kenneth Branagh and Richard Curtis, Andrew Gaynord's film directing debut is compulsively watchable, in an increasingly grim way. But I'm sure I wasn't the only one wondering somewhere past the midway point why the likeable-enough Pete (Stourton) doesn't just cut his losses and drive away.The character's name can' Read more ...
Nick Hasted
Franchise burnout continues apace, in this asteroid strike of a finale. Doctor Strange in the Multiverse of Madness showed the previously agile and humane Marvel machine weighed down by plot mechanics and fan service, and this Jurassic Park/World trilogy unification bout proves a pointless, often ponderous 146 minutes. As post-pandemic cinema moves to total dependence on such sequels, their creative entropy could be an extinction event for filmgoing itself.Mainstream cinema has long been based on childhood nostalgia, and is now aimed at adults weened on Jurassic Park, the Star Wars prequels Read more ...
Graham Fuller
Commenting on Australia’s horrendous colonial history at the start of an audio commentary packaged with this BFI Blu-ray release of John Hillcoat’s impeccably directed, newly restored The Proposition (2005), Alexandra Heller-Nicholas declares, “It’s fucking awful.”Critics are usually more circumspect on the record, but Heller-Nicholas’s reflection on the genocide of the First Nations people and the attendant squalor visited on the Lucky Country by the lawless settlers of the 19th century strikes the right note. She and her colleague Josh Nelson sustain her anger and disgust throughout their Read more ...
Markie Robson-Scott
French director Mia Hansen-Løve’s graceful, intriguingly open-ended seventh feature, and her English-language debut, is set on Fårö, the island that Ingmar Berman loved.“This is your landscape, Bergman. It corresponds to your innermost imaginings of form, proportions, colours, horizons, sounds, silences, lights and reflections,” he wrote. He lived on the island for 40 years and made several films there, including Through a Glass Darkly, Persona and the TV series that inspired millions of divorces, Scenes from A Marriage.In Bergman Island, the Swedish director is an inspirational presence, Read more ...
Nick Hasted
This maggoty English pastoral blurs into folk- and body-horror, as Alex Garland dissects a relationship’s mournful aftermath, and sends toxic masculinity into toxic shock.Harper (Jessie Buckley) rents a grand Cotswold cottage in the grounds of bumbling, benign aristo Geoffrey (Rory Kinnear, pictured bottom with Buckley), seeking to put her marriage’s brutal end behind her. It still haunts her in broken flashback: facing James (Pappa Essiedu, picture below with Buckley) in a sunset-red flat as their marriage viciously unravels. Essiedu’s soulfully demonic James is unable to understand why Read more ...