Film
Nick Hasted
In Park Chan-wook’s strange Cannes prize-winning thriller, a husband is discovered mangled beneath a mountain, and pretty widow Seo-rae (Tang Wei) isn’t noticeably upset.Brilliant young detective Hae-jun (Park Hae-il) becomes obsessed as their breaths synchronise in the interrogation room, a piquant tremor after the erotic floods and earthquakes of Park’s The Handmaiden (2016) and Stoker (2013). Back home, Hae-jun cooks sensuous food for his quick-witted, beautiful wife, domestic and sex life decent enough. Yet even as the murder case closes, he spies on the widow, voyeurism Read more ...
Adam Sweeting
Previous works by screenwriter-director Martin McDonagh, which include In Bruges and Three Billboards Outside Ebbing, Missouri, might give you an inkling of the perverse and tantalising mindset that lies behind The Banshees of Inisherin… but then again, perhaps not. You could call it a drama, or a comedy or a tragedy. You might even call it a parable.The little stub of plot around which McDonagh has built his narrative is bafflingly simple. It’s 1923. Colm and Pádraic live on a tiny island off the coast of Ireland called Inisherin. They’re long-standing friends, and every evening they go to Read more ...
Saskia Baron
The London Film Festival ended with the announcement of assorted prizes, all well-deserved. My colleague Demetrios Matheou has already written here about the Chilean political thriller, 1976, which won Best First Feature, and we’ll be writing in depth about the  Best Film winner, the Austrian historical drama Corsage, when it opens at the end of the year. I was most pleased that All that Breathes was awarded the Grierson Award for Documentary. This moving, subtle, and beautifully made portrait of two brothers in Delhi who dedicate their lives to saving Read more ...
Saskia Baron
This rather disappointing documentary about the great American painter Edward Hopper (1882-1967) has such a dry parade of experts and such a slow linear narrative that it leaves plenty of time to be frustrated by all that’s been left out.Made by the veteran arts documentarian Phil Grabsky for the Exhibition on Screen series, the film features undated on-camera interviews with Hopper and his wife. How difficult would it have been to caption them with a date and a source? And despite following a conventional chronological structure – birth to death – we don’t get much sense of when Hopper Read more ...
Mark Kidel
The release of each box-set in the BFI’s Blu-ray four-volume collection of Ingmar Bergman films is a delight. Volume 3 provides some of the Swedish master’s essential works.Most of them are as dark as they come. The Scandi Noir that has flooded our screens in the last few years is black in its own way, and despair is seldom absent from it, but "Bergman noir" is something else. Relentlessly – and the eight films in this set, from The Virgin Spring (1960) to The Silence (1963), from Through a Glass Darkly (1961) to Persona (1966), are equally relentless Read more ...
Demetrios Matheou
Coming towards the end of the year, the London Film Festival generally has a “the best of the rest” feel to it, offering an excellent overview of the year’s releases. And what this edition shows is an encouraging, and very satisfying expression of women’s growing empowerment outside and within cinema.The sense of voices being heard is even shared by the titles of two films made by and specifically about women, both of which must feature strongly in the upcoming awards season that leads to the Oscars. She Said concerns the exposure of Harvey Weinstein’s serial sexual abuse of Read more ...
Nick Hasted
It doesn’t really end till the last dollar’s earned. But David Gordon Green’s Halloween trilogy, and Jamie Lee Curtis’s signature role, draw to an eventually satisfying close here.Four years after Michael Myers’ bloody Halloween return, Laurie Strode (Curtis) is healed enough to be bashing out a trite survivors’ memoir, and bonding with granddaughter Allyson (Andi Mabichak, filmed with Green’s customary lustrous devotion to youthful female beauty). A spectacular pre-credits sequence meanwhile introduces Corey (Rohan Campbell, pictured below with Mabichak), whose typically catastrophic spell Read more ...
Saskia Baron
This extraordinarily moving film made history when it became the first documentary to win the top non-fiction awards at both Sundance and Cannes. All that Breathes is the second film directed by Shaunak Sen, shot in Delhi in 2019/2020 during the violence that followed the Citizenship Amendment Act that discriminated against Muslim migrants.Sen’s cameras follow two brothers, Nadeem Shehzad and Mohammad Saud who have devoted their lives to saving the city’s sick and injured black kites. Scavenger raptors, the birds circle the noxious, darkened sky. They live off urban scraps and Read more ...
Demetrios Matheou
There were decidedly mixed, north-south emotions on the film festival circuit last week: just as the latest edition of the BFI London Film Festival opened, administrators announced the immediate closure of its illustrious UK cousin, the Edinburgh International Film Festival, along with two of Scotland’s most beloved cinemas. So just as one capital prepared to celebrate cinema – and cinemagoing – another was struggling to come to terms with a kick in the teeth to its cultural heritage, caused by the deadly combination of rising costs and declining, cash-strapped audiences. The Read more ...
Nick Hasted
Santiago materialises through white clouds like a secret city, concealed by the elements. In this conclusion to Patricio Guzmán’s trilogy documenting the long nightmare of Chile’s coup through its landscape, the Cordillera – the country’s Andes spine – is an impassive, monumental witness to the Pinochet regime’s buried acts, and victims’ graveyard. The land, Guzmán suspects, can remember.Guzmán endured mock executions then entered exile after Pinochet’s fatal, CIA-backed 1973 ousting of left-wing President Allende. In The Cordillera of Dreams and its predecessors, the boy lover of science- Read more ...
Veronica Lee
Richard III is a controversial figure, and will remain so after this film, which tells the remarkable story of how Philippa Langley, a woman with no background in academia, archaeology or as a historian, led the search to find the grave of the “usurper king”.It comes with a slew of accusations and counter accusations; some historians believe it wrongly absolves the king of any blame over the murders of his nephews, the young “Princes in the Tower”; Leicester University (whose archaeologists performed the successful dig) say they led the excavation, while Langley says she did but was sidelined Read more ...
Nick Hasted
Antonioni was a poet of enervated alienation, sold, like early Godard, by profoundly beautiful actors, and perfected in the sun-bleached lassitude of Monica Vitti’s search for her missing friend in L’Avventura (1960).He wandered the world after 1964, applying his hip imprimatur to cultures in flux, from a fantastic, sexy, paranoid Swinging London in Blow-Up (1966) to Communist China in Chung Kio, Cina (1972), and drew Jack Nicholson into his games of existential ennui in The Passenger (1975). Returning to Italy for one last Vitti film, The Mystery of Oberwald (1980), which he dismissed, Read more ...